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Pontefract Castle
- Wikidata identifier:
- Q1949590
- Part of:
- Wakefield Museums and Galleries
- Instance of:
- museum; castle; motte-and-bailey castle
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2519
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q1949590/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Pontefract Museum
- Wikidata identifier:
- Q7228173
- Part of:
- Wakefield Museums and Galleries
- Instance of:
- local museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1224
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7228173/
- Collection level records:
- Yes, see Wakefield Museums and Galleries
Pontypridd Museum
- Wikidata identifier:
- Q85423018
- Instance of:
- local museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 152
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q85423018/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Poole Museum
(collection-level records)
- Wikidata identifier:
- Q7228623
- Responsible for:
- Scaplen’s Court Museum
- Instance of:
- local museum; history museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 953
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7228623/
- Object records:
- Yes, see object records for this museum
Collection-level records:
-
Collection history (Collection development policy)
Poole Museum and Arts Service was created in 1974, under the local authority of the Borough of Poole. The Service assumed responsibility for the collections from Poole’s first public museum, located in Mount Street. The building for the Mount Street museum, which opened in 1890, had been provided for the people of Poole by John J. Norton, a local timber merchant. Early collections predominately comprised natural history, world cultures, archaeology, social history, decorative art and fine art. It is believed some material had been transferred to the museum from the old Library and that specimens may have been collected by members of the Literary and Scientific Institute. From 1890 to 1974, the museum collections were expanded in a generally undefined manner.
Since 1974, Poole Museum has sought to predominately acquire material of local significance that reflects and represents the social, cultural and economic life of Poole. Collecting has been undertaken in the fields of social history (domestic, maritime, trade and industry), fine art, decorative art, archaeology, photography, documents, ephemera and books. Further acquisitions have included non-local material that provide context to the wider collection. Significant acquisitions in recent years include a nationally important Iron Age log boat, material from the 16th century Studland Bay and 17th century Swash Channel shipwrecks and objects from the Poole Pottery Museum sale in 2004.
Following a local authority restructure, Poole Museum and Arts Service ceased to exist in 2019. Poole Museum is now governed by Bournemouth, Christchurch and Poole Council.
Source: Collection development policy
Date: 2021
Licence: CC BY-NC
-
Collection overview (Collection development policy)
Social History
A wide range of material, of both local and non-local provenance, relating to domestic life (including childhood), social life and trade & industry. The latter group includes the contents of a local pharmacy and a local pub. Larger items include furniture, shop fittings and architectural fixtures. A quantity of architectural fixtures, including fireplaces, were collected during a period of redevelopment of Poole’s Old Town.
Maritime History
Maritime material includes a significant number of ship models, a small number of full-sized craft, ship figureheads and a range of objects related to shipbuilding, sail making and navigation. Several acquisitions were made in this area during the establishment of Poole’s Maritime Museum in 1977 and the subsequent years it was open.
Fine Art
Includes paintings, prints and drawings of local and non-local subject matter. The collection’s stronger elements are local topographical scenes from the early 19th century onwards, Georgian portraits and maritime art (including 19th century ship portraits). Includes a significant number of works by maritime artist Bernard F Gribble. Since the 1980s, attempts have been made to better represent some of Poole’s more prominent visiting and resident artists, such as Henry Lamb and Augustus John.
Ceramics & Decorative Art
A large ceramics collection, predominately the products of Poole Pottery and Carter & Co. A large proportion of the collection, as well as Poole Pottery archival material (on deposit at the Dorset History Centre), was acquired from the sale of the Poole Pottery Museum collection in 2004. Also included are products of other local potteries, such as the Crown Dorset Pottery, as well as other commemorative and non-local wares. Some Oriental ceramics from the 17th and 18th centuries, possibly associated to local Newfoundland merchant families. A small amount of other decorative arts material.
Archaeology
A large collection predominantly consisting of the archaeological archives for excavations in Poole and the surrounding area, a large proportion of which were carried out by the former Poole Museum Service Archaeological Unit during the 1970s-90s. Strengths include a large quantity of material from the Foundry site (a 15th century boatyard), locally excavated Medieval and Post-Medieval pottery and Roman material, in particular finds from the Lake Roman fortress (an early fortress from the time of Vespasian and the only one in the country not to have been built on). The collection also includes a small number of chance/individual finds, both local and non-local, some of which originate from the early museum collections. The museum additionally holds a number of archaeological archives deposited by external archaeology contractors.
Maritime Archaeology
In addition to land-sourced material, the collection includes significant maritime archaeology. This comprises an Iron Age log boat and the small finds, armaments and timbers from the 16th century Studland Bay shipwreck and the 17th century Swash Channel shipwreck.
Documents and Ephemera
A large collection of documents and ephemera relating to local industry and commerce, governance, transport, military and domestic life. Also includes non-local ephemera, as well as a collection of maps (local and non-local), architectural plans and designs.
Photography
A large collection of mostly local subjects in various photographic formats. There is a strong representation of 19th and 20th century local scenes and portraits. Includes a small amount of audio-visual material.
Costume & Textiles
The costume and textiles collection comprises mainly women’s and children’s costume and accessory items from the late 19th-mid 20th centuries, including a large quantity of late 19th– early 20th century christening and baby’s dresses. Other items include uniforms and needlework items, such as samplers and embroideries.
Natural History
A large collection of life science and earth science specimens. Life science material includes taxidermy, skeletal material, botanical specimens, spirit/bottled specimens, marine specimens (including a large collection of shells) and cased invertebrates. Earth science material includes fossils and rock and mineral specimens. Most of the material is non-local, although there is a small number of items of local origin among the taxidermy and geological specimens.
World Cultures
Non-British material including objects collected by Poole residents from travels overseas. Collection items principally originate from Africa and Asia, with a small number of objects from the Pacific, America and Europe.
Numismatics
A collection of some 1400 coins and tokens, including British and foreign coins from the 18th-20th centuries, local and non-local trade tokens and commemorative coins and medals.
Books and Periodicals
A collection of books and periodicals, mostly of historical, topographical and maritime subject matter, both local and non-local. Includes books from the Mathews Collection (bequeathed by E.F.J. Mathews, a local historian).
Learning and Handling Collection
A quantity of non-accessioned material used as a resource for handling and learning purposes, on site and through outreach activities. Most is incorporated in a series of themed loan boxes managed by the museum learning team. Objects in this collection have been sourced from the core museum collections, donations and through purchase.
Local History Research and Reference Material
The museum holds a sizeable collection of non-accessioned primary and secondary material that is used as a reference resource for local history research, both by members of the public and staff. This includes books, documents, newspapers, maps, ephemera and oral-history recordings.
Source: Collection development policy
Date: 2021
Licence: CC BY-NC
Port Sunlight Museum
(collection-level records)
- Wikidata identifier:
- Q113370152
- Instance of:
- museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2233
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q113370152/
- Object records:
- Yes, see object records for this museum
Collection-level records:
-
Collection history (Collection development policy)
Port Sunlight Museum’s collections chiefly focus on the social history of the village and Lever Brothers factory. A collection began in 1999 with the creation of Port Sunlight Village Trust, based around items in an existing heritage centre. Following the opening of a new museum in 2006, more active collecting began, through encouraging donations and occasional purchases. Collecting has broadly followed special exhibitions or projects, resulting in some themes developing, such as the Great War, village societies, and Edwardian domestic items.
Source: Collection development policy
Date: 2018
Licence: CC BY-NC
-
Collection overview (Collection development policy)
The museum currently has over 2,100 items accessioned into the collection, of which around 80% are photographs, prints and documents, 10% are small social history items such as medals, watches and trophies, 5% are Lever Brothers soaps and packaging and 5% larger objects such as signs, furniture and architectural pieces.
Port Sunlight Museum holds material which is archival in nature, such as personal documents from families who lived in the village, conveyances relating to the purchase of land on which Port Sunlight was built, and records of work undertaken on the properties in the village. This is used to understand and interpret the story of the village, adds to the significance of objects in the collections and is made available to researchers on request. While archival material is not a priority for active collecting, we will continue to acquire such material when offered for donation provided it meets our approach described.
Source: Collection development policy
Date: 2018
Licence: CC BY-NC
Portchester Castle
- Wikidata identifier:
- Q732249
- Part of:
- English Heritage
- Instance of:
- castle; archaeological site
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1661
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q732249/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Porthcawl Museum
- Wikidata identifier:
- Q85673811
- Also known as:
- Amgueddfa Porthcawl
- Instance of:
- organization; museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1427
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q85673811/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Porthmadog Maritime Museum
(collection-level records)
- Wikidata identifier:
- Q85673813
- Also known as:
- Amgueddfa Forwrol Porthmadog
- Instance of:
- organization; maritime museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1579
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q85673813/
Collection-level records:
-
Collection history (Collection development policy)
The collection has grown since the 1970s when the museum was established in the Garlandstone in Porthmadog Harbour. The initial objects were donated by local seafaring members of the community who wanted to preserve the maritime history of the town which was important for the export of slate mined at Blaenau Ffestiniog and marketed around the world.
The museum moved ashore into the last of the slate sheds around the Harbour. Assistance from the National Maritime Museum and a grant assisted with design. This attracted more deposits from local families of artefacts, paintings and documents relevant to the collection and it continues to grow. Working closely with other maritime museums in North Wales we ensure that items that may be relevant to other ports are transferred to a more appropriate home.
Source: Collection development policy
Date: 2024
Licence: CC BY-NC
-
Collection overview (Collection development policy)
The Museum’s strength lies in its illustration of the development of shipbuilding in the district in the context of the emerging slate industry in the hills and the resulting transport links, including the building of the Cob and narrow gauge railways. In the town supporting industries such as the foundries, sail making and chandlery emerged. The human side is illustrated by displays such as a galley and cooking at sea, examples of the seaman’s pastimes, for example building models in cigar boxes, and the life experiences of the maritime families. Hands-on exhibits introduce young people to life on board including the use of different types of pulleys, signalling by flags and lamps, lifting devices etc.
The collection is supported by a growing reference library, cuttings files and databases consulted by volunteers in answering enquiries received from visitors, or by post or email.
Source: Collection development policy
Date: 2019
Licence: CC BY-NC
Portland Basin Museum
- Wikidata identifier:
- Q113370036
- Part of:
- Tameside Museums and Galleries
- Instance of:
- museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 173
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q113370036/
- Collection level records:
- Yes, see Tameside Museums and Galleries
Portland Museum
(collection-level records)
- Wikidata identifier:
- Q7231985
- Also known as:
- Portland Museum, Dorset
- Instance of:
- local museum; history museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2177
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7231985/
Collection-level records:
-
Collection overview (Cornucopia)
Maritime Collection
The Isle of Portland has important connection with national naval defence; Trinity House; the coastguard service; smuggling; wrecks; fishing; and maritime leisure. All these themes are reflected in the maritime collection which comprises photographs, artefacts, chandlery, fishing equipment, paintings and books.
Subjects
Maritime
Transport Collection
A small collection of photographs and artefacts relates to the joint railway operation (GWR/LSWR) quarry and military railways. There are also artefacts from the local toll bridge.
Subjects
Transport
Biology Collection
There is a collection of taxidermy.
Subjects
Biology
Geology Collection
There is a small number of local fossils.
Subjects
Geology
Social History Collection
Photographs; paintings; books; textiles and costumes; and ephemera attest to Portland’s connections with the Prison Service, the Crown, the work of Dr Marie Stopes and the local stone quarrying industry.
Subjects
Social History
Archaeology Collection
This is a modest collection of local archaeological artefacts from all periods.
Subjects
Archaeology
Fine Art Collection
Works of art produced by local artists or depicting local subjects.
Subjects
Fine Art
Other
Costume and Textile; Medals; Music; Numismatics; Photography; Science and Industry; Decorative and Applied Arts; Agriculture
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Portsmouth Museum and Art Gallery
(collection-level records)
- Wikidata identifier:
- Q19568980
- Also known as:
- Portsmouth City Museum
- Part of:
- Portsmouth Museum Service
- Instance of:
- building
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1450
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q19568980/
Collection-level records:
-
Collection overview (Cornucopia)
Local History
The collection is social and local history and includes industrial, transport, domestic, prints, drawings, photographs, postcards, and oral history items from 1650 ot present. In total there are 20,000 science and industry, mainly 2 large wheelwright and iron foundry collections but also industrial equipment, plumbing and ship building; 24,000 social history domestic appliances and furnishings, shop fittings, local government, local organisations, personal items, costume; 100 transport items include public service, in particular passenger transport from 1890-1955 and boats and an industrial locomotive; Comprehensive collection of 3000 tokens, badges, medals and decorations; Costume and textiles from 1787 -1997 with strengths in local territorial uniforms, women’s costume, from 1935- 1975 and small collection of banners; 3,700 photographs with a large topographical collection, local interest in portraits of local people and large collection by contemporary photographers including Danny Weinstein; Substantial collection of postcards of local views and subjects, mainly mid 20th century; paintings, drawings and prints are marine, topographical and portraits by local artists such as WA Jeffries, Edward King and WE Atkins with a substantial collection of shipping and harbour subjects from 1800-1900 including works by W L Wyllie and Rowlandson, Stansfield and Serres; A large collection of 900 oral history recordings in particular D Day and Dockyard interviews of 20th century. Also 500 maritime items.
Fine Art
A collection of 2,600 items of oils and watercolours from 17th century to present with strength in the Cole family of artists, St Ives School and Benjamin Haughton; there is a small collection of drawings and sculpture, large collection of artists prints including Old Master prints, but string in 20th century British works and a significant group of wood engravings.
Decorative Art
Good collections of ceramics with particular strengths in 19th century art pottery and 18th century tea wares; major collection of furniture particularly in architect-artist-designer from 18th century to present and work by local Betty Joel; good collection of contemporary crafts and small furnishing textiles of 1960 and 70s and metalwork. Also Harris Collection and Spyers Bequest. In total 5,000 Applied and Dec art and 650 costume and textiles items.
Military History
The collection covers D Day especially the Overlord embroidery in 34 applique panels 8 feet by 3 feet high, personal memorabilia as objects , photographs, letters, diaries, maps and oral history, Sherman and Churchill tanks, and American LCVP, amphibious DUKW, Jeep, Scout car, Beach armoured recovery vehicle specifically developed for the landings. Also the military heritage as a fortified garrison town including the extant fortifications of Round Tower, Square Tower, Southsea Castle and Hilsea Lines. Collection of ordnance at Southsea Castle and City Museum in Victorian barracks complex.
Natural Science
The collection is of the flora and fauna of the Portsmouth, south east Hampshire and West Sussex built up mainly since 1947 by staff collection, bequests, and donations, on a pre World War II residue, that includes the Guermonprez Collection of 100,000 specimens of flora and fauna of West Sussex and Hampshire. The zoology is British and Foreign birds, mammals and molluscs; British amphibians and reptiles, British fish, insects, butterflies and crustacea; small wet-preserved collection and small number of sets and specimens by local taxidermists. There is a large British Herbarium with early collected specimens and marine algae and bryophytes. Also a collection of fossils from southern England, rocks from the Hampshire Basina and other world-wide material. There is a significant collection of 19th century books, and important collection of Guermonprez watercolours and field notes and the specimens and papers of the Hayling Island Mosquito Project.
Archaeology
The bulk of the collection is from research and development digs within 15 mile radius of the Guildhall in the past 60 years and also stray finds and dredged material. Collection includes flint, pottery, ceramic building material, glass, leather, metalwork, wood, animal and human bones and molluscs from the Lower Palaeolithic to post Medieval. Major collections include Red Barns Lower-Middle Palaeolithic flint working site, Porchester excavated in 1970s; Rowlands Castle Roman Pottery Kiln with 40 boxes dating from late 1st to early 2nd century; Bevis Grave Anglo-Saxon cemetery with 88 skeletons and grave goods; Oyster Street on Portsea Island and Cypriot Pottery donated by individuals form Bronze Age to Late Classical. In total there are 200,000 items.
Archives
There are 300,000 archival records from a variety of sources across the City and include photographs, postcards, maps and printed and published and manuscript material. Includes the earliest surviving charter of 1313, but mainly civic records from 15th century to present and ecclesiastical records from 1538.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Portsmouth Museum Service
- Wikidata identifier:
- Q119980024
- Responsible for:
- Charles Dickens’ Birthplace Museum; Cumberland House Natural History Museum; D-Day Story; Eastney Engine Houses; Portsmouth Museum and Art Gallery; Southsea Castle
- Instance of:
- art museum
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q119980024/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Portsoy Salmon Bothy
(collection-level records)
- Wikidata identifier:
- Q113471300
- Also known as:
- Salmon Bothy Museum
- Instance of:
- museum; bothy; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2270
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q113471300/
Collection-level records:
-
Collection history (Collection development policy)
The Salmon Bothy opened to the public in November 2008. At this point the only artefacts in the Salmon Bothy collection were on loan from Aberdeenshire Museum Service (AMS) and the necessary paperwork was completed to this effect. The original collection from the Salmon Bothy, Portsoy, reflects the practices of the salmon fishing industry in Portsoy and associated ways of life in the eighteenth, nineteenth and twentieth centuries. The collection consists of nets, ropes and various implements and items employed in the salmon fishing industry. In process of being acquired; the intention of the subgroup is to represent archive material pertaining to the industrial and social history of Portsoy from the building of the old harbour in 1693 to the present day.
The museum also holds a large and rich collection of photographs digitally stored and backed up within the main computer of the Bothy within the Office. These are used extensively in temporary exhibitions and reflect much of the early life and work of Portsoy.
Source: Collection development policy
Date: 2023
Licence: CC BY-NC
-
Collection overview (Collection development policy)
Our collection has grown since the establishment of the museum. Many items on display in the museum are on long term loan from AMS. The museum displays are updated regularly and the museum accepts donations and loans which are made. Additional objects are held in store such as photographic slides, paper, posters, photo albums and programmes.
The collection displayed within the three chambers of Salmon Bothy museum consists of:
- a range of the typical equipment used in offshore salmon fishing including nets, metal artefacts, fish boxes, wood and basket ware;
- a model of a bag net;
- model fishing boat;
- coracles;
- bunk beds;
- inshore pilot boat;
- fish boxes and baskets.
The chambers also provide visitors with a good sense of how the fish were stored and handled in a damp, cool and relatively dark setting which in itself brings a number of challenges for the care and conservation of objects. There are artefacts relating to the Herring industry as well as sails and photographs although the photographs are copies that have been laminated as the conditions are not appropriate to display originals.
Objects are also stored in the Loft in the Bothy and at Cowhythe steading close to Portsoy. These objects are mainly on loan from AMS.
Source: Collection development policy
Date: 2023
Licence: CC BY-NC
The Postal Museum
(collection-level records)
- Wikidata identifier:
- Q3520122
- Instance of:
- museum
- Museum/collection status:
- Accredited museum; Designated collection
- Accreditation number:
- 2437
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q3520122/
Collection-level records:
-
Collection overview (Cornucopia)
Historical Collection
Responsible for the historical collections of Royal Mail, covering more than 360 years of British postal history, and including the archive of Royal Mail containing records from 1636, stamps of Great Britain from the Penny Black onwards with their artwork, and British postal markings from 1661, artefacts including posting boxes, vehicles, uniforms, sorting frames, sorting machines and handstamps. Philatelic material is listed separately under Philatelic Collection, but the collections include “non-philatelic material”, that is products sold or available over Post Office Counters (postal orders, money orders, revenue stamps, telegrams, licences etc) and other documentary material (brochures, hand-outs etc) which provides a context for them. The archives also contain records of potential interest to family historians; material available ranges from appointment and pension records to local history, staff magazines, photographs, recruitment posters and uniforms.
Philatelic Collection
Public Records relating to philatelic products and other philatelic material issued by the British Post Office in the UK and abroad; “postal history” material such as letters, covers, labels, postcards and waybills relating to services operated by the British Post Office in the UK and abroad and services operated between the UK and other countries; dies, plates, cylinders relating to postal stamps and stamped stationery issued by the British Post Office and revenue stamps sold by them; foreign philatelic material received via the Universal Postal Union and other postal administrations and their agents for the Stamps of the World Collection; high quality collections of foreign or Commonwealth philatelic material by donation or bequest which serve as reference or research material.
Transport Collection
Vehicles including a replica mail coach, a travelling post office, hand-carts, vans, motor bikes and bicycles used in connection with Post Office operations in the UK.
Ephemera Collection
Greetings cards, letters and other items sent through the post – the earliest Valentine card is a handmade puzzle Valentine from 1790. During the Victorian period, mass production of cards encouraged more people to exchange Valentine sentiments.
Art and Design Collection
Paintings, engravings and prints relating to the operations of the British Post Office, plus original art works commissioned by the Post Office, eg for stamp and poster designs. In the early 1930s the Post Office started to use advertising posters. Large poster hoardings were first used in 1932 followed by special designs created for experimental use on mail vans – the origin of the ‘strip poster’ used today. Following Sir Stephen Tallents’ appointment in 1933 as public relations officer, leading artists, such as Macdonald Gill and Graham Sutherland, were commissioned to work on poster designs.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Potteries Museum & Art Gallery
(collection-level records)
- Wikidata identifier:
- Q7235303
- Also known as:
- Potteries Museum and Art Gallery, City Museum Stoke-on-Trent
- Part of:
- City of Stoke-on-Trent
- Instance of:
- natural history museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 709
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7235303/
- Object records:
- Yes, see object records for this museum
Collection-level records:
-
Collection overview (Cornucopia)
Ceramics
The collection is dominated by the pottery, porcelain and other ceramics holdings, which are the largest and most comprehensive in the world within their field of Staffordshire ceramics. The 19th century ceramics collection is particularly strong, especially in figures, tiles, and porcelain tablewares. The 20th century material, industrial and studio, now forms the best collection of 20th century British ceramics in the world, particularly of pottery. The collection of 18th century earthenwares (pottery) and stonewares is also particularly strong. The collection moreover contains examples of ceramics from all around the world, from a vast range of countries and cultures, including Renaissance Italian maiolica, Islamic ceramics, Ancient Greek ceramics, and so on.
Commemorative Ceramics Collection
The Potteries Museum & Art Gallery has an extensive collection of commemorative ceramic ware including plates and mugs. The collection starts with 17th century slipware chargers, creamware teapots, and later earthenwares, porcelains, stonewares and bone chinas. We have a broad range of 20th century commemorative ceramics, particularly from all major Royal events.
Figurines
The Potteries Museum & Art Gallery’s figures collection includes figures from the 18th century onwards. Many of the figures commemorate famous people or events in history, although many do not. The collection contains figures depicting Classical mythological and theological subjects from the 18th century, famous and infamous people from the 19th century, early 20th century art pottery figures with naturalistic subjects, and the ever-popular 20th century figures from factories such as Royal Doulton.
The Keiller Collection of Cow Cream Jugs
This magnificent collection of 667 cow cream jugs built up over a period of 30 years was generously presented to the City of Stoke-on-Trent Museum & Art Gallery in 1962 by Mrs. Gabrielle M. Keiller of Kingston Hill, Surrey. The bulk of the cow cream jugs were manufactured in the second half of the 18th century and the first quarter of the 19th century when few earthenware potters were using an identifiable backstamp. This makes attribution almost impossible for the vast majority of cows, which were collected for their looks not origin. A condition of the gift stipulated that a minimum of two thirds of the Collection should be on permanent exhibition – the remainder available for study by appointment. The cow cream jugs are now one of the most popular displays at the Potteries Museum & Art Gallery, and are displayed with The Davies Collection of Frog Mugs.
Davies Collection of Frog Mugs
The Potteries Museum & Art Gallery’s collection of 300 frog mugs was donated by Marjorie M Davies in 1987. The collection includes a wide range of pieces dating from the late 18th century to the late 20th century. Most types of pottery, porcelain and china are represented, with a wide range of decoration styles and techniques. The collection is mostly on display in the Ceramics Gallery, with the Keiller Collection of Cow Creamers.
Fine Art Collection
The paintings, drawings and sculpture collection covers mostly British art from the 19th. and 20th. C. There is also a good collection of British, Japanese and European prints from the 16th. C. to the present day. Local artists are well represented in all media. There are links with artists associated with the ceramics industry, and with the development of public art within the City. Designated There is a collection of architectural drawings by Sir Charles Barry and others of the Trentham Hall Estate, which is of National significance. The paintings, drawings and sculpture collection covers mostly British art from the 19th. and 20th. C. There are links with artists associated with the ceramics industry, and with the development of public art within the City. There is also a good collection of British, Japanese and European prints from the 16th. C. to the present day. Local artists are well represented in all media.
Costume and Textile Collection
The collection includes material from the 15th.C. to the present day, including flat textiles and a group of dolls. The latter include dolls in national costume and dolls illustrating the history of doll making from c.1800 to the present day. The collection includes material from the 15th.C. to the present day, including flat textiles and a group of dolls.
Science and Industry Collection
Machinery, tools and equipment relating to the pottery industry and associated trades have been collected, mainly in connection with the Gladstone Pottery Museum and the Etruria Museum, and primarily for display. Machinery, tools and equipment relating to the pottery industry and associated trades have been collected, mainly in connection with the Gladstone Pottery Museum and the Etruria Museum, and primarily for display.
Archaeology Collection
Prehistoric material includes finds from two major sites: Ossoms Cave (late upper palaeolithic) and Wetton Mill Minor (Mesolithic). Roman finds include the earliest evidence of pottery production in Stoke, and Anglo-Saxon sites include an Anglian settlement (Catholme) and a 10th.C. kiln in Stafford. Medieval material includes pottery from a 14th.C. Stoke kiln and from Hulton Abbey. The museum is the principal repository for the whole of the Staffordshire area, and has benefited in recent years from major transfers of material from the Staffordshire County Council, Stafford Borough Council and a private museum at Denstone College. Collections include prehistoric, Roman, Anglo-Saxon and Medieval material.
Subjects
Archaeological heritage; Archaeological sites; Archaeology; Viking; Archaeological objects; Roman Empire; Archaeological activities; Archaeological research
Biology Collection
The biology collection, now numbering about 120,000 objects, evolved from initial collections made by members of the North Staffordshire Field Club in the late 1800s. It focuses on the flora and fauna of Stoke-on-Trent and the Staffordshire County area. This policy to develop the regional significance of the collections means that the Museum has the most comprehensive collection of Staffordshire natural history material anywhere in the world. There are around 15,000 plant and fungi specimens. These include about 6,000 specimens from Eric Edees, the author of the 1972 ‘Flora of Staffordshire’. The animal specimens number over 100,000 items.
Subjects
Fauna; Natural history; Zoology; Fungi; Mineralogy; Geology; Palaeontology; Botany; Biology
Geology Collection
Approximately 12,000 rocks, minerals and fossils – most of which have a particular focus on the Carboniferous and Triassic horizons of the local area. Highlights of the collection include around 900 Carboniferous Coal Measure (mainly fish) fossils. The geology collection, now numbering about 20,000 objects, evolved from initial collections made by members of the North Staffordshire Field Club in the late 1800s. It focuses on the fossils, minerals and rocks of Stoke-on-Trent and the Staffordshire County area. This policy to develop the regional significance of the collections means that the Museum has the most comprehensive collection of Staffordshire natural history material anywhere in the world.
Subjects
Fossils; Geology; Palaeontology; Minerals
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Potters Bar Museum
- Wikidata identifier:
- Q29016276
- Instance of:
- museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2093
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q29016276/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Powell-Cotton Museum, Quex House and Gardens
(collection-level records)
- Wikidata identifier:
- Q15268337
- Also known as:
- Powell-Cotton Museum
- Instance of:
- museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 87
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q15268337/
Collection-level records:
-
Collection overview (Wikipedia)
Collections on display
Gallery 1 (1947)
Houses 3 natural history dioramas, most notably a collection of African monkeys and apes can be found directly opposite the entrance to the gallery. In reference to the primate diorama, it is yet to be equalled in Europe in regard to size and natural diversity. The total number of specimens nearly reaches 2000 in entirety.
Gallery 2 (1896)
The original pavilion, contains a vast collection of mounted big game heads from Africa and Asia. On the other side of the room, is another large diorama, which depicts the mammals of the Himalayas. To obtain the specific specimens in winter coats, Powell-Cotton had to brave the bitterest of the cold weather season in camp. This is known to be the oldest, unchanged, room-sized Natural History Diorama.
Gallery 3 (1908)
Dominated by the centre piece in the room depicting the fight between a lion and a buffalo. The lion is the actual animal that attacked and nearly killed Powell-Cotton in 1906, whereas the buffalo is the type specimen of a subspecies named after the hunter/explorer. Additionally in Gallery 3, is another large diorama, this time depicting a scene from Sub-Saharan Africa in which the animals appear to be venturing down to drink at a pool.
Gallery 4 (1955)
A predominantly media-orientated gallery, including footage shot by the Powell-Cotton sisters showing a typical day in the life of a Kwanyama family. In fact, the museum houses an extensive filmography shot by Percy Powell-Cotton and his two daughters Diana and Antoinette.
Gallery 5 (1970)
Along with Gallery 6, Gallery 5 contains the ethnographical collections from Africa, focussing on tribal craft such as stools and combs, and items for dress and body decoration. Gallery 6 also displays many field photographs that illustrate the utilisation of the artefacts on show.
Gallery 6 (1970)
With direct links to Gallery 5, Gallery 6 houses more ethnographical artefacts and includes a model of a farmstead of the Kuanyama people of Angola, along with items of recreation and carefully crafted weaponry.
This article uses material from the Wikipedia article “Powell-Cotton Museum”, which is released under the Creative Commons Attribution-ShareAlike 4.0 International License.
Source: Wikipedia
Date: 2025
Licence: CC-BY-SA
Powis Castle
- Wikidata identifier:
- Q1377263
- Also known as:
- Powys Castle
- Part of:
- National Trust
- Instance of:
- castle
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2365
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q1377263/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Powys County Council
- Wikidata identifier:
- Q7236943
- Responsible for:
- Brecknock Museum and Art Gallery; Llanidloes Museum; Powysland Museum; Radnorshire Museum
- Also known as:
- Cyngor Sir Powys, Powys Council
- Instance of:
- unitary authority in Wales
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7236943/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Powysland Museum
(collection-level records)
- Wikidata identifier:
- Q85431244
- Also known as:
- Amgueddfa Powysland
- Part of:
- Powys County Council
- Instance of:
- local museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1508
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q85431244/
Collection-level records:
-
Collection overview (Cornucopia)
Ancient Egyptian Collection
The museum holds 50 ancient Egyptian objects. Classes of objects represented in the collection include: animal remains (mummies); pottery; shabtis; stone figures(?). Objects are known to have come from the following location in Egypt (with the name of the excavator/sponsor and year of excavation given): Beni Hasan (Garstang – Liverpool University, 1902-1904).
Subjects
Ancient civilizations; Antiquities; Antiquity; Archaeological sites; Archaeological objects; Egyptology; Archaeological excavations
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Collection-level records
History
Some Accredited museums (or multi-site services covering a number of museums) have shared with MDS a brief history of the collections in their care. These collection histories mostly come from the museums’ collection development policies, though they are no longer a mandatory section of the policies required by the Museum Accreditation Scheme.
Collection Overview
Accredited museums (or multi-site services covering a number of museums) are required to have a collection development policy that includes a brief overview of the scope and strengths of the collections in their care. Collection overviews are an incredibly useful starting point for anyone who wants to navigate the nation’s museum holdings, and we are very grateful to all those museums that have shared their overviews with MDS. In some cases, we have included overviews from a legacy dataset called ‘Cornucopia’.
CloseObject records in MDS
This figure is the number of datasets currently in MDS, rather than the number of museums. This is because some datasets come from multi-site services. For example, Norfolk Museum Service has contributed a single dataset, but this includes records about items held in the service’s eleven branch museums. On our Object search landing page, you can see the number of Accredited museums represented in these datasets.
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Accredited Museum
These museums meet the nationally-agreed standards of the UK Museum Accreditation Scheme run by Arts Council England, Museums Galleries Scotland, NI Museums Council and the Welsh Government. In the case of multi-site services, the individual branch museums are Accredited, but the overarching service is usually not. Eg Yorkshire Museums Trust is responsible for three Accredited museums, but is not itself Accredited.
Designated Collection
The Designation Scheme, run by Arts Council England, recognises cultural collections of outstanding importance held in non-national museums, libraries and archives across England. There are over 160 Designated collections, but only the museum ones are included in our database here.
Recognised Collection
The Museums Galleries Scotland Recognition Scheme includes more than fifty Recognised Collections of National Significance, some spread across more than one museum. Here we count the number of museums containing parts of those collections, which is why the figure displayed here is higher than that quoted on the MGS website. There is currently no equivalent scheme for Wales or Northern Ireland.
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