7909 records match your search. Use the filters to refine your results. Using data FAQs
Open filters- Title:
- Wild Potato and Kudu
- Object name(s):
- print
- Brief description:
- Multi-colour lino-cut print of wild potato and kudu.PlantFrame measures - 608 x 590 x 23mm
- Collection:
- Nature in Art
- Material:
- ink on paper
- Object name:
- print
- Object number:
- 2001.723
- Object production person:
- Kaashe, Thamae
- Reproduction number:
- 0723.jpg
Persistent shareable link for this record: https://museumdata.uk/objects/fbc76ebb-6c7b-374d-b4a4-9ac81611bcb0
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/fbc76ebb-6c7b-374d-b4a4-9ac81611bcb0, Nature in Art, CC BY-NC
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- Title:
- Kittiwakes
- Object name(s):
- mixed media
- Brief description:
- framed watercolour of kittiwakes, three sitting on cliff edges and one flying offbirdFramed measurements: 82.3cm x 67.4cm x 2cm (d)
- Collection:
- Nature in Art
- Material:
- Watercolour on paper
- Object name:
- mixed media
- Object number:
- 2004.800
- Object production person:
- Ennion, Eric AR
- Reproduction number:
- 0800.jpg
Persistent shareable link for this record: https://museumdata.uk/objects/01a07b5c-0e7c-38b8-afbc-02b6ada0bb82
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/01a07b5c-0e7c-38b8-afbc-02b6ada0bb82, Nature in Art, CC BY-NC
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- Title:
- Sketches for Butterflies of Southern Chalk Downlands
- Brief description:
- Preliminary sketches for 'Butterflies of the Southern Chalk Downlands', accessioned as 1991.385
- Collection:
- Nature in Art
- Material:
- acrylic on paper
- Object number:
- 2014.1015
- Object production person:
- Tratt, Richard
- Reproduction number:
- 1015.JPG
Persistent shareable link for this record: https://museumdata.uk/objects/eeb840ff-be73-32b2-b9a3-66ab5ec6c4f2
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/eeb840ff-be73-32b2-b9a3-66ab5ec6c4f2, Nature in Art, CC BY-NC
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- Title:
- flamingos at dawn
- Object name(s):
- photograph
- Brief description:
- A colour photograph of flamingos at dawn.The mount is cream and measures 440 x 535 x 20mm.Bird, sun
- Collection:
- Nature in Art
- Material:
- printed photographed paper
- Object name:
- photograph
- Object number:
- 1995.506.14
- Object production person:
- Angel, Heather
Persistent shareable link for this record: https://museumdata.uk/objects/cef22bc9-9bd2-3a48-80e2-3cfa55bc04e4
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/cef22bc9-9bd2-3a48-80e2-3cfa55bc04e4, Nature in Art, CC BY-NC
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- Title:
- Mississippi alligator head
- Object name(s):
- photograph
- Brief description:
- A colour photograph of a Mississippi alligator head.The mount is cream and measures 440 x 535 x 20mm.Reptile
- Collection:
- Nature in Art
- Material:
- printed photographed paper
- Object name:
- photograph
- Object number:
- 1995.506.21
- Object production person:
- Angel, Heather
Persistent shareable link for this record: https://museumdata.uk/objects/ef6c2930-6206-369a-8075-4b65f7589bcd
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/ef6c2930-6206-369a-8075-4b65f7589bcd, Nature in Art, CC BY-NC
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- Title:
- Galapagos hawk hovering
- Object name(s):
- photograph
- Brief description:
- A colour photograph of a Galapagos hawk hovering.The mount is cream and measures 440 x 535 x 20mm.Bird, sky
- Collection:
- Nature in Art
- Material:
- printed photographed paper
- Object name:
- photograph
- Object number:
- 1995.506.5
- Object production person:
- Angel, Heather
Persistent shareable link for this record: https://museumdata.uk/objects/167c1654-1cf3-3880-8f22-0e6876953be9
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/167c1654-1cf3-3880-8f22-0e6876953be9, Nature in Art, CC BY-NC
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- Title:
- Marbled godwit
- Object name(s):
- photograph
- Brief description:
- A colour photograph of a marbled godwit on a beach.The mount is cream and measures 440 x 535 x 20mm.Bird
- Collection:
- Nature in Art
- Material:
- printed photographed paper
- Object name:
- photograph
- Object number:
- 1995.506.3
- Object production person:
- Angel, Heather
Persistent shareable link for this record: https://museumdata.uk/objects/8eb191e6-7876-3a29-bc31-8278c20c1b61
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/8eb191e6-7876-3a29-bc31-8278c20c1b61, Nature in Art, CC BY-NC
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- Title:
- Waders and surf
- Object name(s):
- photograph
- Brief description:
- A colour photograph of waders and surf.The mount is cream and measures 440 x 535 x 20mm..Bird, water
- Collection:
- Nature in Art
- Material:
- printed photographed paper
- Object name:
- photograph
- Object number:
- 1995.506.9
- Object production person:
- Angel, Heather
Persistent shareable link for this record: https://museumdata.uk/objects/63c9d52b-81e2-3946-923d-a456ee05e306
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/63c9d52b-81e2-3946-923d-a456ee05e306, Nature in Art, CC BY-NC
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- Title:
- Dunlin Sandpipers, sitting trio
- Brief description:
- Bubinga wood scuplture of three Dunlin Sandpipers. The birds are sitting amongst rocks.Measures: 53cm x 23.5cm x 11.5cm
- Collection:
- Nature in Art
- Material:
- bubinga wood
- Object number:
- 2014.1027.4
- Object production person:
- Tyler, Hank
Persistent shareable link for this record: https://museumdata.uk/objects/7b25ff1f-8c09-32ed-883b-31f5394e0b15
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/7b25ff1f-8c09-32ed-883b-31f5394e0b15, Nature in Art, CC BY-NC
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- Title:
- The Home of the Creator
- Brief description:
- Picture size: 230 x 333mm (approx)Mounted size: 410 x 510mm (approx)unbound print, mounted
- Collection:
- Nature in Art
- Material:
- ink on paper
- Object number:
- 2014.992.1
- Object production person:
- Shyam, Bhajju
Persistent shareable link for this record: https://museumdata.uk/objects/c655202d-13b1-3728-9cbe-0c97c4a474bd
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/c655202d-13b1-3728-9cbe-0c97c4a474bd, Nature in Art, CC BY-NC
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- Title:
- The Tree of Twelve Horns
- Brief description:
- Picture size: 230 x 333mm (approx)Mounted size: 410 x 510mm (approx)unbound print, mounted
- Collection:
- Nature in Art
- Material:
- ink on paper
- Object number:
- 2014.992.19
- Object production person:
- Singh Urveti, Ram
Persistent shareable link for this record: https://museumdata.uk/objects/6cef2294-4043-3a95-a010-44a089eb4075
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/6cef2294-4043-3a95-a010-44a089eb4075, Nature in Art, CC BY-NC
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- Title:
- The Birth of a Fruit
- Brief description:
- Picture size: 230 x 333mm (approx)Mounted size: 410 x 510mm (approx)unbound print, mounted
- Collection:
- Nature in Art
- Material:
- ink on paper
- Object number:
- 2014.992.15
- Object production person:
- Singh Urveti, Ram
Persistent shareable link for this record: https://museumdata.uk/objects/3a86ea0a-67d2-30a1-a6b3-b069ada0acaa
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/3a86ea0a-67d2-30a1-a6b3-b069ada0acaa, Nature in Art, CC BY-NC
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- Object name(s):
- Print
- Brief description:
- Botanical print of common milkwort, depicting four images on one sheet. At the bottom is a depiction of the plant with the roots at the bottom, green stems with leaves and red flowers at the top of each stem. Above, there are three depictions of a green stalk with thin leaves, and small blue flowers at the top.
- Collection:
- Victoria and Albert Museum
- Associated concept:
- Prints
- Associated concept:
- Botanical art
- Location type:
- Thumbnail
- Object history note:
- The South Kensington Museum register refers to this acquisition (14765) as "A few leaves from the newly invented process of Nature printing by Bradbury and Evans. 1854. Price 21 Shillings". The same source lists the process as 'Phytoglyphy' - from two Greek words for 'nature' and 'carving'. In this process two sheets of metal of unequal hardness are used to 'sandwich' the object to be nature printed - here the leaf, which leaves its impression in the softer plate. The Bradbury and Evans technique was in fact the subject of litigation between the British company and the Imperial Printing Works, Vienna, which claimed prior invention. William Bradbury's son Henry had been sent to see the process in Vienna and was accused of industrial espionage by Alois Auer the Viennese director. Auer published a broadside condemning Bradbury entitled (in abbreviation): 'Conduct of a Young Englishman named Henry Bradbury [...] after his return to his Native Country, in opposition to the Acknowledgments of Foreign Countries concerning the natural-printing process [..] the Conduct of Bradbury ascertained by the members of the Imperial Printing Office'.
- Object name:
- Print
- Object number:
- 14765:15
- Object production date:
- 1854
- Date - association:
- printed
- Date - earliest / single:
- 1854-01-01
- Date - latest:
- 1854-12-31
- Object production organisation:
- Bradbury & Evans
- Organisation's association:
- printers and publishers
- Physical description:
- Botanical print of common milkwort, depicting four images on one sheet. At the bottom is a depiction of the plant with the roots at the bottom, green stems with leaves and red flowers at the top of each stem. Above, there are three depictions of a green stalk with thin leaves, and small blue flowers at the top.
- Reproduction number:
- 2010EL5380
- Responsible department/section:
- PDP
- Technique:
- nature printing
- Text reason:
- Collections online record
Persistent shareable link for this record: https://museumdata.uk/objects/d659ff28-1184-349f-9eac-3865abd7a59a
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/d659ff28-1184-349f-9eac-3865abd7a59a, Victoria and Albert Museum, CC BY-NC
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- Title:
- Art Nouveau glass vase
- Object name(s):
- vase
- Brief description:
- Round clear glass vase, narrow base widens out and then narrows to neck and widens out again to a frilled edge. Decorated with Art Nouveau stylised flowers some gold and some purple outlined with gilding (gold), leaf decoration around rim, gold border around rim and base.
- Collection:
- Nature in Art
- Material:
- glass, enamel and gilding
- Object name:
- vase
- Object number:
- 1997.597
- Object production person:
- unknown
- Reproduction number:
- 0597.jpg
Persistent shareable link for this record: https://museumdata.uk/objects/abcf185c-b076-36fc-850e-a221236a2eaf
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/abcf185c-b076-36fc-850e-a221236a2eaf, Nature in Art, CC BY-NC
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- Title:
- Sketch from Nature
- Object name(s):
- watercolour
- Brief description:
- Watercolour sketch, possibly of Christchurch Harrogate. Large tree in the foreground with church and buildings in the distance.
- Collection:
- Mercer Art Gallery
- Credit line:
- This collection is part of North Yorkshire Council Museums.
- Current reproduction location:
- Modes\Art\BWE\2396.jpg
- Current reproduction location:
- Modes\Art\BWE\2396a.jpg
- Dimension:
- height
- Dimension value:
- 55cm
- Dimension:
- width
- Dimension value:
- 37.8cm
- Inscription content:
- : : : signed bottom right : Sketch from Nature Bernard Evans
- Material:
- watercolour on paper
- Number of objects:
- 1
- Object name:
- watercolour
- Object number:
- HARAG : 2396
- Object production note:
- Painter of landscape in watercolour and occasionally oils. Born in Birmingham on 26 December 1843, the son of the master church furniture maker and engraver Walter Swift Evans, he studied under Samuel Lines from 1851 and at the Birmingham School of Art in 1858. Initially working under William Wallis, the Scottish Landscape and animal colourist, he went on to work principally as a landscape painter, specialising in atmospheric watercolours. Evans married Mary Ann Eliza Hollyer in 1870, living first in London and moving to Harrogate where they had settled by 1887. During the late 1880s Evans was engaged mostly with drawing the Yorkshire abbeys. He travelled to the South of France on a number of occasions where he painted views of Cannes. In the late 1890s he suffered from a severe eye infection but recovered enough to paint some of his finest works for the Universal Exhibition of 1900, held in Paris. Evans exhibited widely and regularly throughout the UK; his work was shown often at the RA, and features in the permanent collections at South Kensington, Melbourne Art Gallery and Sydney Art Gallery, the V&A, Laing, Blackburn Art Gallery, and Cartwright Hall, Bradford. An extensive collection of his works, diaries, accounts and newspaper reviews are held in the collections of Harrogate Museums and Arts, together with a number of his sketch books and his palette. Evans was a founder member of the City of London Society of Artists and a member of the Savage club he was elected to the RBA (1880) and to the RI (1887). Until about 1911, Evans and his wife lived at 20 Park Parade in Harrogate, where a plaque was put up and unveiled on 22 September 2009. Evan's wife, Mary, wrote a journal, several volumes of which are also in the collection in Harrogate. She documented Evans' paintings and exhibitions, collecting comments and reviews, and describing their travels; she included her own poems, inscriptions from gravestones, noting historic events. She also wrote commentary on Harrogate, its people, tourists and places. Bernard Evans died on 26 February 1922, and is buried at Harlow Carr Cemetry, Harrogate, together with his wife, who passed away in 1902.
- Object production person:
- Evans, Bernard Walter
Persistent shareable link for this record: https://museumdata.uk/objects/8c2724a0-1402-3435-bf7d-e1907ade7da5
Use licence for this record: CC BY
Attribution for this record: https://museumdata.uk/objects/8c2724a0-1402-3435-bf7d-e1907ade7da5, Mercer Art Gallery, CC BY
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- Object name(s):
- Print
- Brief description:
- Botanical print of a common butter-bur in green, depicting a stalk with a large leaf, the veins of the leaf depicted in detail.
- Collection:
- Victoria and Albert Museum
- Associated concept:
- Prints
- Associated concept:
- Botanical art
- Location type:
- Thumbnail
- Object history note:
- The South Kensington Museum register refers to this acquisition (14765) as "A few leaves from the newly invented process of Nature printing by Bradbury and Evans. 1854. Price 21 Shillings". The same source lists the process as 'Phytoglyphy' - from two Greek words for 'nature' and 'carving'. In this process two sheets of metal of unequal hardness are used to 'sandwich' the object to be nature printed - here the leaf, which leaves its impression in the softer plate. The Bradbury and Evans technique was in fact the subject of litigation between the British company and the Imperial Printing Works, Vienna, which claimed prior invention. William Bradbury's son Henry had been sent to see the process in Vienna and was accused of industrial espionage by Alois Auer the Viennese director. Auer published a broadside condemning Bradbury entitled (in abbreviation): 'Conduct of a Young Englishman named Henry Bradbury [...] after his return to his Native Country, in opposition to the Acknowledgments of Foreign Countries concerning the natural-printing process [..] the Conduct of Bradbury ascertained by the members of the Imperial Printing Office'.
- Object name:
- Print
- Object number:
- 14765:2
- Object production date:
- 1854
- Date - association:
- printed
- Date - earliest / single:
- 1854-01-01
- Date - latest:
- 1854-12-31
- Object production organisation:
- Bradbury & Evans
- Organisation's association:
- printers and publishers
- Physical description:
- Botanical print of a common butter-bur in green, depicting a stalk with a large leaf, the veins of the leaf depicted in detail.
- Reproduction number:
- 2010EL5384
- Reproduction number:
- 2006AN2504
- Responsible department/section:
- PDP
- Technique:
- nature printing
- Text reason:
- Collections online record
Persistent shareable link for this record: https://museumdata.uk/objects/d10c319a-9376-312b-b43a-b26b22ad90c0
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/d10c319a-9376-312b-b43a-b26b22ad90c0, Victoria and Albert Museum, CC BY-NC
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- Object name(s):
- Print
- Brief description:
- Botanical print of common primrose, depicting the roots at the bottom of the plant in black, green leaves and stems of yellow flowers, shown both as buds and in bloom.
- Collection:
- Victoria and Albert Museum
- Associated concept:
- Prints
- Associated concept:
- Botanical art
- Location type:
- Thumbnail
- Object history note:
- The South Kensington Museum register refers to this acquisition (14765) as "A few leaves from the newly invented process of Nature printing by Bradbury and Evans. 1854. Price 21 Shillings". The same source lists the process as 'Phytoglyphy' - from two Greek words for 'nature' and 'carving'. In this process two sheets of metal of unequal hardness are used to 'sandwich' the object to be nature printed - here the leaf, which leaves its impression in the softer plate. The Bradbury and Evans technique was in fact the subject of litigation between the British company and the Imperial Printing Works, Vienna, which claimed prior invention. William Bradbury's son Henry had been sent to see the process in Vienna and was accused of industrial espionage by Alois Auer the Viennese director. Auer published a broadside condemning Bradbury entitled (in abbreviation): 'Conduct of a Young Englishman named Henry Bradbury [...] after his return to his Native Country, in opposition to the Acknowledgments of Foreign Countries concerning the natural-printing process [..] the Conduct of Bradbury ascertained by the members of the Imperial Printing Office'.
- Object name:
- Print
- Object number:
- 14765:16
- Object production date:
- 1854
- Date - association:
- printed
- Date - earliest / single:
- 1854-01-01
- Date - latest:
- 1854-12-31
- Object production organisation:
- Bradbury & Evans
- Organisation's association:
- printers and publishers
- Physical description:
- Botanical print of common primrose, depicting the roots at the bottom of the plant in black, green leaves and stems of yellow flowers, shown both as buds and in bloom.
- Reproduction number:
- 2010EL5381
- Responsible department/section:
- PDP
- Technique:
- nature printing
- Text reason:
- Collections online record
Persistent shareable link for this record: https://museumdata.uk/objects/9f3d01d9-e6d9-3284-aaec-fee69c05bcce
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/9f3d01d9-e6d9-3284-aaec-fee69c05bcce, Victoria and Albert Museum, CC BY-NC
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- Object name(s):
- Print
- Brief description:
- Botanical print of tuberous bitter vetch, depicting four thin green stems with leaves. Three of the stems have flowers which are tubular in shape and white and black in colour. The stem on the left features green pods.
- Collection:
- Victoria and Albert Museum
- Associated concept:
- Prints
- Associated concept:
- Botanical art
- Location type:
- Thumbnail
- Object history note:
- The South Kensington Museum register refers to this acquisition (14765) as "A few leaves from the newly invented process of Nature printing by Bradbury and Evans. 1854. Price 21 Shillings". The same source lists the process as 'Phytoglyphy' - from two Greek words for 'nature' and 'carving'. In this process two sheets of metal of unequal hardness are used to 'sandwich' the object to be nature printed - here the leaf, which leaves its impression in the softer plate. The Bradbury and Evans technique was in fact the subject of litigation between the British company and the Imperial Printing Works, Vienna, which claimed prior invention. William Bradbury's son Henry had been sent to see the process in Vienna and was accused of industrial espionage by Alois Auer the Viennese director. Auer published a broadside condemning Bradbury entitled (in abbreviation): 'Conduct of a Young Englishman named Henry Bradbury [...] after his return to his Native Country, in opposition to the Acknowledgments of Foreign Countries concerning the natural-printing process [..] the Conduct of Bradbury ascertained by the members of the Imperial Printing Office'.
- Object name:
- Print
- Object number:
- 14765:13
- Object production date:
- 1854
- Date - association:
- printed
- Date - earliest / single:
- 1854-01-01
- Date - latest:
- 1854-12-31
- Object production organisation:
- Bradbury & Evans
- Organisation's association:
- printers and publishers
- Physical description:
- Botanical print of tuberous bitter vetch, depicting four thin green stems with leaves. Three of the stems have flowers which are tubular in shape and white and black in colour. The stem on the left features green pods.
- Reproduction number:
- 2010EL5378
- Responsible department/section:
- PDP
- Technique:
- nature printing
- Text reason:
- Collections online record
Persistent shareable link for this record: https://museumdata.uk/objects/ae0d03e3-2a35-328b-a265-1202dbb0a4e2
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/ae0d03e3-2a35-328b-a265-1202dbb0a4e2, Victoria and Albert Museum, CC BY-NC
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- Object name(s):
- Brooch
- Brief description:
- Saffron brooch made by Hans Stofer in 1993. One of six pieces NCMG 2013-29 to 34)
"To continue to collect good quality and innovatory contemporary jewellery. Prof. Hans Stofer RCA. b. 1957, Trained in Switzerland, moved to Britain in 1987. He is an established maker producing often challenging work. He works with high and low tech. materials. He likes to transform everyday objects. His wire constructions challenge attitudes to ‘value’ and how we view materials and what we regard as art and craft. He raises the status of non precious materials to art objects. He pushes the boundaries of craft objects , stressing the industrial nature of his metalwork production." [PJW, 28.10.2013, PN2013-023]
- Collection:
- Nottingham Museums
- Acquisition date:
- 1996
- Acquisition method:
- gift
- Acquisition reference number:
- EFN1078
- Acquisition source:
- Contemporary Art Society (CAS)
- Condition:
- No damage
- Dimension:
- 10 cm x 10 cm
- Material:
- mild steel, sandblasted and blackened with zebright and wax
- Object history note:
- Constructed wire forms, techniques used: welding, waxing.
Prof. Hans Stofer RCA. b. 1957, Trained in Switzerland, moved to Britain in 1987. He is an established maker producing often challenging work. He works with high and low tech. materials. He likes to transform everyday objects. His wire constructions challenge attitudes to ‘value’ and how we view materials and what we regard as art and craft. He raises the status of non precious materials to art objects. He pushes the boundaries of craft objects , stressing the industrial nature of his metalwork production.
- Object name:
- Brooch
- Object number:
- NCMG 2013-33
- Object production date:
- 1993
- Date - association:
- made by
- Object production person:
- STOFER/Hans
- Person's association:
- maker
- Person's occupation:
- made by
- Object production place:
- Professor, Metalwork and Jewellery, Royal College of Art, London
Persistent shareable link for this record: https://museumdata.uk/objects/9893c3d6-16fb-3642-be15-256d7123fddc
Use licence for this record: CC BY
Attribution for this record: https://museumdata.uk/objects/9893c3d6-16fb-3642-be15-256d7123fddc, Nottingham Museums, CC BY
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- Title:
- The Countryside in 1970, Second Conference: Study Group 8. Preservation of Natural, Historic and other Treasures.
- Object name(s):
- Report
- Collection:
- Dorset Museum & Art Gallery
- Object name:
- Report
- Object number:
- L.1992.877
- Object production date:
- 1965
- Date - text:
- Published
- Object production organisation:
- Royal Society of Arts and The Nature Conservancy
- Organisation's association:
- Publisher
- Responsible department/section:
- Library
Persistent shareable link for this record: https://museumdata.uk/objects/5472099e-94e8-339c-b9b0-b75db5448ea8
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/5472099e-94e8-339c-b9b0-b75db5448ea8, Dorset Museum & Art Gallery, CC BY-NC
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