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Brighton & Hove Museums
(collection-level records)
- Wikidata identifier:
- Q124513778
- Responsible for:
- Booth Museum of Natural History; Brighton Museum & Art Gallery; Hove Museum of Creativity; Preston Manor & Gardens; Royal Pavilion & Garden
- Also known as:
- Royal Pavilion & Museums Trust
- Instance of:
- museum service
- Museum/collection status:
- Designated collection
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q124513778/
Collection-level records:
-
Collection history (Collection development policy)
Royal Pavilion
The history of our organisation starts with the purchase of the iconic Royal Pavilion (built for George IV in the early 19th Century) by the Corporation of Brighton in 1850 after Queen Victoria
chose the Isle of Wight for her seaside home. The town’s policy of restoring and preserving the Pavilion was pursued from this time, with the Pavilion being used for a range of different civic purposes, the most famous of which was its role as a hospital in the First World War.
After the Second World War the state rooms were furnished for the Regency exhibition in 1947 and in the 1970s they were opened all year round. Today the restored rooms display many items which formed part of the palace’s original furnishings on loan from the Royal Collection and other items from the early 19th century.
Brighton Museum & Art Gallery
The origins of Brighton Museum & Art Gallery can be traced back to the Royal Pavilion when, following the purchase of the Estate in 1850, an annual show of paintings was organised and from the hanging fees it was hoped to form the basis of a permanent fine art collection. Further rooms in the Royal Pavilion were set aside for use as a museum displaying local private collections by worthies who had formerly been members of the old literary and scientific society. Collections were transferred to this Museum from the old Literary Institute. It was called The Brighton and Sussex Museum and was opened in 1861 by Richard Owen the famous Victorian naturalist and included Willett’s collection of Chalk Fossils – the first donation to the Museum – and Henry Turrell’s Mineral collection.
By the early 1870s the collections had outgrown the available space in the Pavilion and the Corporation opened the purpose-built Brighton Museum & Art Gallery in 1873 on the site of Queen Adelaide’s stables on the Royal Pavilion Estate.
The Booth Museum of Natural History
The Booth Museum, built in 1874 by Edward Thomas Booth (1840-1890) to house his personal and extraordinary collection of British birds, was bequeathed to the Corporation in 1890. RPM’s extensive natural history collections were relocated to the Booth from Brighton Museum in the 1970s.
Preston Manor
Preston Manor and its contents were bequeathed to the Corporation in 1932 following the deaths of its owners Sir Charles and Lady Thomas-Stanford. It opened as a museum in 1933, and it’s displays were enhanced in 1939 by a bequest of furniture, silver, porcelain and other items from the collection of designer and furniture historian Percy Macquoid. Today it is presented as an intriguing Edwardian House based how it would have looked before the First World War.
Hove Museum & Art Gallery
Hove Museum, once Brooker Hall, was purchased by Hove Corporation in 1926 and opened to the public as a Museum and Art Gallery in 1927. Today its family-friendly galleries display Royal Pavilion & Museums toys in the Wizard’s Attic, craft collections, material related pioneering Hove film-makers of the 1890s and 1900s, local history and fine art.
Source: Collection development policy
Date: 2020
Licence: CC BY-NC
-
Collection overview (Collection development policy)
RPM is responsible for over one million artefacts, the collections comprising Fine and Decorative Arts, Local, Social and Oral History, Archaeology, Costume, Toys, Coins, Weapons, Photographs, Film, Musical Instruments, the Natural Sciences, World Art, Egyptology, Rare Book collections and archives. Three of the collections have Designated status (recognised to be of national and international significance); these are Decorative Art, World Art and Natural Sciences.
Collections held by RPM:
Decorative Art
Designated collection comprising 17th century – present day British, European and American applied art and industrial design. This includes furniture and furnishing textiles, clocks and watches, metalwork and jewellery, glass and ceramics, also some Oriental and Islamic wares made for the European market and contemporary craft. The contemporary craft collection includes the Arts Council (South East) Craft Collection, comprising work in all media, by makers living or working in the South East region.
Natural Sciences
Designated collection covering local, British and international zoological, botanical and geological material, manuscripts and records. This includes The Booth Collection of British Birds, insects (especially Lepidoptera), osteology, birds’ eggs, herbaria, molluscs and fossils, and The Booth Book Collection.
World Art
Designated collection of objects and textiles c12th century – present day, with the vast majority of the collection spanning the period 1850-1950 and relating to Africa, Asia, Oceania and the Americas. Includes some archaeological and European folk material.
Musical Instruments
Instruments from the 18th-20th century. This collection comprises European instruments c1780- 1830, including a large collection of whistles, and ethnographic instruments c1850-2000 from Africa, Asia, Oceania and the Americas.
Fine Art
European old masters in particular from the Italian, Netherlandish, German and French schools, 18th-20th century British watercolours, 17th-20th century European prints, 16th century – present day British oil paintings, and the Heyer Bequest of 20th century American Post Abstract Expressionist paintings. Also includes Regency drawings, watercolours and caricatures in relation to the Royal Pavilion and topographical material relating to the history of Brighton, Hove and the immediate locality, including renowned personalities and events.
Costume and Textiles
British, West European and North American men’s, women’s and children’s costume and accessories from the mid-18th century to the present day, costumes from Les Ballets (1933) and some European national costumes. Needlework, samplers and quilts from the mid-18th century to the present day.
Toys and Juvenilia
18th century – present day toys, games, dolls’ houses and dolls including examples that represent particular cultural or ethnic groups. A small collection of nursery equipment and ephemera associated with childhood. A large proportion of this collection was acquired by the National Toy Museum & Institute of Play.
Film and Media
Lanterns and lantern slides. Material and equipment relating to film making in England and the the cinema in south east England, 1896 to the present day.
Edged Weapons and Firearms
14th-20th century British and European material. Firearms comprise mid-19th century sporting and other civilian firearms including target rifles, hunting rifles, and a representative collection of British revolvers.
Local and Social History
18th century – present day artefacts, ephemera, photographs and negatives, British 18th-20th century domestic, agricultural and manufacturing tools and equipment, and vehicles. Also includes reference material, books, journals, newspapers, ephemera and documentary archival material.
Archaeology
The archaeology collection is extensive and includes excavated material and stray finds of all periods from the Palaeolithic to post-Medieval predominantly from Brighton & Hove, and Sussex. Strengths include regionally important ice-age collections, internationally important material from Whitehawk Neolithic causewayed enclosure, and internationally important Bronze Age material, including the Hove Amber Cup assemblage and hoards from the area immediately around Brighton & Hove.
Egyptology
Egyptology from the pre-Dynastic era to the Roman period. There are approximately 1,700 individual objects represented, some of which relate to excavations by the famous Egyptologist, Flinders Petrie. The collection also includes a very important group of objects from Nubia/Sudan.
Numismatics
Classical Greek and Roman, Celtic, Anglo-Saxon, Medieval material through to the present, including Iron Age and Roman coins, British coins of all periods, as well as those from British overseas territories, and an important collection of trade tokens from Sussex, as well as others from the rest of Britain. The medal collection includes commemorative medals from Sussex, the majority of which relate to Brighton & Hove, commemorative medals marking events of national importance and some British service medals.
Oral History
Sound recordings made, commissioned or supported by RPM (oral histories and field recordings), or made privately by individuals or organisations acquired by donation, bequest, loan or purchase which relate to our current collections. The current sound collection includes recordings relating to archaeology, natural sciences, local and social history, fine art, world art, costume, decorative art, toys, film and media, Preston Manor, the Royal Pavilion, Brighton Museum, the Booth Museum and Hove Museum. The collection also holds the BBC Radio Brighton archive and local community oral history projects. Formats include wax cylinder, open reel, cassette, mini disc, CD, digital file and video.
Books and other Publications
Books, newspapers, and other publications can be found throughout our collections. Where such items are acquired as narrative and documentary information that supports knowledge about our collections, these should be considered part of RPM’s archive.
The Royal Pavilion
This collection includes original artefacts from the Royal Pavilion, Regency decorative and fine art relevant to the refurbishment of the Royal Pavilion, and documents, pictures and other items relating to the history, development, occupants and workers of the Royal Pavilion estate (up to the present time).
Preston Manor
This collection contains items formerly in the house or in the possession of the Stanford family (primarily before the house was acquired by BHCC in 1932), topographical material, photographs, oral histories and written testimonies relating to Preston Manor, the gardens and the occupants.
Learning Collection
This collection is formed from accessioned and non-accessioned material from across all RPM’s collections and is managed by the Learning Team as a collection of objects for use in learning sessions on site. Some objects are acquired for the Learning Collection on the understanding that they will undergo a certain amount of wear and tear.
Formal learning sessions for schools are co-developed with local teachers to ensure we meet the needs of the National Curriculum and wider issues surrounding children and young people. These place-based learning sessions draw on stories and collections that encourage a sense of belonging. Sessions currently include Ancient Egypt, The Stone Age, The Romans, The Victorians, Dragons, Murder Mysteries and Local History.
Source: Collection development policy
Date: 2020
Licence: CC BY-NC
Brighton Fishing Museum
(collection-level records)
- Wikidata identifier:
- Q4967641
- Instance of:
- maritime museum; local museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1880
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4967641/
Collection-level records:
-
Collection overview (Cornucopia)
Maritime
The collection features a full-size boat, boat models, fishing artefacts and other memorabilia associated with the fishing industry and seafront life from the Regency days to the post-war boom in pleasure boat operations.
Photographic
The museum has a large collection of visual images including many photographs, postcards and prints. There is a compilation of late nineteenth and early twentieth century films depicting the Brighton and Sussex sea fishing industry and the associated beach leisure trade (copyright South East Film and Video Archive).
Oral History
The museum has a complete copy of the QueenSpark ‘Catching Stories’ oral history archive, comprising audiotapes and transcripts of interviews with members of Brighton’s fishing community.
Archives
The museum’s main archive at present comprises some 6400 items of historical record stored on computer and backed up with original material or hard copies. In addition we have copies of many of the registration records of local fishing boats. The original 1891 census of the coastal towns from Shoreham through Brighton to Newhaven, an abstract of the 1881 census of Sussex, and an abstract from the 1851 census of Brighton are all held on microfiche. Census data relating to the fishing community is being posted on a computer and there is also a substantial family history resource available to the public. There is a small but growing library of fishing, maritime, local history, workshop, folk and museum books and periodicals.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Brighton Museum & Art Gallery
- Wikidata identifier:
- Q2790574
- Also known as:
- Museum and Art Gallery, Brighton, Brighton and Hove Museums and Art Galleries, Museum Art Gallery and Public Library and Attached Railings, Royal Pavilion & Museums, Brighton & Hove, Brighton Museum and Art Gallery, Brighton & Hove Museums
- Part of:
- Brighton & Hove Museums
- Instance of:
- art museum; local museum; library building; museum building; history museum; natural history museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1400
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q2790574/
- Collection level records:
- Yes, see Brighton & Hove Museums
Brighton Toy and Model Museum
- Wikidata identifier:
- Q4967734
- Also known as:
- Brighton Toy Museum, Brighton Toy & Model Museum
- Instance of:
- toy museum; charitable organization; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2215
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4967734/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Bristol Museum & Art Gallery
(collection-level records)
- Wikidata identifier:
- Q4968867
- Also known as:
- Bristol Art Gallery, Bristol Museum and Art Gallery, Bristol Museum & Art Gallery, Bristol Institution for the Advancement of Science, Literature and the Arts
- Part of:
- Bristol Museums
- Instance of:
- art museum; museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 936
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4968867/
Collection-level records:
-
Collection overview (Cornucopia)
Archaeology Collection
The Bomford collection of ancient glass is a large and remarkable collection of mainly Roman glass. The British archaeology collections are strong across all periods and include material from over 3,000 sites. They are especially strong on material from the south west. From the prehistoric collection, notable material includes the bronze age urns from the Deverel barrow, one of the two type sites for the middle bronze age Deverell Rimbury culture in southern England. Romano British material is well represented and includes many early and important acquisitions such as a fragment of the Orpheus mosaic at Withington found in 1825; the Brislington coin hoard found in 1829; and lead-mining material from Charterhouse-on-Mendip found in 1839. There are finds from Gatcombe and Kings Weston Roman villas and other sites such as Nettleton Shrub, Camerton, Chew Valley Lake and Sea Mills. The medieval and post-medieval collections include type forms of Ham Green and Redcliffe pottery; as well as large amounts of waste material from Bristol delftware kilns. There are also important reference collections of Bristol clay tobacco pipes and medieval floor tiles. Individual artefacts of great significance include rare imported pottery such as early Ligurian tin-glazed wares; a Saxon blue glass jar from Pagan’s Hill; and a Jewish Sabbath lamp excavated at Peter St, Bristol. An unusual collection, but one of international importance, is the Dr H A Fawcett collection of typology. It comprises 7514 items, mainly stone and bronze, from worldwide provenances, collected to illustrate the typological development of tools, weapons and items of person adornment from the palaeolithic period to the Anglo-Saxon period. Foreign archaeological material in the collections includes important Egyptian, Mediterranean and Near Eastern antiquities. The Ancient Egyptian collection comprises some 10,000 artefacts and includes much material from controlled excavations, including those of Sir William Flinders Petrie in the early 20th century.
Subjects
Archaeology
Ancient Egyptian Collection
The museum holds 8,000-10,000 ancient Egyptian objects which are part of the Archaeology collection. Classes of objects represented in the collection include: amulets; canopic boxes; canopic jars; coffins; faience figures; faience vessels; flints; foundation deposits; furniture; glass vessels; jewellery; metal figures; metal vessels; animal remains (mummies); human remains (mummies); offering tables; ostraca; papyri; pottery; ‘Ptah-Sokar-Osiris’ figures; relief sculpture; scarabs; cosmetic palettes; shabtis; shabti boxes; soul house; stelae; stone figures; stone vessels; textiles; toilet articles; tomb models; tools/weapons; wooden figures; other. The collection also includes squeezes, casts (mainly British Museum); Belzoni water colours, tomb of Sety I; notebook of Sarah Belzoni; W. M. F. Petrie lantern slides; aerial photographs (RAF). Objects are known to have come from the following locations in Egypt (with the name of the excavator/sponsor and year of excavation given where possible): Abadiyeh (Petrie – EEF, 1899); Abydos (EEF, 1900-1903; Peet and Naville – EEF, 1909-1910; Frankfort – EEF, 1926); Amarna (Newton and Griffith – EES, 1923-1925; Frankfort and Pendlebury – EES, 1926-1929); El Amrah (MacIver and Wilkins – EEF, 1901); Oxyrhynchus (Grenfell and Hunt – EEF, 1903-1906); Deir el-Bahari (Naville et al. – EEF, 1903-1911); Dendereh (Petrie and Mace – EEF, 1898); Gemayemi (Griffith and Petrie – EEF, 1886-1887); Gerzeh (Petrie et al. – BSAE, 1910-1911); Gizeh (Petrie – BSAE, 1906-1907); Harageh (Engelbach – BSAE, 1913-1914); Hawara (Petrie et al. – BSAE, 1910-1911); Ehnasya (Petrie – EEF, 1904); Kafr Ammar (Petrie – BSAE, 1912-1913); Hu (Petrie and Mace – EEF, 1898-1899); Lahun (Petrie et al. – BSAE, 1913-1914); Mahasna (Ayrton and Loat – EEF, 1908-1909); Mazghuneh (Petrie et al. – BSAE, 1910-1911); Memphis (Petrie and Mackay – BSAE, 1908-1910); Meydum (Petrie et al. – BSAE, 1909-1910); Naucratis (Petrie and Griffith – EEF, 1884-1886); Shurafa (Engelbach and Petrie – BSAE, 1911-1912); Antaeopolis (Petrie et al. – BSAE, 1923-1924); Rifeh (Petrie and Mackay – BSAE, 1906-1907); Riqqeh (Engelbach et al. – BSAE, 1912-1913); Saft el-Henna (Duncan et al. – BSAE, 1905-1906); Saqqareh (Smith and Martin – EES, 1971, 1984); Tanis (Petrie – EEF, 1884-1885); Serabit el Khadim (Petrie – BSAE, 1905-1906; EEF/ERA, 1905-1906); el-Sheikh Ibada (Johnson – EEF, 1913-1914); Sedment (EEF, 1910; Petrie and Brunton -BSAE 1920-1921); Tarkhan (Petrie et al. – BSAE, 1912-1913); Tarraneh (Griffith – EEF, 1887-1888); Athribis (Petrie – BSAE, 1907); Bubastis (Naville et al. – EEF, 1887-1889); Defenna (Petrie and Griffith – EEF, 1886-7); Heliopolis (Petrie – BSAE, 1911-1912); Nebesheh (Petrie and Griffith – EEF, 1886-1887); Tell el-Yahudiya (Petrie et al. – BSAE, 1906; EEF, 1884; Naville and Griffith- EEF, 1887-1888).
Subjects
Antiquities; Ancient civilizations; Antiquity; Archaeological sites; Archaeological objects; Egyptology; Archaeological excavations
Medals Collection
There are commemorative medals struck for Bristol events and people; and civilian and service awards to Bristolians and the Glosters.
Subjects
Medals
Numismatics Collection
This large collection includes Bristol mint coins and coins and tokens from excavations.
Subjects
Numismatics
Photographic Collection
There is a substantial collection of photographs of Bristol and its hinterland, of local events and of local personalities.
Subjects
Photographic equipment
Costume and Textile Collection
The textile collection is chiefly comprised of around 200 samplers.
Subjects
Costume and Textile
Fine Art Collection
As well as the remarkable topographical collection which is a major strength, there are other exceptional examples of fine art in the collection including: the Withypool Altarpiece, Virgin and Child with St Joseph and Donor by Antonio da Solario, c.1500; and the Hogarth Altarpiece from St Mary’s Redcliffe, Bristol, 1755-56. There are many fine examples of work by eminent artists of both English and European schools. There is material from the French school; old masters from the Italian and Dutch schools, with some Flemish and German paintings. The British collection is particularly strong in 20th century work. The Bristol school is well represented in the collection by works by, for example, Francis Danby (1793-1861); Samuel Colman; and E V Rippingille. There is also work by William James Muller (1812-1845), the best known Bristol-born artist. There is also a collection of sculptures by Rysbrack, including a recently identified bust of Edward Colston. There is a remarkable collection of almost 1500 watercolours and drawings commissioned by the Bristol antiquarian George Weare Braikenridge in the 1820s of Bristol scenes, as well as a further 3,500 topographical illustrations. No other city outside London has such an important early record of its streets and buildings. There is a particularly fine group illustrating the garden of a Georgian town house.
Subjects
Watercolours; Paintings; Fine Art; Prints; Drawings
Decorative and Applied Art Collection
This is the largest collection of English delftware in the country, comprising some 850 pieces, plus 1000 tiles. Individual pieces of particular significance include one of only two known inkstands; a large, dated Charles II charger; a second, unsigned, version of the signed Joseph Flower bowl in the Ashmolean Museum; and a ‘Hen-and-Chicks’ bowl. On long term loan is the ‘Penn’ bowl, probably the largest piece of delft to survive from the 18th century and a superb example of the potter’s skill. During the 18th century the greatest influence on delft was Chinese porcelain, resulting in many slightly altered and adapted Chinese patterns. In this context, of paramount importance is Bristol’s Hen and Chicks bowl, being the only known example of a British ceramic which was copied in Chinese porcelain and therefore uniquely contributing to international understanding of the two-way trade. The collection of delftware tiles includes pieces by Richard Frank of Bristol, described as masterpieces of the tile-maker’s art. The collection of English delftware is large and comprehensive. The majority of the collection was given to the museum in three bequests from Theodore Charbonnier, Sir Gilbert Mellor and Joseph Stone Hodges. The collection of Eastern Art and Culture is of international significance and is the largest municipally-owned collection in the country. The foundation for the excellence of this collection was laid by the bequest in 1946 by the brothers Ferdinand and Max Schiller of their rich collection of jades, bronzes, ceramics, furniture and textiles. This collection has been supplemented by the addition of significant material over the last 50 years. The ceramics is the most important aspect of the Schiller collection, ranging from the early Chinese earthenware tomb figures, through examples of Tz’u-chou wares, to the later Ming and Ching wares. Sung dynasty (AD 960-1279) wares are well represented; there are some exceptionally fine specimens of early celadon wares from Lung Chu’uan and decorated white wares from Ting Chou. The collection is especially strong in its temmoku bowls, especially in figured bowls, and a type of Sung ware known as Ying Ch’ing or misty blue ware. There is also a fine collection of some 290 pieces of Chinese glass bequeathed by H R Burrows-Abbey in 1950. Other pieces have been added. The majority of the glass collection is from the Qing (Manchu) dynasty (1644-1912), but includes important early pieces going back to the second or third century AD, and an unusually high proportion of 17th century wares. This is believed to be the largest collection of Chinese glass tableware outside China. Later Imperial wares includes Chinese porcelain of the 17th and 18th centuries; the cinquefoil silver and gold dish from the T’ang dynasty, an exceptional specimen of Chinese metalcraft; and a large burgautee screen of about 1700 completely decorated in mother of pearl on black lacquer, inscribed by its maker. There is a small but significant collection of Chinese export, especially polychrome and blue and white wares, which provides the bridge between the Eastern Art collections and Western markets. A porcelain jardiniere is especially significant, being the earliest recorded piece of armorial porcelain with British arms. Complementing the Chinese ceramics and glass collections are significant collections of Chinese painting, prints and costume; Japanese painting, prints, metalwork and netsuke; and Indian painting, sculpture and costume. Notable pieces include a find example of a gouache watercolour drawing produced in Canton c.1800 and depicting glass-blowing; and a porcelain pen case, enamelled with silver mounts, c.1750, and a rare Chinese export ware for the Indian market. The Western collections include pottery, porcelain, glass, silver and other metalwork, jewellery, furniture, ivories and lacquer. English delftware is a major strength of the museum’s collections. Soft-paste and hard-paste porcelain manufactured in Bristol in the 18th century is well represented. British 18th century glass, including Bristol glass; the J M Bacon collection; the Peter Lazarus collection of drinking glasses; and a fine collection of French paperweights are also notable. The silver collection includes examples of rare Bristol-marked silver and the important St Werburgh plate purchased in 1995. Two specialist collections of great significance are the Ernest Blatch bequest of European lacquered boxes and the DMW Bullock bequest of micro-carved ivories. Furniture of 17th to 20th century date includes some important pieces. There is an extremely rich collection of civic treasures including rare medieval ceremonial swords, reflecting Bristol’s unique status as a county dating back to 1373. The Eastern collection of art and culture is of international importance and is a major strength of the collection. There is a collection of furniture dating from the 17th to 20th centuries, including some important period pieces. Much of this aspect of the collection is located in the period houses owned by Bristol Museums and Art Gallery at Red Lodge and the Georgian House.
Subjects
Ceramics; Metalwork; Watercolours; Furniture; Sculpture; Costume and Textile; Paintings; Decorative and Applied Arts; Glass; Fine Art; Prints
Biology Collection
The strong regional collections of mammals, birds, insects and plants contribute to the understanding of the biodiversity and ecology of the south west. Substantial collections of specimens both from Britain and overseas exist in the following categories: insects; shells; vascular and non vascular plants; birds; birds eggs; and mammals. Particularly notable specimens in zoology include: a Tasmanian wolf; two eggs of the Great Auk; an Elephant Bird egg; rare mounted birds such as the Carolina parakeet, Eskimo curlew; passenger pigeon; ivory-billed woodpecker; and Bahamas parrot. Also Burchell’s zebra; gorilla skulls; insect collections such as S Barton’s 19th century buprestid beetles including type specimens; butterflies and moths; beetles; and flies. In the discipline of Botany, there is the Broughton herbarium of late 18th century Bristol and early 19th century Jamaican specimens; George Swayne’s ‘Gramina pascua’, a 1790 book illustrated by preserved dried grasses; and Capt John Leonard Knapp’s ‘Gramina Britannica’ of 1804, supported by an 1824 herbarium of grasses including several species which were newly described by him.
Subjects
Biology
Geology Collection
Bristol’s geological collection is the most significant collection outside the national museum. In addition, the origins of the collection are so closely associated with the evolution of geology that they have a special significance to the history of the science. The area around Bristol and Bath has been called ‘the cradle of English geology’ and it was here that William Smith and his collaborators discovered the basic priniciples of the succession of the strata and, by relating them to the fossils they contain, extended what they had learnt to map the whole country. There are many important aspects to the collection. The collections include approximately 700 recognised type, figured and cited specimens, some of them dating back to seminal monographs of the early 19th century. The Tortworth Inlier provides an important window into Lower Palaeozoic rocks through later strata and the museum holds fossils, especially trilobites. The collection has material from the Carboniferous Limestone of the Avon Gorge and the Mendip Hills, including type specimens of fishes that were figured and described by L Agassiz in the 1830s. The Bristol and Somerset Coalfield is known for its fossil plants and recent collecting at Lower Writhlington Colliery has widened international knowledge of coal measures insect, spider and other arthropod fauna. The museum’s collection may be the largest collection in the world of some groups. The museum’s collection contains significant remains of vertebrate fauna from the Late Triassic exposures along the shores of the lower river Severn, including the ‘Bristol dinasaur’ (Thecodontosaurus); and bones of the little-known large dinosaur Camelotia. Earlier Triassic vertebrate remains are represented by specimens from South Devon, Cheshire, Germany and the USA. Early work by W D Conybeare and H T De la Beche on Jurassic marine reptiles preserved from the collections of the Bristol Institution is well represented. Though much was destroyed in 1940, important specimens collected in the 1780s to 1800s still remain in the museum, including an ichthyosaurus. Since 1980, some internationally significant reptile skeletons have been acquired including: two large Pliosaurus skulls and the skull of the marine crocodile Metriorhynchus from Wiltshire; holotypes of the ichthyosaurs Leptonectes solei and Excalibosaurus costini; the most complete Grendelius skeleton; an ichthyosaur bearing the earliest stage in the growth of an unborn infant; an almost complete juvenile Plesiosaurus; and a juvenile of the dinosaur Scelidosaurus that preserves parts otherwise unknown, including its skin (from Somerset and Dorset). There is a large collection of Jurassic invertebrates, largely from the richly-fossiliferous rocks of the Cotswolds and elsewhere in the south west of England. There are Pleistocene bones from caves in Bristol and important cave sites in the Mendip Hills and south Devon. There is also material from South Wales, Yorkshire and from Germany. Minerals in the collection include lead and manganese minerals, some of them rare specimens collected by A W G Kingsbury and others from Bristol and the Mendips; and extensive collections from Devon and Cornwall, notably those collected by T and C R Trelease and B V Cooper.
Subjects
Reptiles; Fossils; Plants; Geology; Fish; Minerals; Insects
Ethnography Collection
The ethnography collection includes some 8000 items dating from the 18th to the late 20th centuries. Major areas represented are: West Africa; Central Africa; North America; Central America; and the Pacific. Of special note are early pieces such as the Goldwyer collection which includes early American and Indian material; the Stewart collection of mainly Hudson’s Bay material; Maori wood carvings; Arawak pottery; and Fijian necklaces. Also rare pieces such as the ‘Stutchbury bird’, a wood carving of otherwise unknown type and use from the Pacific; and the tortoiseshell mask from the Torres Straits, used in funerary rites. There are also groups of common domestic items rarely collected such as the missionary collections from the Congo. There are several important individual collections, one outstanding example is the archive of paintings produced by the Victorian traveller Adela Breton. Its importance lies in the exact copies of wall paintings of Mexican temples, where the originals are now obliterated.
Subjects
Ethnography
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Bristol Museums
- Wikidata identifier:
- Q128123013
- Responsible for:
- Blaise Museum; Bristol Museum & Art Gallery; Georgian House Museum; M Shed; Red Lodge Museum
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q128123013/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Britannia Museum
- Wikidata identifier:
- Q113459935
- Also known as:
- Britannia Royal Naval Collection, Britannia Museum, Britannia Royal Naval College
- Instance of:
- museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2377
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q113459935/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
British Commercial Vehicle Museum
(collection-level records)
- Wikidata identifier:
- Q4969830
- Instance of:
- museum; independent museum; transport museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1905
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4969830/
Collection-level records:
-
Collection overview (Cornucopia)
Transport Collection
The range of 60 historic commercial vehicles covers the development of powered road transportation in Britain from the 1890s onwards focussing on the British commercial vehicle transportation and production industries. Vehicles include the 1896 Thorneycroft Steam Van – Britain’s first powered commercial vehicle; 1931 Beardmore Cobra – the first articulated vehicle; 1968 experimental Leyland Gas Turbine Truck; the ‘Popemobile’ built for a visit in 1981. Associated material includes general transport memorabilia, advertising materials and models depicting the manufacture and operation of commercial vehicles in the 20th century.
Subjects
Transport
Photographic Collection
There is an associated glass plate negative collection from British Leyland and a collection of half a million negatives and prints. There is also historic film footage.
Subjects
Photographic equipment
Archives Collection
The Trust owns an extensive archive of 1900s material relating to Leyland DAF together with an extensive archive from the British Motor Industry Heritage Trust. Material relates to companies within the Leyland vehicles group and also includes drawings and literature (see also photographic).
Subjects
Archives
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
British Dental Museum
(collection-level records)
- Wikidata identifier:
- Q29950273
- Also known as:
- British Dental Association Museum
- Instance of:
- dental museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 8
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q29950273/
Collection-level records:
-
Collection overview (Collection development policy)
The collections of the BDA Museum comprise approximately 25,000 objects relating to all aspects of dental history in the UK and the development of the dental profession. Subject areas include anaesthesia, conservation, diagnosis, extraction, furniture, human remains, hygiene, military, orthodontic, prosthetics, sterilisation, surgery, BDA history, fine art, photographs and archival material.
Period of Time/ and or Geographical Area to which the Collection Relates
Geographical
The BDAM Collections represent the geographical boundaries of the BDA namely the United Kingdom (Scotland, Wales, England and Northern Ireland).
In exceptional cases objects from Eire, and other nations worldwide will be acquired if they relate to the Mission Statement of the BDAM, and if they meet one or more of the acquisition criteria.
Chronological
The chronological focus of the BDAM’s collections commences approximately from the mid seventeenth century to the present day, the era in which specific dental instruments and practice developed.
Source: Collection development policy
Date: 2020
Licence: CC BY-NC
British Motor Museum
(collection-level records)
- Wikidata identifier:
- Q5738949
- Also known as:
- Heritage Motor Centre
- Instance of:
- museum; transport museum; independent museum
- Museum/collection status:
- Accredited museum; Designated collection
- Accreditation number:
- 1619
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q5738949/
Collection-level records:
-
Collection history (Collection development policy)
The British Motor Industry Heritage Trust is based on a company, Leyland Historic Vehicles, which was formed in 1975 as an integral part of British Leyland which, in turn, evolved into Rover Group. BMIHT was incorporated in 1983 as an independent charity. It was proposed to expand the activities to cover all aspects of vehicle manufacture within Great Britain and Northern Ireland and all the major vehicle and component manufacturers were invited to become involved.
BMIHT’s collections are largely founded on the vehicle and archive collections of the founding companies of the former British Leyland organisation.
For a period from the late 1980s until 2000, over 70% of all income was derived either directly or indirectly from Rover Group and all the staff had been employed by Rover Group or its predecessor companies since the foundation of the organisation in 1975. For that reason, collecting at that time focused on the British motor company marques owned by Rover Group.
Following the division of Rover Group in 2000, BMIHT and the British Motor Museum the remit of BMIHT has reverted to encompass all motor manufacturers in Britain, reflecting its name and the history of the industry.
From the late 1970s until 2000, BMIHT collected first or last production vehicles (as appropriate) from models manufactured by the Rover Group companies. From 2000, this policy has been confined to Land Rover products.
Through deliberate policy, since 2000 BMIHT has added vehicles from other (non-Rover Group / British Leyland) British motor manufacturers to its Collection and these now form a more significant part of the Collection. Similarly, archive material from other motor manufacturers, such as Aston Martin, has also been added in past decade. In addition, the Trust manages and displays Vauxhall’s collection of historic vehicles although the ownership remains with Vauxhall Motors.
In recognition of the national (and international) significance of the entirety of BMIHT’s collections, they were awarded Designation status by Arts Council England in 2014.
Source: Collection development policy
Date: 2024
Licence: CC BY-NC
-
Collection overview (Collection development policy)
BMIHT’s collections comprise a unique collection of historic vehicles and the finest archive of British motor-industry related material in the World, covering a span of more than 120 years, as old as the industry itself. The entire collections have Arts Council England Designation status.
- The Vehicle Collection numbers around 330 vehicles, which describe the British motor industry from the earliest products to the latest models. These include some of the most famous and significant motor cars produced in Britain, racing cars, unique prototypes which influenced the direction of the industry, together with those more ordinary models which graced the roads of the World.It is strong in the marques Austin, Morris, Land Rover, MG and Rover and in the years 1950 onwards. The Collection, however, does stretch back to the late 19th century and includes some of the most important early British motor cars. There is also a handful of cycles and pedal cars in the Collection.
- BMIHT’s Archive Collection contains workshop manuals, handbooks, sales brochures and motoring magazines which document not just important technical information but also a wealth of social history in their style and illustration. The comprehensive accumulation of production records details the history of millions of individual vehicles. There are business records which contain the raw material for the history for many of Britain’s motor manufacturers and suppliers. There are also more personal records, including those of the life and work of three of the industry’s most important figures – Herbert Austin, William Morris and Alec Issigonis.The centrepiece of the Archive Collection is one of the largest and most comprehensive collections of photographic images and moving film anywhere, illustrating the social and industrial development of the twentieth century. More than one million images record the production of the motor car from its outset, life and work in the factories, war time activities, the people that shaped the industry, famous personalities and the ever-changing landscape of Britain as it was shaped by the motor industry.
The Archive Collection also includes material from associated industries, significantly the archives of the Lucas company. In 2005 the extraordinary Nick Baldwin archive of photographs, brochures, press releases and related documents was acquired, increasing the scope of the BMIHT’s Archive Collection.
- Relative to the quantity of vehicles and archive material, BMIHT has fewer smaller objects. These smaller objects include company trophies, models (including design models), manufacturing items (hand tools etc.), some paintings and framed photographs and other company motoring ephemera. Nevertheless, some of the objects are unique or of high historical significance in themselves.
Source: Collection development policy
Date: 2024
Licence: CC BY-NC
The British Museum
(collection-level records)
- Wikidata identifier:
- Q6373
- Also known as:
- BM, the British Museum
- Instance of:
- national museum; non-departmental public body; art museum; museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1000
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q6373/
Collection-level records:
-
Collection overview (Cornucopia)
Department of Prehistory and Europe
The Department of Prehistory and Europe is responsible for collections that cover a vast expanse of time from the earliest human tools in Africa and Asia 2 million years ago to the art and archaeology of Europe from the earliest times to the present day, including the history of Britain under Roman occupation.
Department of Greek and Roman Antiquities
The Department of Greek and Roman Antiquities of the British Museum has one of the most comprehensive collections of antiquities from the Classical world, with over 100,000 objects. These mostly range in date from the beginning of the Greek Bronze Age (about 3200BC) to the reign of the Roman emperor Constantine in the 4th century AD, with some pagan survivals. The Cycladic, Minoan and Mycenaean cultures are represented, and the Greek collection includes important sculpture from the Parthenon in Athens, as well as elements of two of the Seven Wonders of the Ancient World, the Mausoleum at Halikarnassos and the Temple of Artemis at Ephesus. The Department also houses one of the widest-ranging collections of Italic and Etruscan antiquities and extensive groups of material from Cyprus. The collections of ancient jewellery and bronzes, Greek vases and Roman glass and silver are particularly important.
Department of Ethnography
The collections of the Department of Ethnography comprise around 350,000 objects, representing the cultures of indigenous peoples throughout the world. Their scope is both contemporary and historical, and focus on Africa, Asia, the Middle East, the Pacific and Australia, the Americas and Eastern Europe. The bulk of the material was acquired in the 19th and 20th centuries and largely dates from this time. Collecting continues today and fieldwork currently being carried out in Alaska, the Southwestern United States, Romania and Tunisia has resulted in some recent acquisitions which have already been exhibited.
Department of the Ancient Near East
The Department of the Ancient Near East covers the ancient civilisations of the Near East from the Neolithic period until the arrival of Islam in the 7th century AD. There is a wide range of archaeological material and ancient art from Mesopotamia (Iraq); Iran; the Levant (Syria, Jordan, Lebanon and Israel); Anatolia (Turkey); Arabia; Central Asia and the Caucasus. Highlights of the collection include Assyrian reliefs, treasure from the Royal Cemetery of Ur, the Oxus Treasure, Phoenician ivories and the library of cuneiform tablets from Nineveh.
Department of Prints and Drawings
The Department of Prints and Drawings contains the national collection of Western prints and drawings. It is one of the top three collections of its kind in the world. There are approximately 50,000 drawings and over two million prints dating from the beginning of the 15th century up to the present day. They cover the history of drawing and printmaking as fine arts, with large holdings of the works of such important artists as Drer, Michelangelo, Raphael, Rembrandt and Goya. There are also large documentary collections of historical, satirical and topographical prints, as well as important collections of printed ephemera, such as trade and visiting cards, fans and playing cards. The Department also has the most extensive reference library in the United Kingdom relating to the history of prints and drawings, comprising about 50,000 books, periodicals and sale catalogues. There is a small collection of illustrated books, but the national collection of these is in the British Library. Oriental drawings and prints are kept in the Department of Asia.
Department of Asia
The scope of the Department of Asia is extremely wide: its collections cover the material remains of the whole Asian continent from the Neolithic up to the present day. The pre-Neolithic material is curated by the Department of Prehistory and Europe. There are exceptions, the biggest being Near Eastern archaeology before Islam, which is covered by the Department of the Ancient Near East, coins in the Department of Coins and Medals, and ethnographic material in the Department of Ethnography. The interests of the Department covers a vast area geographically and historically, including Asian culture from China and Korea to Turkey, from Central Asia to Indonesia, and even in the case of Islam extending beyond Asia to North Africa and Spain. Focus is in particular on the cultures of China, India, and Islam. Key areas of the collections include the most comprehensive collection of sculpture from the Indian subcontinent in the world, including the celebrated Buddhist limestone reliefs from Amaravati as well as an outstanding collection of Chinese antiquities, paintings, and porcelain, lacquer, bronze, jade, and other applied arts including the collection of Buddhist paintings from Dunhuang in Central Asia and the Admonitions Scroll by Gu Kaizhi and a broad range of Islamic pottery, paintings, tiles, metalwork, glass, seals, and inscriptions. The Department also houses one of the most comprehensive collections of Japanese material culture in Europe, comprising about 25,000 objects. The collection includes early archaeological material; the arts of Buddhism; secular sculpture; netsuke and inro; lacquerware; swords and sword furniture; metalwork; secular paintings, prints and printed books; textiles; ceramics including porcelain and tea ceremony wares and utensils. For the pre-20th century, the decorative arts are among the finest in the Western world, while for paintings and prints the collection is pre-eminent within Europe, both for scope and quality.
Numismatic Collection
The Department of Coins and Medals is home to one of the world’s finest numismatic collections, comprising about one million objects. The collection spans the entire history of coinage from its origins in the 7th century BC to the present day, and related material such as coin weights, tokens and money-boxes. The Department also holds the national collection of paper money, ranging from one of the earliest 14th-century Chinese banknotes to the euro, as well as a magnificent selection of commemorative and art medals from the Italian Renaissance to the present. The collection of British coins and tokens is the most extensive and complete in the world, comprising around 175,000 items. The collection aims to thoroughly document and represent the history of British coinage and currency from the earliest Anglo-Saxon coins of the 7th century AD to the present day. This collection is subdivided into the issues of England, Scotland and Ireland and is generally organised by reign. Tokens and other paranumismatica are organised by type: private tokens (17th, 18th and 19th centuries), coin weights, tickets, passes, jettons etc. The collection of European and World coins in the British Museum consists of around 300,000 objects and is among the most wide-ranging and representative in the world, covering the rich and complex coinages of medieval and early modern Europe, the coinages of the European colonial empires and the modern coinages of the Americas, Africa and Oceania. The Medal Collection comprises c. 70,000 objects, from Italian Renaissance medals of the 15th century to contemporary medals made by artists around the world today. In addition, the department’s 12,000 badge collection covers 19th and 20th centuries with a particular focus on political badges. These come from all round the world, with Britain and the USA particularly well represented. The majority are post-WWII with a concentration of material from the 1970s and 1980s. The Greek Collection contains over 61,000 Greek coins and 28,000 Greek Imperial coins, covering Spain, Gaul, Italy, Greece and the Balkans, the Black Sea, Asia Minor, the Near and Middle East, Arabia and North Africa. It is subdivided into two chronological sections: Greek coinage from the beginnings of coinage in the 7th century BC to 31 BC, and Greek Imperial coinage (also known as Roman Provincial coinage) from 31 BC to mid 3rd century AD. The Greek section also includes related coin series such as Punic (the Carthaginian Empire), Judaean (Ancient Jewish), and Axumite (the ancient kingdom of Northern Ethiopia). The Roman Collection consists of approximately 115,000 objects produced at Rome and across the Empire from the 3rd century BC to the 5th century AD. These are mostly coins (gold, silver and base metal), but also includes medallions, ingots, tokens, coin weights and even a couple of coin dies. There are also about 6,000 ancient coin forgeries and 5,000 modern forgeries of Roman coins (some created as early as the Renaissance). The Byzantine section (AD 498-1453) consists of around 12,000 coins in gold, silver and copper-alloy. This includes the ‘Barbarian’ coinages of the successor kingdoms to the Western Roman Empire (such as the Goths, Vandals, Franks and Lombards) who remained in the orbit of Constantinople. The pre-Islamic Iranian collection includes coins of the Parthian and Sasanian dynasties, covering the period of c. 3rd century BC to the 7th century AD. The Islamic Collection begins with the earliest Arab-Sasanian and Arab Byzantine coinage in the 7th century AD, the Islamic reformed coins of the Umayyads, as well as later dynasties. Included in the collection are also Ottoman, Safavids and modern coins of the Middle East. The Modern Money collection includes more than 175,000 coins, tokens and paper money dating from 1700 to the present day, covering Africa, the Americas, Europe and Australasia. Active contemporary collecting means that several thousand new objects are added to the collection each year, including not just coins and paper money, but also credit cards and other contemporary money-related objects. There are very significant holdings of British colonial coins and notes, including important early American coins and coins and notes transferred from the Foreign and Commonwealth Office. The department also has on permanent loan the collection of the Institute of Financial Services (formerly the Chartered Institute of Bankers).
Subjects
Numismatics; Money; Metrology; Tokens; Tickets; Medals; Bank notes; Coins; Trade tokens
Ancient Egyptian and Sudanese Collection
The museum holds over well over 80,000 ancient Egyptian and Sudanese objects. Classes of objects represented in the collection include: amulets; animal remains (mummies); basketry/ropes; canopic boxes; canopic jars; coffins; coins; cosmetic palettes; faience figures; faience vessels; flints; food/plant material; foundation deposits; funerary cones; furniture; glass vessels; jewellery; human remains (mummies); metal figures; metal vessels; musical instruments; offering tables; ostraca; papyri; pottery; ‘ Ptah-Sokar-Osiris’ figures; relief sculpture; sarcophagi (stone); scarabs/sealings; shabtis; shabti boxes; soul houses; stelae (stone); stelae (wood); stone figures; stone vessels; textiles/leather; toilet articles; tomb models; tools/weapons; wall paintings; wooden figures. In addition, there is a collection of over six million prehistoric artefacts from excavations between 1963 and 1997 in Egypt and the Sudan conducted by Fred Wendorf, Emeritus Professor of Prehistory at the Southern Methodist University in Dallas, Texas. There is also the Rosemarie and Dietrich Klemm collection of some thousands stone samples from pharaonic stone quarries. Objects are known to have come from the following locations in Egypt (with the name of the excavator/sponsor and year of excavation given where possible): Abu Hommus (Petrie, acq. 1885); Abu Roash (inc. Petrie, acq. 1884); Abu Simbel (Belzoni, acq. 1835; Wendorf, acq. 2001); Abuqir; Abusir (the Memphite one); Abydos ([?], 1897; inc. Amelineau, acq. 1965; Brunton, acq. 1991; EEF, acq. 1900-3; acq. 1909-14, acq. 1922, acq. 1925-7, acq. 1976, acq. 1979, acq. 1982, acq. 1985; acq. 1988; ERA, acq. 1979; Garstang, 1908-9, acq. 1912, acq. 1920-1; Naville, Hall, Peet [EEF], acq. 1910; Petrie [EEF], acq. 1902); Akhmim (inc. EEF, acq. 1885; Hogarth, acq. 1907); Alexandria; Amarna (inc. EEF/EES, acq. 1921-7, acq. 1929-35, acq. 1937, acq. 1974, acq. 1976, acq. 1983-7, acq. 1994, acq. 1939; Petrie, acq. 1891, acq. 1894, acq. 1930); El-Amrah (EEF, acq. 1900-1; EES, acq. 1922); el-Araba el-Madfuna; Armant (inc. Mond, acq. 1929; EES, acq. 1928-9, acq. 1931, acq. 1935, acq. 1985, acq. 1988, acq. 1997); el-Ashmunein (BM Exped. to Middle Egypt, acq. 1979, acq. 1986); Asiut (inc. Hogarth, acq. 1907); Aswan; Atfih; Awlad Yehia; Badari (inc. Brunton [BSAE], 1924-5, acq. 1923-5, acq. 1929); Oxyrhynchus (inc. BSAE, acq. 1922; EEF/EES, acq. 1903, acq. 1905-7, acq. 1910-11, acq. 1919, acq. 1935, acq. 1968, acq. 1979; Hall, Naville [EEF], acq. 1906); el-Bawiti; Ballas (inc. Brunton, acq. 1991; Garstang, acq. 1982; Petrie, acq. 1895); Benha; Benha el-Assal; Beni Hasan (inc. EEF, acq. 1895; Garstang, acq. 1903-5, acq. 1956); Berenike; Bir Kiseiba (Wendorf, acq. 2001); Bir Sahara (Wendorf, acq. 2001); Bir Tarfawi (Wendorf, acq. 2001); Bulaq; Cairo; Cynopolis; Dahshur; Dakhla oasis (Wendorf, acq. 2001); el-Dakka; Damanhur; Deir el-Dyk; Deir el-Ezba; Deir el-Bersha; Deir Balyza; Deir el-Bersha (EEF, acq. 1894); Deir Manaos; Derr; Dendera; Dishasha; Dra Abu el-Naga; Edfu (inc. Wendorf, acq. 2001); Edwa; Elephantine; Esna (Garstang, 1905, also acq. 1982); Fayum (BSAE, inc. 1927; Wendorf, acq. 2001 and 2004; EEF, acq. 1890, acq. 1902; Hogarth, acq. 1907; Petrie, acq. 1888, acq. 1935 and acq. 1994); Gebel Kibli; Gebelein (Maspero, acq. 1885); Gebel Kibli; Girga; Girza; Giza (Covington, acq. 1910; Petrie, acq. 1897); Gilf Kebir (Wendorf, acq. 2001); Great Sand Sea (Wendorf, acq. 2001); Gumaiyima (EEF, acq. 1887; Petrie, acq. 1887); Hammamiya (BSAE, acq. 1924); Hawara (EEF, acq. 1890; Petrie, acq. 1888, acq 1890, acq. 1912, acq. 1935, acq. 1958, acq. 1994); Hezab; el-Hiba; el-Hissaya (Garstang, acq. 1905); Hu (inc. EEF, acq. 1899); Ihnasya el-Medina (EEF, acq. 1979; Petrie, acq. 1904); El Kab (EES, acq. 1976); Kalabsha; Kamoula; Khallaf; el-Kharga; Kharga Oasis (Wendorf, acq. 2001); el-Khatana; Khizam; Kom Abu Billo; Kom Afrin; Kom el-Ahmar (Emery, acq. 1971; Garstang, acq. 1905 and acq. 1982); Kom Aushim (Rubaiyat); Kom el-Dahab; Kom Faris; Kom el-Kharaba el-Kebir; Gurob (Petrie, 1890; Petrie, acq. 1912, acq. 1923 [not clear if these might be from the 1890 excav.]); Kom Ombo; Kum Zimran; el-Lahun (EEF [Petrie], acq. 1890, acq. 1912, acq. 1926); Medamud; el-Mahalla; Mahasna; Meydum (Petrie, inc. acq. 1897; University of Colorado Museum, 1962-66, acq 2004); Makattam; el-Kubra; Lahun (EEF, acq. 1890); Lisht; el-Mabda; el-Maharraqa; Manfalut; Matariya (EES, acq. 1923-4, acq. 1926-27; Hekekyan, acq. 1861); Matmar (Brunton, acq. 1930-2); Medinet el-Fayum (Petrie, acq. 1937); Medinet Habu; Meir; Memphis (BSAE [Petrie], acq. 1910; BSAE, acq. 1979 and acq. 1982); Emery, acq. 1971; Hekekyan, acq. 1861; Horner, acq. 1864); el-Minya; Mit Rahina (Hekekyan, acq. 1861); Mostagedda (Brunton, acq. 1926, acq. 1928-31, acq. 1953, acq. 1956); Nabta Playa (Wendorf, acq. 2001); Nag el-Ghabat; Naqada (Wendorf, acq. 2001; Brunton, acq. 1929-32, acq. 1991; EEF, acq. 1899; EES, acq. 1998; Maspero, acq. 1885; Petrie, acq. 1895 and acq. 1898); Naga el-Deir; Naucratis (EEF, inc. acq. 1885-6, acq. 1888, acq. 1965, acq. 1974, acq. 1888; Hogarth, acq. 1900; Petrie, inc. acq. 1885-6, acq. 1888, acq. 1890, Reisner, acq. 1922); Nazlet el-Shurafa; Philae; el-Qantara (EEF, acq. 1887); Qantir; Qasr Ibrim (EES, acq. 1965, acq. 1969 and acq. 1984; Emery, acq. 1961-1962); Qasr el-Sagha; el-Qasr Wa-l-Saiyad; Qaw el-Kebir (BSAE [Brunton], acq. 1923-1925, acq. 1929, acq. 1991; BSAE, acq. 1982 and acq. 1998); Qena (Wendorf, acq. 2001); Qift (Koptos, Coptos) (Petrie, inc. 1893-1894, acq. 1906 and acq. 1979); Qus; Ramleh; el-Rashid (Bouchard, acq. 1802); Rifa (BSAE, acq. 1907, acq. 1979, acq. 1982; Loftus, acq. 1856); Sa el-Hagar (Sais); San el-Hagar (EEF, acq. 1884-5, acq. 1887; Mariette, acq. 1913; Petrie, acq. 1885 and acq. 1887; Reisner, acq. 1885); Salmiya; Samannud; Saqqara (EES [Emery], acq. 1969, acq. 1971, acq. 1973, acq. 1975; Petrie, acq. 1908, acq. 1937); Semaina; Serabit el-Khadim (Naville and Hall, acq. 1905; MacDonald, acq. 1849); Sheikh Hamadeh; Shibin el-Qanatir; el-Sheikh Ibada (Antino); Sedment (Petrie, acq. 1923); Sinai; Sohag; Tarkhan (BSAE, acq. 1912; Petrie, acq. 1956); Tell Atrib (BSAE, acq. 1982; EEF, acq. 1888; Petrie, acq. 1908); Tell Basta (EEF, acq. 1885 and acq. 1889); Defenneh (Petrie, acq. 1886-7; Reisner, acq. 1887); Tell el-Farain (EES, acq. 1984; Emery, acq. 1971); Tell Jaiff; Tell el-Maskhuta; Tell el-Muqdam (Reisner, acq. 1885); Nebesheh (EEF, acq. 1887; Petrie, acq. 1887); Tell el-Rataba; Tell el-Yahudiya (BSAE, acq. 1979, acq. 1982; EEF, acq. 1887-8; University of Colorado, 1962-6); Tell Zuwelein (EEF [Petrie], acq. 1887; Thebes (BSAE, acq. 1929; EES, acq. 1922; Lawson, acq. 1889; MMOA, New York, acq. 2000; Petrie, acq. 1896; also Asasif; Deir el Bahari [Carter, acq. 1904; EEF, 1895-98, 1903-07, also acq. 1923, acq. 1926-7, acq. 1979; MMOA, New York, acq. 1949]; Deir el-Medina; Dra Abu el-Naga; Karnak [Benson, Gourlay, 1897, acq. 1973]; Luxor [Emery, acq. 1971; Hogarth, acq. 1907; Reisner, acq. 1922]; Malkata; Medinet Habu; Qurna; Ramesseum [Quibell, acq. 1902 and acq. 1956]; Sheikh Abd el-Qurna; Valley of the Kings, tombs of Amenhotep III [inc. purchase from Salt, 1821; acq. 1907; Carter, acq. 1988], Sety I, Siptah, Ramses V, Ramses VI, Ramses VIII); Toshka (Wendorf, 2002); Tukh el-Qaramus; Tuna el-Gebel; Tura; Umm el-Qaab (Hall, Naville, Peet, acq. 1910); Wadi Faran (MacDonald, 1858); Wadi Maghara (MacDonald, acq. 1863); Wadi Qubbaniya (Wendorf, acq. 2001); Wadi Sarga (Byzantine Research Account, 1919; Byzantine Research and Publication Fund, 1914-5); Wadi Tafa; Zaqazig (EEF, acq. 1890); Zaraby (BSAE, acq. 1979); Objects are known to have come from the following locations in Sudan(with the name of the excavator/sponsor and year of excavation given where possible): Abu Geili; Amara (inc. EES, 1948-9); Argin; Begrawiya (Garstang, acq. 1939); Buhen (inc. EES [Emery], acq. 1958-9; EES, acq. 1964-5, acq. 1968); Butana (Wendorf, acq. 2001); Debeira (Scandinavian Joint Expedition to Nubia, acq. 1991); Dongola reach (Wendorf, acq. 2001); Dungul oasis (Wendorf, acq. 2001); Erbenarti (Adams, acq. 2005); Faras (EEF, acq. 1912; Oxford University, acq. 1912); Fourth Cataract region; Gabati; Gebeit Mine; Gebel Barkal; Gebel Moya (excavator unknown, 1911, acq. 1998; Wellcome, acq. 1946); Gebel Sahaba (Wendorf, acq. 2002); Kawa (Reisner, acq. 1922; Griffith, inc. acq. 1931-3); Kerma (Griffith, acq. 1932; Reisner, acq. 1922, acq. 1955); Khartoum (Wendorf, acq. 2001); Kulubnarti; el-Kurru (Reisner, acq. 1922); Mahal; Sedeinga; Teglinos; Napata; Nuri (Reisner, acq. 1922); Sanam (Oxford University [Griffith], acq. 1926); Saqadi; Semna (The excavations were conducted by the University of Colorado Museum Expedition to Sudanese Nubia, 1962-1966); Serra; Sesebi (EES, 1936-7); Soba East; Wadi Halfa (Wendorf, acq. 2001); Wadi Lakia (Wendorf, acq. 2001). Elsewhere Adan; Amran; Amrit; Arabia; Ashkelon; Axum; Baghdad; Beirut; Beit Nabala; Bengemmi; Benghazi; Beth-Zur; Bethlehem; Byblos; Caesarea; Carchemish; Carthage; Cyprus; Cyrene; Dundrum; Edirne; Ethiopia (Wendorf, acq. 2001); Gaza; Gerar river; Hagar Qim; Haram esh-Shereef; Iraq; Istanbul; Jaffa; Jenin; Jericho; Jerusalem; Kamiros; Khalet es-Shakif; Kirmanshah; Krendi; Lebanon; Leucas; Levant (EES, acq. 1992; EES [Pendlebury], acq. 1992; Garstang, acq. 1905; Hogarth, acq. 1907; Mariette, acq. 1904); Libya; Malta; Marathus; Meroe (Garstang, acq. 1910); Nablus; Nimrud; Nineveh; Ophel; Palestine; Palmyra; Phoenicia; Rhodes; Rome (EEF, acq. 1885; Emery, acq. 1971); Samaria; Sidon; Smyrna; Tarsus; TartÔs; Tell AbuÂ’l-Falus; Tripoli; Twickenham; Tyre; Warka; Zefat The Department of Ancient Egypt and Sudan at The British Museum houses an important collection of objects which illustrate every aspect of the cultures of the Nile Valley, from the Neolithic period (c. 10 000 BC) until Coptic (Christian) times (12th century AD).
Paul Hamlyn Library
The Paul Hamlyn Library, the public reference library in the restored Reading Room, is open to everyone who visits the Museum. Funded by The Paul Hamlyn Foundation, the library aims to help visitors find out more about the Museum’s collections and the cultures represented here. The subject-matter is very wide-ranging, including archaeology, history, art, architecture and much more, and there is a substantial and developing children’s section. The online catalogue can be consulted at terminals in the Reading Room, Books may not be borrowed from the Library but are always available for reference during opening hours.
Subjects
Visual arts; Art; Classical studies; Anthropology; History; Architecture; Archaeology
Anthropology Library Collection
The Anthropology Library is now part of the new Centre for Anthropology. The library is one of the world’s major specialist anthropological collections with its origins in the nineteenth century; its holdings were greatly enhanced by the gift of the Royal Anthropological Institute Library to the Ethnography Department Library in 1976. Today the library contains around 120,000 books and pamphlets and 4,000 journal titles (of which about 1,500 are current), in addition to microfiches, microfilms, maps, newsletters, sound recordings and congress reports. There is also an important collection of photographs and other pictorial material. The literature held covers every aspect of anthropology: cultural and social anthropology with a strong emphasis on material culture and art, archaeology, some biological and medical anthropology and linguistics, together with such related fields as history, sociology and description and travel.
Subjects
Anthropology; Archaeology; Ethnology
Museum Archives
The Archives of the British Museum consist of the administrative records of the Museum’s Trustees and Directors which have been selected for permanent preservation for their evidential, administrative or research value. These are public records, date from the Museum’s foundation in 1753 to the present day and illuminate every aspect of the Museum’s official activities including the meetings of its Trustees, its acquisitions, administration, finance, buildings, staff, exhibitions, publications and excavations. Archival material acquired through donation or purchase, and relevant to the history of the Museum and its activities, is also held here. This wide-ranging archive is also a rich visual resource and includes sketches, architectural plans and drawings, scrapbooks, press cuttings and photographs. Documentation relating to the history of the British Museum is also held by the British Library. This includes the records of the former British Museum Library departments (prior to the establishment of the British Library in 1973) and collections within the Department of Manuscripts. However, pre-1973 Reading Room records are held by the British Museum. The records of the Office of Works and its successors relating to the development of the British Museum building are held at the Public Record Office at Kew. The Museum Archives section also has responsibility for museum-wide records management under the Head of Archives and Departmental Record Officer. The Museum’s curatorial and administrative departments retain their own records. These are also public records but, as yet, do not have archival status.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
British Optical Association Museum
(collection-level records)
- Wikidata identifier:
- Q111983683
- Instance of:
- medical museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2069
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q111983683/
Collection-level records:
-
Collection overview (Cornucopia)
Begun in 1901 to illustrate past and present material culture of ophthalmic opticians (optometrists). Over eleven thousand outstanding items of ophthalmic and optical interest. Includes over 2000 pairs of spectacles, from 17th c. through to 21st c. as well as historic examples of other optical devices and aids to vision including scissor spectacles, folding eyeglasses, pince-nez, lorgnettes, magnifiers, quizzing glasses and monocles. The Museum also includes a collection of over 500 antique prints as well as oil paintings, sculptures and decorative art items on optical themes. It preserves a wide range of ophthalmic optometric instruments, visual test charts, orthoptic and hygienic devices. It is considered to be the national specialist collection for contact lenses and contact lens accessories. It also has specialist collections relating to photography, pharmacy and ocular prosthetics. Collections include: Boots Opticians Ltd Collection American Optical Collection Frank Dickinson Collection – Contact lenses and accessories associated with this pioneer contact lens practitioner. Keith Clifford Hall Collection – Contact lenses and accessories. Dollond and Aitchison Loan Collection Telescopes, binoculars, opera glasses Contact Lens Collection – Considered by many to be the national collection of contact lenses and contact lens accessories including hard and soft lenses, fitting sets, cleaning and soaking solutions, insertion devices, storage cases, promotional items and advertising ephemera.
Ancient Egyptian Collection
The museum holds 4 ancient Egyptian objects. Object classes represented in the collection include: amulets; coffins (eye inlays only).
Subjects
Ancient civilizations; Antiquities; Antiquity; Egyptology
Portraits Collection
This heading is included due to the museum’s involvement in the SSN Understanding British Portraiture mapping exercise. It does not denote a distinct collection. Portraits are to be found across the museum’s collections of paintings, prints, photographs and reproduction images. Many of the sitters are wearing or holding spectacles or other vision aids, but there are also portraits of figures important in the field of optics or ophthalmic medicine. The collection includes what has been described as the best preserved version of the Joshua Reynold’s Self-Portrait (actually a copy, probably by a pupil). Portraits featuring spectacles and eyewear; British Optical Association Museum.
Subjects
Optics; Medical profession; Medical physics; Eye; Famous people; History of medicine; Scientific equipment
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
British Red Cross Museum and Archives
(collection-level records)
- Wikidata identifier:
- Q50841513
- Instance of:
- archive; museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 88
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q50841513/
Collection-level records:
-
Collection overview (Cornucopia)
Historical Collection
Records generated by and objects acquired by the British Red Cross Society from its formation as the British National Society for Sick and Wounded in War in 1870 to the present day. A small group of items relating to the Crimea 1854-6, and the foundation of the International Red Cross 1859-64 are also held. Many objects have been donated by people with some personal or family connection with the British Red Cross or those who have received assistance. The collection contains uniforms, medals and badges, first aid and nursing equipment, items from those who have been helped by the British Red Cross such as prisoners of war, items connected with the provision of international aid to victims of war or natural disasters and fund-raising material.
Paintings
The British Red Cross Museum and Archives hold paintings by a number of artists, such as R.T. Landells, Ernest Procter, Septimus Edwin Scott, Henry Mee and Rosa Branson. In addition there are a number of portraits: portrait of Major-General George Lindsay (Commissioner of the British Red Cross Commission for North-West Europe from November 1944) by Doris Zinkeisen, 1945; portrait of Miss Hedvica M. Shlehover in uniform, by Hans Knoechl, 1910; portrait of Miss Moore in uniform, by her sister Miss Dorothy W Moore, 1920. British Red Cross Museum and Archives.
British Red Cross Library
Includes a modern collection of approximately 3,500 books, mainly concerned with the work of the Red Cross, Armed Conflicts, Disasters, International Aid, Geneva Conventions, Human Rights, Community Care, First Aid, Voluntary Organizations and Fundraising. There is also an historical reference library.
Subjects
War victims; Wars (events); Disasters (events); Human rights violations; Disasters (by type); Foreign aid; First aid; War (concept)
Archives
The British Red Cross Society manages its museum and archives together. The latter includes records relating to the Society’s national HQ, regions, branches and centres as well as personal papers of those who have served with it or who have been helped by it.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
British Schools Museum
- Wikidata identifier:
- Q4971021
- Instance of:
- historic house museum; independent museum; education museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2011
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4971021/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Brixham Heritage Museum
(collection-level records)
- Wikidata identifier:
- Q53544384
- Also known as:
- Brixham Museum
- Instance of:
- local museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 917
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q53544384/
Collection-level records:
-
Collection overview (Cornucopia)
Maritime Collection
The maritime collection is good, reflecting the importance of Brixham as a fishing port. Fishing, shipbuilding, including sailmaking and rigging, and supplementary trades were Brixham’s principal industries. The history of trawling in the 19th and 20th centuries is represented by tools, models, detailed drawings and explanatory notes; and navigational instruments. There is also material relating to the RNLI and the local lifeboat, smuggling, the great gale of 1866; and the landing of William of Orange at Brixham in 1688. There is the William Tooley-Hawkins collection of shipwrights’ tools. The museum manages the HM Coastguard collection. Other material relates to maritime tragedies and local regattas.
Subjects
Maritime
Medicine Collection
There is material from a local chemist’s shop.
Subjects
Medicine
Decorative and Applied Art Collection
This collection includes local and commemorative ceramics.
Subjects
Decorative and Applied Arts
Fine Art Collection
This is a small collection, including drawings with a maritime theme, and paintings.
Subjects
Fine Art
Photographic Collection
There is an extensive collection of local photographs of events, places and people.
Science and Industry Collection
Local trades, largely associated with maritime activity, are well represented in the collection.
Subjects
Science and Industry
Archaeology Collection
Evidence of mesolithic, neolithic, bronze age and iron age occupation is represented in the collection by stone tools, pottery and human bone. There are photographs of the discovery by William Pengelly in 1858 of Brixham Cavern with its evidence of early man and there are finds from the submerged seashore forest. Excavations of the Napoleonic fort at Berry Head produced a wide range of military and domestic finds.
Subjects
Archaeology
Costume and Textile Collection
The costume collection reflects local material from about 1860 to 1930. There is also material relating to lace-making, including bobbins; dress-making; embroidery; fisherman’s knitting; and hand-shoemaking.
Subjects
Costume and Textile
Social History Collection
The collection comprises material relating to domestic life during the 19th and 20th centuries; civic regalia; the fire and police services; local churches; the theatre; and trade and shops including a shoemaker’s workshop.
Subjects
Social History
Archives Collection
Extensive local archives comprise documents; newspapers; maps; deeds; contracts; records of service (mostly maritime); ships’ plans; greetings cards; and ephemera such as posters. The main newspaper collection comprises bound annual volumes of the Brixham Western Guardian from 1902 to 1968.
Subjects
Archives
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Brockhampton Estate
- Wikidata identifier:
- Q4972798
- Part of:
- National Trust
- Instance of:
- estate
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1993
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4972798/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Brodick Castle, Garden and Country Park
- Wikidata identifier:
- Q924505
- Part of:
- National Trust for Scotland
- Instance of:
- château
- Museum/collection status:
- Accredited museum; Recognised collection
- Accreditation number:
- 1492
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q924505/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Brodsworth Hall
- Wikidata identifier:
- Q4973157
- Part of:
- English Heritage
- Instance of:
- historic house museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1801
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4973157/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Bromley Museum at Bromley Historic Collections
(collection-level records)
- Wikidata identifier:
- Q26482037
- Also known as:
- Bromley Historic Collections, Bromley Museum at Bromley Historic Collections
- Instance of:
- library building; public library
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 84
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q26482037/
Collection-level records:
-
Collection history (Collection development policy)
Bromley Museum was founded in 1965 at The Priory, Orpington. Initially the museum collection was mainly archaeological objects from the Orpington area. Alongside this material was the Avebury collection, which includes ethnographic and archaeological items from around the world, developed by Sir John Lubbock, the First Lord Avebury, who lived at High Elms, Farnborough. These acted as a source of information and inspiration for visitors. Over the years the museum subsequently acquired more archaeology from excavations, social history, geology and natural history. The London Borough of Bromley’s fine art collection was transferred from the Council into the care of the museum in the mid-1990s. These separate collections all consolidated to form one core collection of objects for the service.
In October 2015 the Bromley Museum at The Priory in Orpington was closed. The management of the museum collection was transferred to Bromley Local Studies and Archives that is situated at Bromley Central Library. From April 2016 the Borough’s local studies, archives and museum services began operating as an integrated service known as Bromley Historic Collections (BHC).
Source: Collection development policy
Date: 2022
Licence: CC BY-NC
-
Collection overview (Collection development policy)
Archaeology
BHC has a collection of archaeological material derived from excavations and fieldwork, as well as stray finds, from the area now covered by the London Borough of Bromley. It covers all periods from early prehistoric to medieval times i.e. up to AD 1500. Within this general heading are a number of small collections assembled in the past by local people, which have been donated, for instance: the Fordyce and Eldridge Collections.
The archaeological collection included significant archaeological archives from excavations at the following sites:
- Crofton Roman Villa, Orpington
- Durley House, St Mary Cray
- Kent Road, St. Mary Cray
- Poverest Road, Orpington
- Priory Rose Garden, Orpington
- Ramsden Iron Age Farmstead
- St Botolph’s Church, Ruxley
- Walsingham School, St. Paul’s Cray
- Warbank Roman Cemetery, Keston
A transfer of the records and finds from these nine sites to the London Archaeological Archive and Research Centre (LAARC), managed by the Museum of London, was undertaken in 2016, so that this material could continue to be studied and be used even more than presently to inform and educate.
Decorative arts
The decorative art collection is limited to a small number of specimens of contemporary craft pottery and embroidery produced by local artists.
Ethnography
In addition to the material that forms part of the Avebury Collection, the ethnographic collection mainly consists of contemporary objects from Africa, particularly from Uganda, donated by residents of the Borough.
Fine art
The collection of paintings, prints and drawings includes works by London Borough of Bromley artists, regardless of the subject of a painting, and works depicting Bromley subjects (including portraits) by non-borough artists. Most of this collection was transferred from the Bromley Local Studies Library in the 1990s. In addition, the collection includes prints that were assembled by the borough’s Education department during the 1970s.
Natural history
The existing collection of natural history material have derived from old collections and stray finds, mainly from the area now covered by the London Borough of Bromley, but including some from non-local areas of Britain and overseas. It includes lepidoptera, birds’ eggs and geological specimens.
Numismatics
The numismatic collection includes coins and tokens derived from archaeological excavations and fieldwork, including hoard finds, from the London Borough of Bromley. It also includes medals and medallions that are particularly relevant to the borough.
Social history
The collection of social history material from the London Borough of Bromley has been acquired principally by donation. It consists of a wide range of items including household goods, commemorative items, objects relating to World War II and a small costume and textile collection. Within this collection is a group of items relating to the former Crystal Palace that were transferred to the borough in 1987 via the London Residuary Body (after the demise of the Greater London Council).
The Avebury Collection
The Avebury Collection formed the nucleus of the collection when Bromley Museum opened in 1965. It was developed by naturalist, archaeologist and ethnographer Sir John Lubbock, the 1st Lord Avebury (1834–1913) who lived at High Elms, Farnborough. It includes archaeology from British and European sites, as well as ethnography from around the world. It also includes the important reconstructions of prehistoric life by Ernest Griset.
Ownership of the Avebury Collection was split between the Orpington Historical Society (OHS) and the British Museum. The OHS deposited/loaned their material with Bromley Museum in 1965. In 2003, the OHS decided to give the collection to Bromley Museum; however, a complication arose because no proof could be found that OHS had full title to the collection. To conclude the matter it was decided to contact the Lubbock family, who were unable to confirm the status of the collection, but allowed for the transfer of the collection to Bromley Museum based on the following conditions:
- That the collection is not split up (either by site or owner), except for short period loans;
- That the collection is not sold off to anyone;
- That the collection remains within the Orpington (or Bromley) area and remains available for inspection as a resource for historians and other interested members of the public;
- That these undertakings are passed on to and become the responsibility of any successor organisation of the London Borough of Bromley;
- If, for any reason, these conditions become unacceptable, the Lubbock family (Lyulph, his heirs and assigns) have first call on reclaiming the collection.
The London Borough of Bromley accepted these conditions as they in no way conflict with the standard conditions governing the acquisition of objects. If for any reason the collection was moved elsewhere or there was a request for an item to be repatriated then the borough would consult with the family.
Source: Collection development policy
Date: 2022
Licence: CC BY-NC
Brontë Parsonage Museum
(collection-level records)
- Wikidata identifier:
- Q2926101
- Also known as:
- Haworth Parsonage (Bronte Museum)
- Instance of:
- historic house museum; independent museum
- Museum/collection status:
- Accredited museum; Designated collection
- Accreditation number:
- 1232
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q2926101/
Collection-level records:
-
Collection overview (Cornucopia)
Archives Collection
Bronte manuscripts, letters, poems, first and early editions of novels and poems, later editions, and copies of Bronte related material in other collections e.g. Gondal Poems manuscript in British Library. Also journals, pamphlets, books, newspaper cuttings about the Brontes and works by people associated with them; legal documents e.g. birth, marriage and death certificates and early Bronte Society correspondence and Mildred Christian research papers; drama archive of ephemera related to plays, films and television productions. Brotherton Library, Leeds University has a large collection of Branwell material. Bronte manuscripts, letters, poems, first and early editions and later editions of novels and poems. Also journals, pamphlets, books, newspaper cuttings about the Brontes and works by people associated with them. early Bronte Society correspondence and Mildred Christian research papers.
Decorative and Applied Art Collection
31 items of textile samplers, patchwork, lace and veils, work boxes, needle cases and quilted tea caddy made by or used by the Brontes Approximately 200 objects mainly 19th century covering the range of ceramics.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Collection-level records
History
Some Accredited museums (or multi-site services covering a number of museums) have shared with MDS a brief history of the collections in their care. These collection histories mostly come from the museums’ collection development policies, though they are no longer a mandatory section of the policies required by the Museum Accreditation Scheme.
Collection Overview
Accredited museums (or multi-site services covering a number of museums) are required to have a collection development policy that includes a brief overview of the scope and strengths of the collections in their care. Collection overviews are an incredibly useful starting point for anyone who wants to navigate the nation’s museum holdings, and we are very grateful to all those museums that have shared their overviews with MDS. In some cases, we have included overviews from a legacy dataset called ‘Cornucopia’.
CloseObject records in MDS
This figure is the number of datasets currently in MDS, rather than the number of museums. This is because some datasets come from multi-site services. For example, Norfolk Museum Service has contributed a single dataset, but this includes records about items held in the service’s eleven branch museums. On our Object search landing page, you can see the number of Accredited museums represented in these datasets.
CloseMuseum/collection status
Accredited Museum
These museums meet the nationally-agreed standards of the UK Museum Accreditation Scheme run by Arts Council England, Museums Galleries Scotland, NI Museums Council and the Welsh Government. In the case of multi-site services, the individual branch museums are Accredited, but the overarching service is usually not. Eg Yorkshire Museums Trust is responsible for three Accredited museums, but is not itself Accredited.
Designated Collection
The Designation Scheme, run by Arts Council England, recognises cultural collections of outstanding importance held in non-national museums, libraries and archives across England. There are over 160 Designated collections, but only the museum ones are included in our database here.
Recognised Collection
The Museums Galleries Scotland Recognition Scheme includes more than fifty Recognised Collections of National Significance, some spread across more than one museum. Here we count the number of museums containing parts of those collections, which is why the figure displayed here is higher than that quoted on the MGS website. There is currently no equivalent scheme for Wales or Northern Ireland.
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