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Personalia

The Rhodes Collection includes military uniform, his dress clothes, school blazers, flags and cloths including material relating to Cecil Rhodes (1853-1902) and to Sir Herbert Taylor (1865-1943) and books on Rhodesia and Africa from the collections Mr Hugh Marshall, a former colonial officer in Northern Rhodesia, and other donors. The collection of the former Rhodes museum, which were acquired in 1938, include various pieces of furniture, household effects and memorabilia associated with the life and times of Cecil Rhodes, including portraits of Rhodes and his associates. Items were also donated which had belonged to his brother, Frank, to Louisa Rhodes and to his father Rev. Francis Rhodes. Personal items include watches, clocks, prayer books, walking sticks and cigarette case. The ethnographic collections include basketwork, beadwork, woodcarving, tools and weaponry, musical instruments, masks and domestic art from many countries across sub-Saharan Africa. Portraits, watercolours, etchings and a collection of watercolours detailing Rhodesian flowers by Agnes Strickland.; The Rhodes collection includes an archive of images from Southern Africa from the mid 19th century, Rhodes family portraits and views of Bishops Stortford. Also postcards of local views, Rhodes House and African views. There is a small collection concerning mining and geology in southern Africa.

Local and Social History

The museum holds collections of domestic items including household equipment, tools, tins, needlework items, china and glass and toys and games, sports and recreations such as cinema and theatre programmes. Local trades and industries are represented by carpentry handtools, shoemaking tools and accessories, bricks and brickmaking tools, plumbing tools and accessories, measures, shop fittings and signs relating to local trades and printing machinery and items from other local industries. The museum has a small collection of agricultural hand tools. There is a small collection of local costume mainly Victorian/Edwardian. There is a small collection of local archaeology, both stray finds and material from local digs, including pottery and other artefacts, a stone coffin and skeleton, plaster panels and timber sections. The collection includes local history documents, printed ephemera and the archive of Sir Walter Gilbey. The museums local collections include about 630 photographs of local views and people and about 200 postcards.

Archives

The major local history archive is that of Sir Walter Gilbey, and contains personal correspondence, documents of the W and A Gilbey Wine Co and the family connections. The Rhodes collection includes letters, official documents, wills, birth certificates, newspapers and journals, books and printed material such as histories of southern Africa, Rhodes biographies, maps, albums, programmes and catalogues. The collection includes newspapers letters, books photographs and other items belonging to Sir Herbert Taylor (1865-1943) Chief Native Commissioner, Matabeleland, 1895-1913, Chief Native Commissioner, Southern Rhodesia 1913-28.

Source: Cornucopia

Date: Not known, but before 2015

Licence: CC BY-NC

The Bishop’s Waltham Historical Collection opened in 1898 in the hallway of the Bishop’s Waltham Institute in Bank Street. It comprised items collected by local antiquarians, items from the parish council such as the bell from the demolished market hall, padlock from the local stocks and collected items such as prints, paintings, coins and locally made clocks. In the early days the objects were looked after by the schoolmaster. On his death they came under the care of the Parish Council and were renamed the “Parish Treasures”.

Around 1980 a group of local historians got together to discuss the possibility of a proper museum in Bishop’s Waltham and the Bishop’s Waltham Museum Society was born. The members scoured the town for suitable premises for a permanent museum. They found a derelict outhouse behind Barclays Bank.

After several months of discussions a lease was arranged at a peppercorn rent. The Bishop’s Waltham Museum Society became the Bishop’s Waltham Museum Trust a registered Charity. Extensive repairs and refurbishments were carried out by local traders and volunteers and the Museum opened at Easter 1987. For 15 years the museum opened regularly from April to October. The collection grew with donations from local people of social history until the room for display and storage was becoming a problem.

In 2002 the opportunity arose to open negotiations once again with Barclays Bank on the possibility of leasing the adjoining kitchen. Barclays agreed that the Museum could lease the kitchen on the same terms as the Scullery. After 2 years of discussions with solicitors, consultants, builders etc. an archway between the two rooms was eventually constructed in February 2004. The new Museum re-opened in April 2005.

John Bosworth was Curator until 2005 when he died after a long illness. John was responsible for the collection as it is now. He devoted his life to the museum, collecting artefacts and keeping a photographic testimony of the village life. With his death a lot of knowledge and information was lost. While the provenance of objects cannot be re-established, documentation has since been improved.

In 2006, Barclays Bank building was sold and the peppercorn rent agreement expired. Search for suitable premises began. The only obvious building was the farmhouse within the grounds of the ancient Bishop’s Waltham Palace, one of the palaces of the Bishops of Winchester. Discussion with English Heritage started and an agreement was signed in September 2008 whereby the museum would be housed in the ground floor of the Palace Farmhouse. Under the present Maintained Property Agreement (MPA), the Museum has free use of the building, heating and lighting but contributes towards rates and water cost. In return the Museum Trust has the responsibility to open, close and inspect the Palace Grounds in addition to running the museum. The upper floor is reserved for English Heritage Palace exhibition, which was kept in the building after English Heritage vacated. This collection mostly comprises finely carved masonry from the palace buildings and a model of the palace.

Source: Collection development policy

Date: 2021

Licence: CC BY-NC

The collection is comprised of artefacts and archaeological material covering pre-history through to the present day. The Victorian period is particularly well covered with exhibits of the local terracotta, brick and tile works and other local businesses, domestic and agricultural objects.

The Parish Treasures

The Parish Treasures are the original items in the collection. At present they are on long loan from the Parish Council but it is hoped they will be acquired by the museum in 2030.

English Heritage Collection

These items, mainly carved masonry, remain the responsibility of English Heritage but form an important display in the museum relating to the Palace itself.

Archaeology

The collection is comprised mainly of field walking materials and of finds from the Southbrook excavation. All the material is from within the Parish of Bishop’s Waltham. The period represented is from prehistoric to the early modern.

Archive and printed ephemera

The collection contains deeds and plans, maps, Parish magazines, business invoices, trade catalogues, pamphlets and many unrelated items from within the collection area.

There is a small library of books and articles relevant to the history of Bishop’s Waltham but these are not part of the collection.

Photographs

The photograph collection of the previous curator is extensive and in the process of being catalogued. It includes copies of early photographs and postcards and his own personal photographs taken over decades. Over 2,500 photographs have been scanned and catalogued with approximately 500 to go.

Social and Industrial history

Domestic items are associated with the home, laundry, preparation of food, local pastimes and sport.

Trade items are associated with Mrs Askew Shop, Gunners bank, Arthur Helps terracotta pottery, Blanchard brick and tile work, local mineral water and brewery businesses, Padbury clockmaker, Etheridge blacksmith

Austin and Wyatt property management documents have been acquired as an archive and are in the process of being sorted before accessioning individual items related to the parish.

Agricultural life

The collection includes various tools and equipment used on local farms.

Military History

The collection consists mainly of material from the two World Wars and a small number of items related to the Bishop’s Waltham Palace and the Civil war.

Art and paintings

The collection includes eighteen century prints of BW palace, framed photographs and 19th century oil paintings representing the village square, and 20th century paintings of the town and station.

Source: Collection development policy

Date: 2021

Licence: CC BY-NC

The Museum Collections contain:

• Paintings and prints
• Medals and decorations awarded to members of the Regiment
• Uniforms and accoutrements of The Black Watch
• Colours, pipe banners, flags associated with the Regiment
• Trophies, weapons, silver and miscellaneous items
• Archived material

The collecting area for the Museum is not defined geographically. Material will be acquired on the basis of a proven connection with The Black Watch. The collections will therefore consist of items (including digital media) relating to The Black Watch Regiment (Regular, Territorial, affiliated, volunteer and militia) and Battalion (3SCOTS), and its history. This can include:

• Items owned by, or used by, members of the Regiment/Battalion or their immediate families
  • and originating in the traditional recruiting areas for the Regiment
  • or originating in the areas where the Regiment/Battalion or members of the Regiment/Battalion have been stationed for peacetime training or operations
  • or originating from Theatres of War in which the Regiment/Battalion or members of the Regiment/Battalion have been present.

Source: Collection development policy

Date: 2019

Licence: CC BY-NC

Blake Museum was founded by Bridgwater Borough Council in 1926, and initially concentrated on General-at-Sea Robert Blake and the Battle of Sedgemoor to the exclusion of pretty-well everything else. From the 1950s Social History was included. In 1957 No 7 Blake Street was purchased, allowing the Museum to expand towards the Mill at the end of Blake Street. In the 1960s when the local brickworks closed down, a number of artefacts were acquired. In 1974, the local government changes meant the museum’s building and contents were transferred to Sedgemoor District Council. In 1983 a Museum Custodian was appointed by the District Council and later the Council tried to close the museum. Following protests, the museum was run by volunteers, but funded by the Council, with a voluntary administrator. He was succeeded by a paid Museum’s Officer. In the early 1990s the Bridgwater Museum Trust was formed to purchase the Mill to allow for expansion of the museum, but in 1995 an arson attack destroyed the upper floor of the Mill, but without material damage to the museum collections. In 2000 a full-time education officer was appointed. In 2002 a new Museum Officer was appointed on the retirement of the earlier one. On the autumn of 2007, the District Council announced it was to close the museum, disperse the collection and redevelop the site.

After comprehensive negotiations, the District Council, agreed to transfer the museum and contents to the Bridgwater Town Council, and it would be run by volunteers from the Museum Friends. The transfer was effected on 1 April 2009. For the next four years serious work was undertaken in the museum to bring the building up to modern standards.

Source: Collection development policy

Date: 2015

Licence: CC BY-NC

Subjects

Archaeology

The collection consists mainly of finds from archaeological digs, and chance finds. The principal source for much of the collection has been from the fieldwork of Bridgwater and District Archaeological Society. The collection also includes plans, drawings and some archive material. Approximately 50% of the material is from Bridgwater itself and the remaining half from the surrounding area. the period represented is from the Prehistoric period to post mediaeval. The collection includes 2 Mesolithic skulls, found at Greylake, near Othery. A significant collection of local Roman material, forming the Tarrant collection, includes numerous examples of cast brooches.

Archive, Printed Ephemera and Photographs

The material held by the museum supports the social, industrial, and military history collections. The Archive and Ephemera contain letters of Admiral Blake and the Duke of Monmouth, trade catalogues and carnival and political posters, electoral registers and pamphlets. The Photograph Collection is very extensive and has been catalogued. It represents the work of several local photographers and extends to subjects outside the collections area but is retained as their oeuvres. The material includes glass plates, negatives, original prints from the 1860s and later, transparencies and colour prints. Some of the museum’s archive material is housed in the Somerset Record Office

Social & Industrial History

The existing material has been divided into four categories: domestic, agricultural, maritime and industrial . The collection contains a number of typological groups, such as Friendly Society Brasses, Horse Brasses and Constables’ Staves and Truncheons, as well as individual items of particular note; e.g. the L’Escopette Camera (one of only three known in existence, it has a Bridgwater association). Domestic life includes artefacts associated with the home, laundry, preparation of food, and leisure pursuits. Items that reflect community life include that from educational establishments, societies, churches and public houses, local Guy Fawkes Carnivals. Rural life is represented by a small collection of agricultural machinery and tools, blacksmiths’ bellows, saddlers’ tools and dairy equipment. Industrial material includes an extensive brick and tile collection, brewing, glass making, bell founding, and the port trades of shipbuilding and rope and sail making. The maritime collection, includes a sizeable collection of model ships, a model representing Bridgwater Docks circa 1900, various documents, and a selection of craft tools from associated trades. The period covered is from Tudor to the present. A large collection of the museum’s brick and tile material was transferred to the Brick & Tile Museum at Bridgwater in the 1990s. Some Carnival material was transferred to the Bridgwater Carnival Centre in 2010.

Costume and Textiles

The collection, largely collected during the 1980s, consists mainly of women’s garments dating from the nineteenth century, with some examples of twentieth century items. Menswear is under-represented, but there is a stronger selection of underwear and children’s garments, and fashion accessories of the Victorian period. There is a small collection of samplers which includes some eighteenth century examples, and lace making paraphernalia. In 2000 the Museum acquired material to represent the products produced by the textile industries in Bridgwater in the 20th Century. Much of this material is of national significance, in particular products made by S. Leffman and Son (later Baird Clothing) and shirt and collar manufacturers. The collection is severely constrained by storage and display space, which is inappropriate for much of the material.

Decorative Arts

The museum has a small collection of Decorative Art items, which are illustrative of its major themes, in particular furniture and artefacts, associated with the seventeenth century and with Robert Blake. Of particular note are Blake’s sea-chest, and a stained glass panel by Edward Frampton dated 1889 depicting Blake’s funeral. On loan from the Alford family are items of personal effects connected with three Somerset families. The museum also has a small collection of presentation silver and artefacts associated with the Borough of Bridgwater. Of individual interest is a nineteenth century replica of the Alfred Jewel, as well as several clocks made in the town.

Fine Art

This is almost exclusively confined to two-dimensional graphic art, and comprises maps and prints of a local and topographic nature, watercolours and oil paintings dating from the seventeenth century. The material includes pencil drawings, pictures and silhouettes of three Somerset families, on loan to the museum. Over 300 drawings, paintings and water colours by John Chubb (1746-1818) represent a substantial proportion of the work of the Bridgwater-born artist. The collection is complemented by nineteenth century prints of his sketches of the town.

Military History

The collection consists mainly of material from the Civil War period, the Battle of Sedgemoor and the two World Wars. Some Battle of Sedgemoor material is on loan to the Battle of Sedgemoor Heritage Centre at Westonzoyland.

Numismatics

The collection includes coins, military commemorative medals of local significance, a small number of Somerset bank notes and about forty public house and trade tokens of local provenance.

The Geographic Area of the Collections

The Museum has acquired items originating from, used in, or having connections with, principally, but not exclusively the Town of Bridgwater and the parishes of the former Rural District comprising: Ashcott, Bawdrip, Bridgwater, Bridgwater Without, Broomfield, Burtle, Cannington, Catcott, Chedzoy, Chilton Polden, Chilton Trinity, Cossington, Durleigh, East Huntspill, Edington, Enmore, Fiddington, Goathurst, Greinton, Lyng, Middlezoy, Moorlinch, Nether Stowey, North Petherton, Othery, Otterhampton, Over Stowey, Pawlett, Puriton, Shapwick, Spaxton, Stawell, Stockland Bristol, Thurloxton, Wembdon, West Huntspill, Westonzoyland, Woolavington and, in the District of West Somerset, Stogursey. The Museum has also collected items relating to Burnham and Highbridge Carnival which relate to Bridgwater Carnival Clubs.

Source: Collection development policy

Date: 2015

Licence: CC BY-NC

The Museum’s collections come from two sources. The first part of this consists of objects formerly belonging to Mrs Betty Penny MBE, and originally held in the care of the Costume Settlement Trust, of which Mrs Penny’s son Anthony was the principal Trustee.The Trust was dissolved in 2015, and the title of these items was transferred by Deed of Gift to Blandford Fashion Museum.

Since it was established May 1996 the Museum has also been acquiring objects separate to those in the Trust, primarily by donation from the public, and in keeping with the Museum’s collecting remit, described below.

In 2020, the museum was bequeathed a small number of textiles formerly belonging to the sculptor Elisabeth Frink, from the estate of RLB Jammett.These were accessioned and added into the primary collection.

Source: Collection development policy

Date: 2025

Licence: CC BY-NC

The primary collection is the costume collection, which contains around 6000 items dating from the eighteenth century (1735) to the late twentieth (1989). It is primarily focussed on womenswear, the bulk of which is from the nineteenth and twentieth centuries. Much of the collection reflects fashions worn by the middle classes, with a significant collection of wedding dresses. The collection also contains a wide range of shoes, hate and sleepwear as well as childrenswear and a small selection of menswear.

Around two hundred of the items in this collection were formerly owned by the Costume Settlement Trust, with an emphasis on ladies’ fashionable dress with a good mix of day and evening wear. The collection includes some items of fancy dress and some smocks.

In addition to the primary collection, the Museum holds three further collections. These are:

• Artefacts from Mrs Penny’s collection and further artifacts acquired since the Museum opened for the purposes of display and furnishing of interiors. Separate records are kept of these items.
• Archival material relating to the Cavalcade of Costume, including film, photographic and paper, photographic and paper materials. Separate records are kept of these items, and many have been digitised. They are available for the public to view upon request.
• Costume items in the handling and education collections, which are not fit for display and are therefore not accessioned to the primary collection, but which are used to further the Museum’s educational and outreach purposes. Separate records are kept of these items.

Source: Collection development policy

Date: 2025

Licence: CC BY-NC

In 2007, Blandford Museum Trust adopted in its entirety the Museums Association Code of Practice for Museum Authorities (1987), now the Code for Museum Governing Bodies.

The history of Blandford Museum has been set out in the booklet: Blandford Forum Town Museum: The First 21 Years, by Pam Le Bas, former Museum Archivist. The majority of the museum collection has been the result of the efforts of first curator, Ben Cox, who both assembled the collections and managed the exhibits. The purpose of the museum is to display these objects and inform the public about them.

Blandford Museum traces the history of Blandford and surrounding villages from prehistoric times to the present. Blandford Museum Trust was formed in 1975, and the museum was formally opened in 1985. The existing collections form the bulk of the collections held by Blandford Museum Trust. They contain mainly 19th and 20th century material, with a small range of items from the 18th century. We are starting to collect more items from second half of the 20th century and even very recent items if they are of special relevance to the Blandford area. This is putting a strain on our storage space and the Trustees are considering ways to deal with this problem. Currently, we use local storage, but one of our Strategic Aims is to acquire another building for expansion.

Source: Collection development policy

Date: 2023

Licence: CC BY-NC

Palaeontology & Archaeology

The museum holds a few fossils from the Jurassic to Cretaceous, such as dinosaur footprints and a partial skeleton of a Plesiosaur. There is also a small archaeological collection from the Upper Palaeolithic of the area in the immediate vicinity of Blandford. Later remains are from the Shillingston Roman villa, and Roman artefacts from Hod Hill. The archaeology display includes material from Cranborne Chase, Roman remains on loan from the County Museum, and Mediaeval artefacts.

Mediaeval

The Museum’s Mediaeval artefact collection is small because so much was destroyed by the devastating fire in 1731. Some stone work from the former church and a few artefacts form the current collection. Items do still periodically come into the museum.

17th to 20th century artefacts

These artefacts comprise the bulk of the museum’s holdings. They relate to five main areas:

1. Agriculture – a collection of tools from rural Dorset, mainly 19th century. Some of these are on display on the ground floor.
2. Domestic and Office – a collection of domestic artefacts, much of which is on display in the reconstructed Victorian kitchen, domestic music and office data equipment.
3. Rural crafts – collections of tools for cobbler’s workshop and blacksmith’s forge, together with the material products of these crafts, are held by the museum and are on display in two reconstructed workshops. The museum also holds saddlers’ artefacts mostly on display.
4. Transport – a key area of expansion in Blandford Museum is the collection of railwayana relating to Blandford railway station. A scale model of the station has been built, and railway signs and artefacts are being collected. A large collection of books and maps has recently been acquired, and photographs are being collected. We are currently developing collections of bus artefacts, including uniforms and bus signs.
5. Toys – the museum holds a good collection of toys, including unique 19th century objects, mostly on display in a reconstruction of a Victorian child’s playroom. The museum also has a selection of Wend-al toys made during the mid 20th century in Blandford.
6. Education – a small collection of 19th century school room artefacts are held, and these are on display with the complete costume and artefacts of a Blue Coat boy from the former Blandford charity school. We have also acquired the entire archive of St Leonard’s School which closed down in 2006.
7. Public Services – small collections of police and fire brigade artefacts are held, mostly from the 19th and early 20th century. Ration books and other war time artefacts are held and on display.
8. Military – good collections of medals, uniforms, military hardware, gas defence artefacts, home guard, ARP, and government literature. These are currently on display on the upper floor, including a purpose-built display from the Boer war to WW2. We hold a small collection of Nepalese objects relating to the Nepalese community residing in Blandford due to the Royal Signals Camp nearby.
9. Coins and commemorative medals – small collections of these are held in the museum but mostly not on display.
10. Costume – the museum holds a large costume collection, including domestic, military, Public Service, Local Government, rural smocks and a good collection of Victorian accessories such as scarves, umbrellas, quilts, embroidery, gloves, sticks and many others. There is also a small collection of Dorset buttons. In general the museum does not exhibit costume since there is a separate costume museum in Blandford, and we restrict exhibits to costumes of historical importance to Blandford.
11. Town Council – there are several types of artefact recording the local political history of Blandford. There is a selection of civic robes; the town pillory is exhibited on the ground floor; a misericord is on loan from the Town Council; and the Bond doors from the old Customs and Excise on White Cliff Mill Street are in storage offsite to dry out for a year in preparation for conservation work to be carried out.
12. Local individuals and families – material from some of the historical families is preserved, mostly photographic but some artefacts as well: the Portman family, Ryves and Rogers families, Jack Counter VC, and the Bastard brothers who rebuilt Blandford in the mid 18th century.
13. Music – a small collection of musical instruments, some on loan from the Town Council such as the Serpent and Ophicleid, and a flute made by one of the Barfoot family in Blandford. We also hold the costumes and instruments from Blandford Marching Brass Band.
14. Clocks – several Blandford clocks are held by the museum, including a hand-made gravity clock and a recently donated 1720’s (pre-fire) clock, which came without a case but was otherwise completely intact. We received a grant to build a modern glass case which allows the workings to be clearly seen.
15. Art – the fine art collection consists of a number of early works by Alfred Stevens, the Victorian painter born and brought up in Blandford, and other works by David Wright, Herbert Neville, and Ruth Speke. During the construction of many of the recent exhibits we have also had paintings of people and places by Philip Le Bas, a well known artist, and Peter Rush, who specialized in papier mache figures. A recent diorama has also been contributed by Felicity Baker. Some of these artists have helped with contextual art for exhibitions. In addition, there are numerous paintings, drawings and etchings by other artists.

Photographic Archive

A photographic collection consists of circa 5000 images. Our main source has been the collection of Sam Jardine, who formerly had a photographic shop in Blandford, and was compiled by Ben Cox. It consists of black and white prints, colour transparencies from the collection of Ben Cox, and glass negatives from a variety of sources. The three main collections are of Blandford town and Dorset villages, and an increasing collection of photographs of the Somerset and Dorset railway. All have been digitized by the museum photo archivist. We are still collecting photos when possible. These are made available to users for a small fee.

Archive

Blandford Museum’s former curator published a number of books and booklets on many aspects of Blandford history, and in the course of this he built up an impressive archive. The archive is organized in two heads, Dorset villages and Dorset families, with a third currently being added on the Somerset and Dorset railway. We are always receiving new archival information, which is assessed by the Archive curators for relevancy to the museum and are incorporated into the collection accordingly.

1. Dorset villages – all villages within the collecting area of Blandford Museum have documentation of varying degrees of detail. This is currently being cross-referenced with the photographic archive, and when complete all information will be retrievable from either source.
2. Dorset families – most of the families of note living in and around Blandford have documentation of varying degrees of detail. This is being added to as information comes to hand.
3. Somerset and Dorset railway – transfer of the archive collection of John Evans is currently under way. He has already donated his collection of ~400 catalogued maps and a number of his books, and he is cataloguing the main part of his collection prior to handing it over. This archive consists of photographs and collected documentation spanning the ~100 year life of the railway. This work is still in progress.
4. Blandford area trades, services, and industries, local shops, archaeology, schools, and any other materials relevant to the Blandford area.
5. A well curated set of records on all soldiers appearing on the war memorials of 17 local villages. This work was donated to the museum from the Blandford U3A.
6. Materials relation to the British Monarchy (specifically Queen Elisabeth II Jubilees/death and King Charles III Coronation.
7. A long term aim is to scan the entire archive and maintain it online, but so far we have been working to put lists of material and indexes online and making them available on the museum web site.

Source: Collection development policy

Date: 2023

Licence: CC BY-NC

• Secrets Revealed introduction
• The Road to Bletchley Park. Codebreaking in World War One.
• Intel Security Cybersecurity exhibition. Online security and privacy in the 21st century.
• Lorenz Cipher
• Alan Turing
• Enigma machines
• Japanese codes
• Home Front exhibition. How people lived in WW2
• Office of Alistair Denniston
• Library. Dressed as a World War II naval intelligence office
• The Imitation Game exhibition
• Gordon Welchman: Architect of Ultra Intelligence exhibition
• Codebreaking offices as they would have looked during World War II.
• Interactive exhibitions explaining codebreaking
• Alan Turing’s office
• Pigeon exhibition. The use of pigeons in World War II.
• Life as a WRNS Bombe operator
• Bletchley Park: Rescued and Restored. Items found during the restoration work.
• Wartime garages
• 2366 Bletchley Park Air Training Corp Squadron

This article uses material from the Wikipedia article “Bletchley Park”, which is released under the Creative Commons Attribution-ShareAlike 4.0 International License.

Source: Wikipedia

Date: 2025

Licence: CC-BY-SA