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Solent Sky
(collection-level records)
- Wikidata identifier:
- Q7557658
- Also known as:
- Solent Sky Museum
- Instance of:
- aviation museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1045
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7557658/
Collection-level records:
-
Collection overview (Cornucopia)
Transport
A collection of 3,000 items has 15 aircraft representing 26 companies in the area between 1905 -1968 including Airspeed, Airwave, Avro, Britten Norman, De Havilland, Folland, Hunting, Saunders Roe, Slingsby, SUMPAC, Wight, Alvis, Bristol Siddeley, Gnome, Metrovik, Napier and Rolls Royce.
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Somerset Brick and
Tile Museum
- Wikidata identifier:
- Q7559824
- Part of:
- South West Heritage Trust
- Instance of:
- museum
- Accreditation number:
- T 639
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7559824/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Somerset Military Museum
(collection-level records)
- Wikidata identifier:
- Q7559892
- Instance of:
- military museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 815
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7559892/
Collection-level records:
-
Collection history (Collection development policy)
The Somerset Military Museum traces its origins to the early 1920’s when a collection of Somerset Light Infantry objects was put together as a small museum in the Regiment’s Depot Officers’ Mess at Jellalabad Barracks, Taunton. Later the museum was moved to larger premises in the Keep at Jellalabad Barracks – a landmark building overlooking Vivary Park. In 1963 it was again moved to a purpose-designed room in the Regimental Headquarters of The Somerset and Cornwall Light Infantry at Jellalabad Barracks. It was, however, always the wish of the Somerset Light Infantry Museum trustees to find a permanent home for it somewhere within Somerset.
Field Marshal The Lord Harding of Petherton launched an appeal in May 1971. This raised £32,000 to build a new floor to the Wyndham Gallery of the Somerset County Museum (now the Museum of Somerset) where the Somerset Light Infantry collection and that of the West Somerset Yeomanry, the Somerset Militia, Rifle Volunteers and their successor regiments could be housed and developed as a military museum for the County in partnership with the Somerset County Council. Her Majesty Queen Elizabeth The Queen Mother formally opened the new Somerset Military Museum on Tuesday 7th May 1974.
In 1979 a charitable trust deed, which replaced the Somerset Light Infantry Museum Trust Deed, was set up which formalised the objects of the Somerset Military Museum Trust. This Deed was replaced by the current charitable trust deed in 1997. The new deed and subsequent amendments have allowed for the inclusion of North Somerset Yeomanry objects and have reflected changes to the title of the modern regiment and to the Trust’s loans policy.
In 2004 the Museum’s collection of North Somerset Yeomanry objects was significantly increased when the NSY trustees donated objects, which had previously been housed at Tyntesfield and with the National Army Museum.
From 2008 the Somerset Military Museum was closed for refurbishment for 3 years as part of the Museum of Somerset Project. The redesigned museum was reopened in September 2011.The centrepiece of the museum is Lady Butler’s painting of the Remnants of an Army, which is on loan from the Tate Gallery.
Between 2010 and 2014 the museum’s large reserve collection was re-housed in the newly built Somerset Heritage Centre. This collection includes the major portion of its medal collection, which is now displayed in new wooden cabinets. Since 2014 work has been undertaken to rationalise the reserve collection with the aim of identifying objects surplus to the museum’s needs, and to formally accession objects which had not yet been accessioned.
Source: Collection development policy
Date: 2018
Licence: CC BY-NC
-
Collection overview (Collection development policy)
The collection reflects the purpose of the Somerset Military Museum Trust (SMMT) comprising objects and information relating to The Somerset Light Infantry, The West Somerset Yeomanry, The North Somerset Yeomanry and their successor units (principally The Somerset and Cornwall Light Infantry, The Light Infantry and The Rifles), and also relating to the Somerset Militia, Volunteer and Irregular Units raised in the County of Somerset and relevant objects and information derived from enemy sources.
The collection totals 6,001 objects and includes uniforms, medals, trophies including silver and porcelain, Colours, guidons and other standards, memorabilia, ephemera and photographs. A small collection of weaponry is held under licence.
The collection spans the period from 1685, when the 13th of Foot was formed, to the present day. The 13th of Foot subsequently became The Somerset Light Infantry and is manifest today as a part of The Rifles. The Yeomanry collection is largely from the 19th and 20th centuries, whilst the militia and volunteers span the 18th, 19th and early 20th centuries. Objects relating to The Somerset Light Infantry comprise the largest part of the collection.
Source: Collection development policy
Date: 2018
Licence: CC BY-NC
Somerset Rural Life Museum
(collection-level records)
- Wikidata identifier:
- Q7559906
- Part of:
- South West Heritage Trust
- Instance of:
- local museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 817
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7559906/
Collection-level records:
-
Collection overview (Cornucopia)
Agriculture Collection
The collection reflects the agricultural history of the county up to the early 20th century and is a rich collection of equipment, machinery and hand tools.
Subjects
Agriculture
Social History Collection
Social history material comprises chiefly 19th and early 20th century material relating to domestic and working life and industry in rural Somerset. There are artefacts relating to the local industries of peat cutting, withy growing and cheese and cider making.
Subjects
Social History
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
Somme Museum
- Wikidata identifier:
- Q7560442
- Also known as:
- Somme Heritage Centre
- Instance of:
- military museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 593
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7560442/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Souter Lighthouse
- Wikidata identifier:
- Q7565258
- Also known as:
- Souter Point Lighthouse And Attached Buildings 25877;
- Part of:
- National Trust
- Instance of:
- lighthouse
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1629
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7565258/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
The South Asia Collection
- Wikidata identifier:
- Q134954996
- Also known as:
- SADACC Trust; South Asian Decorative Arts and Crafts Collection
- Instance of:
- museum; decorative arts collection
- Accreditation number:
- T 657
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q134954996/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South Ayrshire Council
- Wikidata identifier:
- Q99229587
- Responsible for:
- Maclaurin Art Gallery; Rozelle House Museum and Galleries
- Instance of:
- Scottish unitary authority council
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q99229587/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South Molton Museum
(collection-level records)
- Wikidata identifier:
- Q42753785
- Also known as:
- South Molton & District Museum, South Molton and District Museum
- Instance of:
- local museum; history museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 53
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q42753785/
Collection-level records:
-
Collection overview (Cornucopia)
Archaeology Collection
An important Celtic carved stone head found locally and a small collection of other varied material.
Subjects
Archaeology
Arms and Armour Collection
This collection comprises firearms and 20th century militaria.
Subjects
Arms and Armour
Decorative and applied Art Collection
There is a small collection of British and European pewter.
Subjects
Decorative and Applied Arts
Ethnography Collection
A small collection including some African items.
Subjects
Ethnography
Agriculture Collection
Agricultural history items including tools, animal traps and silver trophies. There is a large 18th century wooden cider press with contemporary implements.
Subjects
Agriculture
Fine Art Collection
This collection comprises paintings, engravings and other pictures of local interest, demonstrating changes in the locality over the last two centuries.
Subjects
Fine Art
Geology Collection
There is a collection of minerals lent by John Rattenbury, local mining expert. It comprises minerals mostly mined from local and other north Devon workings. There are also mining maps, diagrams and models.
Subjects
Geology
Transport Collection
This aspect of the collection includes two fire engines, a Newsham’s model bought with 12 leather buckets (five of which survive in the museum) in 1736 for 46 and a horse drawn Merryweather appliance dated 1886.
Subjects
Transport
Social History Collection
The collection includes the Corporation weights and measures; the town stocks (on loan); cabinet maker’s tools; shoe maker’s tools; blacksmith’s tools and other craftsmen’s tools and equipment. There is a collection of mid 20th century dolls in period costume, a penny-farthing bicycle and various domestic social history items including ceramics, glass, metalwork, wooden items, clocks and watches.
Subjects
Social History
Archives Collection
There are some books, maps and documents relating to the South Molton area which are available for reference.
Subjects
Archives
Photographic Collection
Photographs of local interest, including eight albums of photographs by a local professional photographer, Elizabeth Askew, dating to c.1903.
Subjects
Photography
Other
Subjects
Biology; Maritime; Medals; Medicine; Music; Numismatics; Personalia; Costume and Textile; Science and Industry
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
South Ribble Museum
(collection-level records)
- Wikidata identifier:
- Q113369918
- Instance of:
- museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 233
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q113369918/
Collection-level records:
-
Collection overview (Cornucopia)
Fine Art Collection
19th century works include a painting of Mr and Mrs Walton c.1830 and an oil painting of Farington Corn Mill c.1880. There are also works by local artist Tom Anderton.
Subjects
Fine Art
Science and Industry Collection
Objects relate to local industries such as Stannings Bleach Works and there are also foundry workers’ tools. Items associated with the local textile industries include model cotton steam engines, hand tools, cotton samples, fents, shuttles and loom gauges and items from Carrington’s Mill, Eccleston. There are also other tools, scientific instruments and pattern books. Local trades include shoemakers’ tools and commerce is represented by items such as chemists’ bottles and beer and pop bottles.
Subjects
Science and Industry
Social History Collection
There is a relatively large collection of social history material including a range of household items and ornaments (pre 1950). Childhood items include toys and games and objects from local schools such as school magazines. The local churches are represented by ranging from a waterspout from the 14th century parish church and an alms house inscription to various other photographs, items and souvenirs.
Subjects
Social History
Geology Collection
Fossils and minerals of regional origin.
Subjects
Geology
Medals Collection
Religious and civil medals.
Subjects
Medals
Transport Collection
Items related to railways, canals and the Bamber Bridge Tramway are acquired.
Subjects
Transport
Agriculture Collection
The collection includes field drainage tiles and vernacular bricks. Agricultural implements and associated tools are acquired where they particularly relate to the Mosslands of the Western Parishes.
Subjects
Agriculture
Archaeology Collection
Excavation finds from the Roman site at Walton le Dale, found by E.E. Pickering from 1946-1960.
Subjects
Archaeology
Arms and Armour Collection
Items relate to wartime and include gas mask, home guard material and other objects.
Subjects
Arms and Armour
Costume and Textile Collection
Costume includes a range of dresses, underclothing, garments, accessories and footwear. Textiles include drapery and needlework.
Subjects
Costume and Textile
Personalia Collection
There is a range of items relating to the Farington family of Worden Hall, including photographs, pet gravestones, a wireless and an inn sign. There is also a framed memorial address relating to Kathleen Ferrier (the important 20th century opera star, who has direct associations with Blackburn).
Subjects
Personalia
Photographic Collection
There is a collection of over 1000 postcards, photographs, glass slides and negatives depicting local scenes and events. There are groups of images relating to firms including Leyland Motors Ltd, Leyland and Birmingham Rubber Co., Leyland Paint and Varnish Co. and also local cotton mills. Local buildings such as, Worden Hall feature in addition to local and national events such as the Leyland May festival and Festival of Britain. There is also a camera collection.
Subjects
Photography
Archives Collection
There are early local maps and also early plans of the Leyland Estate (copies), together with local handbooks, directories and souvenir publications. Newspapers cover national and local news events and date to 1887. There are also scrapbooks of local events cuttings.
Subjects
Archives
Source: Cornucopia
Date: Not known, but before 2015
Licence: CC BY-NC
South Shields Museum & Art Gallery
- Wikidata identifier:
- Q26525853
- Also known as:
- South Shields Museum And Art Gallery
- Part of:
- North East Museums
- Instance of:
- city museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 385
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q26525853/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South Somerset Heritage Collection
(collection-level records)
- Wikidata identifier:
- Q116738958
- Instance of:
- local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2311
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q116738958/
Collection-level records:
-
Collection history (Collection development policy)
The original inspiration of the museum came from Alderman W.R.E. Mitchelmore, Mayor of Yeovil 1918-1921, who was interested in local antiquities and in particular the Roman site at Westland, discovered in 1923.
Dr C.A. Ralegh Radford’s excavations there in 1927 produced valuable Romano-British archaeological material. An important collection of fire arms was presented by Alderman Henry Stiby, another Mayor (1904-05) and an Honorary Freeman of the Borough of Yeovil. The photographic collection includes Henry Stiby’s original glass plate negatives; a 1961 aerial survey of Yeovil and a recent addition of Estate Agent Peall & Co’s A-Z drawers detailing properties sold across the south west of England.
Other gifts included the Pinney collection of glassware, Bailward Costume Collection and Roman finds from Lufton and Ilchester, excavated under the direction of Mr L.C. Hayward, together with many other gifts, loans and purchases of interest to the local area.
The Museum collections were housed in the former coach house to Hendford Manor as the Museum of South Somerset. In 2004, Heritage Lottery Fund and South Somerset District Council grants created the Community Heritage Access Centre, (CHAC) an off-site environmentally controlled store on Lufton Depot, near Yeovil. This was to care for the collections in store at the Museum of South Somerset and kept in industrial sites around Yeovil.
The Museum of South Somerset closed in March 2011. CHAC achieved Accreditation Status in 2014 and is now the main contact for physical artefacts and photographs related to Yeovil and South Somerset.
The Community Heritage Access Centre (CHAC) was renamed and rebranded as the South Somerset Heritage Collection (SSHC) from July 2021 to August 2022.
Source: Collection development policy
Date: 2023
Licence: CC BY-NC
-
Collection overview (Collection development policy)
Archaeology:
Material ranges from the Palaeolithic up to the twentieth century. The collection comprises groupings of small finds (i.e. artefacts of metal, bone, glass, stone etc.) along with an amount of pottery and animal and human bone both worked and un-worked. The major strengths of the collection lie in the following excavation archives:
- Ilchester Mead Roman
- Lufton Villa Roman
- Westland Roman Villa
Costume and Textiles:
The costume and textile collection consists mainly of:
- Women’s garments, most of which date from the 18th and 19th centuries (especially wedding dresses)
- Gloves
- 19th century infant wear
- Men’s waistcoats, most of which date from the 18th and 19th centuries
There are a number of earlier items and a growing collection of 20th century material. A small portion of the collection is made up of male daywear and children’s clothing i.e. waistcoats and christening robes. There is also a large collection of fashion accessories, i.e. fans, scent bottles, jewellery and items used in the production of textiles, i.e. lace bobbins. There is a collection of military uniforms from WWII and some items of ceremonial regalia. There are also two personal costume archives: the Bailward collection of 18th-19th century costume and the Tacchi-Morris collection of 20th century costume.
The strength of SSHCs costume collection is the Bailward costume collection. This collection includes men’s and woman’s costumes covering periods between 18th century – 19th century, it is especially valuable as a snapshot of body adornment of one particular family and class, over many generations. In 1997 this collection, which had been on loan to the South Somerset Heritage Collection since c1955, was generously donated by the descendants of the Bailward family and original lenders.
Decorative Arts:
British ceramics
The reference collection of ceramics is small, consisting of:- Pottery made in South Somerset, particularly Donyatt ware
- Roman pottery from excavations at Lufton, Ilchester Mead, and Westland sites
- Post-medieval decorative ceramics in the Pinney Glass collection
- Some examples of rare Tintagel – B class sherds from excavations at South Cadbury
- Robertson collection of Yeoviliana.
- Five riot jugs, unique to Yeovil’s history
Glass
Pinney collection of glassware dating to 18thMetalwork – Silver
The strengths of the existing collection lie in a few commemorative plaques, ewer and a commemorative tray.Furniture
There are only a few pieces of furniture in the collection; most of these pieces have a South Somerset association based on use (i.e. the former mayor’s chair, the bureau designed for the original Borough Museum). There is a significant 18th century table in the collection.Other:
- Pinney collection of gemstones
- Marble statue created by Westmacott.
- Angel Inn panel dating from 1603.
- Cromwellian clock, one of only six known to exist.
Fine Arts, Painting, drawing and prints:
With the exception of a few very fine oil and watercolour paintings, SSHC’s collection is almost exclusively confined to two-dimensional graphic art (i.e. drawings and prints). These mainly comprise illustrations of Somerset scenes and portraits of people associated with South Somerset, together with works by artists connected with the district by birth or residence. Its main strength is as a visual reference collection of places and architecture in South Somerset.
Of particular note are a group of portraits depicting the members of prominent glover’s families. These include Thomas Dampier and his wife Elizabeth Dampier who was also the daughter of William Bide, another local glover. Portraits of Thomas William Dampier-Bide and Elizabeth Dampier-Bide continue the tradition.
Documents & Printed Ephemera:
A small collection of printed ephemera has been acquired since 1928 and has been expanded since 1991 to complement the social history and Education and Outreach collections:
- Legal documents concerning Yeovil dating back to 14th century
- Poor Law Rate Books dating back to 1664.
- Social history flatwork, such as bills, proclamations and public apologies
- Maps, archaeological illustrations and certificates
- Photographs in frames
Batten collection of maps and documents dating back to 16th Century.
Geology:
- Local Fossils
- Local Sedimentology
Photographic:
The photographic collection – consisting of c.5000 negatives, original prints, lantern slides and glass plates – is an important visual record much used by researchers. Strengths include:
- Yeovil and district
- Gloving industry
- Glass slides, – Victorian & Edwardian (including Stiby collection dating from 1880’s.)
- 1993 survey of Yeovil
- Social History
- Local estate agent collection of A-Z property index cards 1960s to 2000.
Few of these photographs are of intrinsic significance as artefacts, for example, to the technological development of photography, but are important because of the images they record. To ensure that every care can be taken to prolong the life of the original medium for as long as possible and to ensure the preservation and use of the image, many of the images are copied using modern photographic techniques which produce a negative and paper print and increasingly digital form.
Social History:
The main material is connected with the history of the people, work and leisure of South Somerset, including material related to trades and crafts, in particular Petter’s and Westland’s. The collections derive from early efforts to record the ethnography of the district and tend to form typological groups of artefacts such as Friendly Society Brasses, the gloving industry and the development of Petter / Westland as a manufacturing base in the District.
Whilst recognising the physical limitations of storage, the need to actively collect selected material reflecting the development of the landscape, industry and human life of South Somerset and thereby to maintain the relevance of SSHC’s collections is understood.
Gloving was one of Yeovil and South Somerset’s main industries up until the early twentieth century. Together with the portraits of prominent glovers, the gloving collections include hand tools, machinery, patterns, archives, photographs and the gloves themselves, which record the heritage of the gloving industry or ‘Great Trade’ as it has been described locally.
Numismatics:
The coins and medals date from ancient Greek and China to the 20th century. The particular strengths in the collection are Roman Imperial coins, and Somerset trade tokens, notably the 18th century tokens. The collection also includes bank notes, some local and general medallions and English regal coinage from Saxon times to the present.
An important collection of medals is the Pearson collection belonging to Charles Pearson, naval commander present at the battle of Trafalgar and his son Sir Charles Knight Pearson veteran of the Crimean and Boer wars, mentioned in despatches eleven times. A sword, painting and naval dirk also make up part of this collection.
The coin collection has grown up through donations of single coins and collections. There has always been a marked concentration on acquiring specimens with a Somerset provenance; specimens made in, or for specific use in, the district. This includes chance finds, material from excavations and hoards.
Toys, Dolls and Games:
The collection contains a small number of dolls, and assorted toys and games from the 18th – 20th centuries.
Firearms and Weapons:
One of SSHC’s strengths is its firearms collection, consisting of c.85 weapons collected privately by former mayor and businessman Henry Stiby of Yeovil. The collection was presented in 1926 to the town of Yeovil for inclusion in the Yeovil Borough Museum. This collection is noted for its well-chosen examples illustrating the development of the firing mechanism, and includes journals kept by Henry Stiby describing these mechanisms.
Medicine Collection
The medicine collection derives mainly from Newtons Chemist which was in Hendford, Yeovil. A collection from a chemist in South Petherton is also held and one or two medical items have been donated individually. Newtons Chemist collection dates from the 19th century to the early 20th century. The South Petherton collection dates from the mid-20th century.
In all disciplines, the collecting area will be confined to the area of post-1974 South Somerset unless otherwise stated.
The majority of the collections derive from the area of the post-April 1974 boundaries of the district, but inevitably there are parts of the collections, which derive from other areas.
Source: Collection development policy
Date: 2023
Licence: CC BY-NC
South Wales
Aviation Museum
- Wikidata identifier:
- Q122181361
- Instance of:
- museum; independent museum; aviation museum
- Accreditation number:
- T 630
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q122181361/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South Wales Miners’ Museum
- Wikidata identifier:
- Q7568778
- Also known as:
- Amgueddfa Glowyr De Cymru
- Instance of:
- mining museum; charitable organization; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 285
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7568778/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South West Heritage Trust
- Wikidata identifier:
- Q28404164
- Responsible for:
- Museum of Somerset; Somerset Brick and Tile Museum; Somerset Rural Life Museum
- Instance of:
- museum service; charitable organisation
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q28404164/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South Yorkshire Aircraft Museum
- Wikidata identifier:
- Q4688107
- Also known as:
- AeroVenture
- Instance of:
- aviation museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2109
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q4688107/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
South Yorkshire Transport Museum
- Wikidata identifier:
- Q7569008
- Instance of:
- transport museum; independent museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 2049
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7569008/
- Collection level records:
- Not yet. If you represent this organisation and can provide collection-level information, please contact us.
Southampton City Art Gallery
- Wikidata identifier:
- Q7569107
- Also known as:
- Southampton Art Gallery
- Part of:
- Southampton Cultural Services
- Instance of:
- art museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 1040
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7569107/
- Collection level records:
- Yes, see Southampton Cultural Services
Southampton Cultural Services
(collection-level records)
- Wikidata identifier:
- Q17021809
- Responsible for:
- SeaCity Museum; Southampton City Art Gallery; Tudor House & Garden
- Also known as:
- Southampton City Council
- Instance of:
- unitary authority in England
- Museum/collection status:
- Designated collection
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q17021809/
- Object records:
- Yes, see object records for this museum
Collection-level records:
-
Collection overview (Collection development policy)
Fine Art
The art historian, John Thompson has stated that the story of western art from the Renaissance to the present day can be told using Southampton’s collection. The earliest work in the collection, Allegretto de Nuzio’s Coronation of the Virgin, is from the mid-fourteenth century.
The smaller old-master element of the collection has good clusters of work of the Renaissance, Baroque (notably Dutch 17th century), British 18th century and French and British 19th century (including Impressionism and Pre-Raphaelitism).
The core of the collection is built around British 20th century and contemporary art. Within that are four strong clusters: the Camden Town Group and related British Post-Impressionism (one of the best world-wide outside the Tate), Surrealists, St Ives School and Contemporary post 1976 (over 30 Turner Prize winners and nominees). The collection includes oil paintings, works on paper, sculpture, studio ceramics, wall-drawings and film/video work.
Archaeology
The archaeology collection contains material recovered from the city and its environs from the 19th century onwards. This includes a range of material collected prior to the beginnings of formal excavation programmes in the 1950s. This material, much collected by enthusiastic local people, such as the Rev Edmund Kell, and William Dale, includes large numbers of prehistoric stone and flint objects, Roman coins, pottery and metal objects, an eclectic range of Saxon and medieval objects, all from the city, as well as material from other parts of southern England and from abroad. Much of this material is of poor provenance but provides important evidence of early archaeological recording and is a rich source of stories from all periods of Southampton’s past.
The major element of the archaeology collection consists of the archives from over 1600 formal archaeological investigations (excavations, watching briefs, building and photographic surveys) carried out within the city since the 1950s. These archives include plans, photographs, paper and digital records as well as environmental samples and the artefacts themselves.
These collections are extensive, and provide unique, in-depth evidence of the domestic, industrial and trading activities of the Saxon and medieval towns. The Saxon town is one of the best preserved in the country, with roads, alleys, houses, rubbish pits and wells recorded, and large amounts of associated finds. The medieval town has significant standing remains and important archaeological evidence from the late Saxon period onwards. The collections are rich in imported objects, demonstrating the town’s importance as an international trading centre and port, and domestic objects and industrial waste which reflect the everyday life and technological achievements of its inhabitants. The range of domestic and imported goods, particularly pottery and glass, from the households of the wealthy cosmopolitan merchant class of medieval Southampton, for example, is exemplary. The pottery collections are particularly important, including a broad range of local and imported wares, which are of international significance.
However, new research and fieldwork, since the introduction of planning control work in 1990, has broadened the range of the collections. There is increasing material showing prehistoric activity in the city. Prehistoric worked flints and pottery sherds have been found across the city, associated with ditches, pits and other features. Our knowledge of the Roman town of Clausentum has been increased by new discoveries, such as a warehouse of Samian pottery from France which was destroyed by fire in the late 2nd century. An important late 3rd century hoard of over 3000 Roman coins, found during building work in 2007, was acquired through the Treasure process in 2011.
Southampton’s growing role in international trade from the Tudor period onwards is reflected by artifacts linked to the Americas, the Mediterranean, and Africa. The collection includes much pottery from late 18th century rubbish pits when Southampton re-invented itself as a spa town and hosted genteel visitors such as Jane Austen and her family. Local industries included the servicing of commercial shipping, and sugar refining. These archives broaden the range of the collections and the stories they can tell. archives broaden the range of the collections and of the stories they can tell.
The object collections are accompanied and complimented by extensive archive collections, the records generated by the process of excavation. These records are of international significance, as they provide the academic depth which makes detailed research on the collections possible. These records include site records, reports and publication texts, photographs, plans and drawings, and increasing amounts of digital data, such as text documents, digital photographs, databases and GIS and ACAD data.
The collections are well-documented and appear in many local, national and international publications. They are a source of data for researchers from all over the world.
The archaeological collections also include individual objects of archaeological significance found in the city by gardeners, builders and metal detectorists. In addition, there is a small collection of ancient Egyptian material, some of which was collected by Flinders Petrie; an internationally renowned ancient Nubian statue of the black pharaoh Taharqa, and a small collection of ethnographic material, collected by people from Southampton travelling or working abroad in the 19th and early 20th centuries. This material reflected the collecting habits of individuals at the time and needs to be treated with sensitivity towards today’s communities.
Maritime & Local History
The maritime and local history collection contains objects, pictures, drawings, photographs, ephemera, film, video, oral history recordings and archives that have strong associations with the maritime and local history of Southampton and Southampton Water.
These include
- Maritime souvenirs and about 4,500 items of maritime ephemera, including menus, wine lists, deck plans, advertising brochures, ship-board newspapers, activity programmes as well as 47 posters, the earliest dating from 1893
- Items illustrating the story of Southampton as an eighteenth century spa town, including a sedan chair
- Unique holdings of material relating to the Titanic disaster, with a particular focus on the crew of this ship and the Southampton aspects of this global story
- Several thousand items of costume and costume accessories, most with a local connection, but also many of a maritime nature, such as merchant navy uniforms
- A number of photographic collections of ships and docks related to Southampton, including the ABP collection (c. 40,000 photographs, mostly of Southampton), the Mitchell, Phillips and Kennaway collections (c. 4,500 negatives and photographs) as well as many photograph albums, including both maritime and local photographs
- A range of artworks, including a collection of several thousand maritime watercolours and drawings by local artist Arthur Cozens (1880-1947) and many hundred topographical prints
- 300 ship models, including a 7 meter-long model of Cunard’s Queen Mary as well as a small number of bone models, made during the Napoleonic Wars by French prisoners of war
- Maritime furniture and other liner interiors, including marquetry panels from Mauretania and Queen Elizabeth
- Several hundred ships’ plans, engineering drawings and other material from local shipyards Day & Summers, Vosper Thornycroft, British Power Boat Company and Camper & Nicholson
- Collections relating to the shipping lines Royal Mail Line and Shaw Savill. Both include primarily ephemera and souvenirs, as well as various other items such as photographs and costume
- Artefacts relating to domestic life in Southampton, including toys and needlework tools
- A reference library, comprising approximately 1000 volumes, relating to ships and shipping
Archives
The archives collection contains material about Southampton and its people and from further afield. It includes a wide range of written records for Southampton’s history, development and governance from 1199 to the present day, for example:
- Southampton City Council’s own archives and those of its predecessors
- Archives of statutory bodies operating in Southampton
- Public Records offered under the terms of the Public Records Acts 1958-67 relating to Southampton and its interests
- Southampton manorial and tithe documents offered under the Manorial Documents Rule 1960 and Tithe Act 1936
- Ecclesiastical records for Southampton parishes under the Parochial Registers and Records Measure 1978 and a 1966 agreement with the Diocese of Winchester
- Archives of individuals, organisations, businesses, institutions germane to the history of Southampton
- Extensive oral history collections which capture the personal stories of people who served in the merchant navy, worked in the docks and passed through the City as gateway to empire
The archive does not usually collect records outside Southampton’s boundaries, with one notable exception of relevance to the city – the Central Index of Merchant Seamen 1918-1941 which covers all British registered ships.
Source: Collection development policy
Date:
Licence: CC BY-NC
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Collection history (Collection development policy)
Fine Art Collection
Southampton’s fine art collection, currently comprising 5,000 works of art and “Designated” by the Government in 1998 as possessing pre-eminent national significance, is the finest public collection of art south of London. Robert Chipperfield, councillor, and JP laid the foundation in 1911, bequeathing money to build an art gallery and a separate trust fund for the purchase of a growing art collection. He stipulated that the advice of the Director of the National Gallery should be sought in the use of his fund.
In 1933 that role was taken up by Kenneth Clark. He wrote a succinct and focussed acquisition policy, still broadly adhered to today: a small collection of old masters, a representative collection of 19th century work, a collection of drawings and watercolours and a growing collection of modern works in oils. In 1925 F.W Smith, a councillor involved in the new gallery project bequeathed a further fund for the purchase of paintings.
A professional curator, Loraine Conran, was appointed when the new gallery opened to the public in 1939. It was his successor, Maurice Palmer, whose extensive, consistent and visionary purchasing over 20 years developed the collection into the rounded form it has today. The historic part of the collection was built up from the 1930s to 1975. Then the high cost of Monet’s The Church at Vetheuil necessitated a change of direction. From that time the priority switched to the purchase of work by rising star British contemporary artists. The adviser also changed to a senior Tate curator knowledgeable in the field.
The collection has been almost entirely built up with private bequest funds, gifts and bequests of artwork. In 1963, gallery owner and dealer, Arthur Jeffress bequeathed 99 works to Southampton, many rare and significant, and in 2002 Dr David Brown (the gallery’s first Tate, modern adviser) bequeathed 220 modern works of art including 15 works by St Ives artist Roger Hilton. The Orris Bequest Fund was added in 1998 and the Dr David and Liza Brown Bequest Fund in 2002 (administered by the Art Fund). More recently, over 100 prints, drawings and paintings were acquired through the Schlee bequest in 2013. The gallery also benefits from gifts from individual artists of their own work, reflecting the high regard in which the collection is held. Outside organisations such as the Art Fund, the Contemporary Art Society, the Pilgrim Trust and the Dannatt Trust as well as the Friends of Southampton Museums and Galleries have also supported the Gallery through important gifts.
Museum Collection
History of the Archaeology Collection
The archaeology collections have their origins in the collections of Tudor House Museum, established as the city’s first museum in 1912. The early collections were very eclectic, representing a general interest in things historic or curious as well as those with particular local connections. They included prehistoric axeheads and Roman and Saxon material recovered from building sites in the town. These collections also included ancient Egyptian material and ethnographic objects brought back to the city by travellers and explorers. The shape of these early collections was much influenced by the museum’s first Honorary Curator, R.E. Nicholas, who donated items from his own collections, and persuaded many others to follow suit.
Systematic excavation began in the 1930s with early work at Bitterne Manor, the site of Roman Clausentum, and increasing momentum developed on bombed sites in the Old Town in the 1950s and 1960s. These excavations produced large quantities of Saxon and medieval material, providing a nationally significant resource for the study of everyday life in the medieval town and its Saxon predecessor, Hamwic. A new Museum of Archaeology was opened at God’s House Tower in 1961 to showcase these important collections, and this museum became the recognised repository for all archaeological material produced in the city. This museum closed in 2011 and the collections transferred into other Council sites. The building is now occupied by ‘a space arts’ and opened as a new arts and heritage centre in 2019.
As the pace of development has increased, so have opportunities for excavation and recording. Since 1990, planning regulations has enabled archaeological recording on hundreds of sites across the city, increasing the range and scope of material and broadening our understanding of the city’s past. These collections now comprise over half a million items, and their national significance was officially recognised in 1998 when they were awarded Designated status, positioning them within the country’s top ten archaeological collections outside London. Arts Council England’s publication on Designated Outstanding collections (2014) states “The size and range of the archaeology collections reflect the importance of Southampton in the past and at present, and the 50 years of systematic archaeological investigations in the city.”
History of the Maritime and Local History collection
Like the archaeology collections, the maritime and local history collections have their origins in the collections of Tudor House Museum, which opened in 1912 as the city’s first museum.
The early collections were wide-ranging and eclectic and included natural history specimens, archaeology and ‘curios’ as well as artefacts relating to the city’s maritime and local history. A number of items were transferred to the museum from other Council departments, such as two banners from local volunteer regiments, dating from about 1802 and the town stocks, transferred in 1912 from the Town Clerk’s Department. A significant number of items were acquired from William Burrough Hill, a local collector and auctioneer. Among these were a collection of 63 watercolours by William Cooper, depicting the Old Town in the 1890s, immediately before extensive slum clearance took place.
The collections developed, primarily through passive collecting (donations and bequests), but included significant items, such as the ceremonial sword belonging to Titanic’s late Captain Smith, which was donated by his wife and daughter. The significance of the rich maritime holdings was reflected in the opening of a new Maritime Museum in 1964 to showcase this aspect of Southampton’s history. The museum was located in a former medieval wool house near the Town Quay (currently occupied by the Dancing Man Brewery).
The 1980s and 1990s saw extensive collecting of maritime and local history material. Southampton was changing rapidly with industry and manufacturing being replaced with retail and leisure. Groups of industrial and maritime artefacts were collected from several closing businesses, including Pirelli Cable Works and the Vosper Thornycroft Shipyard. Other significant donations were received during this period, including a collection of more than 300 historic dresses and costume accessories, donated by Miss Cozens, a local collector.
In 2012, a new maritime museum was opened in the former Law Courts and Central Police Station. The displays in the new museum, SeaCity Museum, showcase the existing rich and varied maritime and local history collection.
Between 2018 and 2022, as part of the museum service’s ACE-funded National Portfolio Organisation project, extensive work was undertaken to widen the diversity represented in the collections. This included contemporary collecting projects focusing on for example, Southampton’s LGBT community and the effects of Covid on local people.
History of the Archive collection
During the early 20th century there had been increasing pressure from citizens and historians throughout the country worried about a lack of access to and safe provision for written historical material. In Southampton the main demonstration of the interest in local archives came via the newly formed
Southampton Record Society under the editorship of Professor Fossy John Cobb Hearnshaw. Based at the now University of Southampton, it began publishing editions of early borough records – starting with Court Leet records, borrowing material from the then Audit House and working on them at home. Southampton opened its Record Office in 1953 to the public staffed by one archivist and having only a handful of researchers a year. At that time the collections were small and included only the records of the local authority and its predecessor bodies; collections, staff and visitors were all housed in one windowless, basement room.
Now the collections have greatly expanded to include material from private individuals, public bodies, institutions, societies, churches and other sources. They are consulted by individuals from Southampton, and further afield, who visit the archives to pursue their interest in family history, educational projects, social, economic history and maritime history. This commitment to Southampton’s history was one of the grounds on which Southampton petitioned for and was awarded City Status in 1964. The reasons for the successful application included the ‘importance of the town in the shipping world’ …‘public spirit’…. ‘maintenance of historical records and customs, and the existence of a true sense of citizenship’. Special mention was also made of the ‘long history of public administration and the efficiency of municipal services’ – still reflected today in the provision of a records management service to the authority to improve and maintain this efficiency and to meet demands of legislation.
In 2008 the collection of the Southampton Oral History Unit were given to the archives. The collection originates from a project begun in 1983 to record the life histories of Southampton people. Further projects included memories of the city’s African-Caribbean community, women in World War 1, and dock workers. This direct voice of the recent past complemented written and object collections and by 1986 oral history was an accepted part of the approach to documenting the recent past. The collections hold 800 recordings and over 5,000 related photographs documenting the lives of seafarers, shipyard workers, Titanic survivors, and local communities.
Source: Collection development policy
Date:
Licence: CC BY-NC
Southchurch Hall
- Wikidata identifier:
- Q7569243
- Part of:
- Southend Museums Service
- Instance of:
- historic house museum; local authority museum
- Museum/collection status:
- Accredited museum
- Accreditation number:
- 656
- Persistent shareable link for this record:
- https://museumdata.uk/museums/q7569243/
- Collection level records:
- Yes, see Southend Museums Service
Collection-level records
History
Some Accredited museums (or multi-site services covering a number of museums) have shared with MDS a brief history of the collections in their care. These collection histories mostly come from the museums’ collection development policies, though they are no longer a mandatory section of the policies required by the Museum Accreditation Scheme.
Collection Overview
Accredited museums (or multi-site services covering a number of museums) are required to have a collection development policy that includes a brief overview of the scope and strengths of the collections in their care. Collection overviews are an incredibly useful starting point for anyone who wants to navigate the nation’s museum holdings, and we are very grateful to all those museums that have shared their overviews with MDS. In some cases, we have included overviews from a legacy dataset called ‘Cornucopia’.
CloseObject records in MDS
This figure is the number of datasets currently in MDS, rather than the number of museums. This is because some datasets come from multi-site services. For example, Norfolk Museum Service has contributed a single dataset, but this includes records about items held in the service’s eleven branch museums. On our Object search landing page, you can see the number of Accredited museums represented in these datasets.
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Accredited Museum
These museums meet the nationally-agreed standards of the UK Museum Accreditation Scheme run by Arts Council England, Museums Galleries Scotland, NI Museums Council and the Welsh Government. In the case of multi-site services, the individual branch museums are Accredited, but the overarching service is usually not. Eg Yorkshire Museums Trust is responsible for three Accredited museums, but is not itself Accredited.
Designated Collection
The Designation Scheme, run by Arts Council England, recognises cultural collections of outstanding importance held in non-national museums, libraries and archives across England. There are over 160 Designated collections, but only the museum ones are included in our database here.
Recognised Collection
The Museums Galleries Scotland Recognition Scheme includes more than fifty Recognised Collections of National Significance, some spread across more than one museum. Here we count the number of museums containing parts of those collections, which is why the figure displayed here is higher than that quoted on the MGS website. There is currently no equivalent scheme for Wales or Northern Ireland.
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