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Title:: 18th-century French Frame
Object name(s):: Frames; French; removable frame
Collection:: National Gallery

Current location:: Not on display
Object name:: Frames; French; removable frame
Object production date:: 18th century
Date - earliest / single:: 1700
Date - latest:: 1799
Other number:: F20461
Other number type:: object number
Other number:: 0LXP-0001-0000-0000
Other number type:: PID
Other number:: F20461
Other number type:: display number
Other number:: 000-0AOG-0000
Other number type:: PID (NG alternative)
Other number:: f420461
Other number type:: sort number
Responsible department/section:: Frames
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
User's reference:: National Gallery Catalogues: The Eighteenth Century French Paintings
Reference details:: 504
Reference note:: Additional references
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/fe52002b-f590-3c69-b997-a6d9ae8ba968

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/fe52002b-f590-3c69-b997-a6d9ae8ba968, National Gallery, CC BY

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Title:: 18th-century French Frame
Object name(s):: Frames; French; removable frame
Collection:: National Gallery

Current location:: Not on display
Object name:: Frames; French; removable frame
Object production date:: 1763
Date - earliest / single:: 1763
Date - latest:: 1763
Other number:: F6500
Other number type:: object number
Other number:: 0KXI-0001-0000-0000
Other number type:: PID
Other number:: F6500
Other number type:: display number
Other number:: 000-0ALN-0000
Other number type:: PID (NG alternative)
Other number:: f36500
Other number type:: sort number
Responsible department/section:: Frames
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
User's reference:: National Gallery Catalogues: The Eighteenth Century French Paintings
Reference details:: 225
Reference note:: Additional references
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/da780c92-e71f-3082-a0bb-2cd6b820e391

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/da780c92-e71f-3082-a0bb-2cd6b820e391, National Gallery, CC BY

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Title:: 18th-century French Frame
Object name(s):: Frames; French; removable frame
Collection:: National Gallery

Current location:: Not on display
Object name:: Frames; French; removable frame
Object production date:: 1795
Date - earliest / single:: 1795
Date - latest:: 1795
Other number:: F6495
Other number type:: object number
Other number:: 0L15-0001-0000-0000
Other number type:: PID
Other number:: F6495
Other number type:: display number
Other number:: 000-0ALI-0000
Other number type:: PID (NG alternative)
Other number:: f36495
Other number type:: sort number
Responsible department/section:: Frames
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
User's reference:: National Gallery Catalogues: The Eighteenth Century French Paintings
Reference details:: 144
Reference note:: Additional references
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/4f7f65c1-b58b-313b-8243-c0376d6d58ca

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/4f7f65c1-b58b-313b-8243-c0376d6d58ca, National Gallery, CC BY

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Title:: Trophy
Object name(s):: Sculpture; British
Brief description:: This female figure, along with its pair, accompanies a figure of Victory on the façade above the National Gallery’s West Entrance. They, and five related sculptures depicting female figures, are the work of the British neoclassical sculptor Edward Hodges Baily. This pair of women do not carry any attributes, so it is hard to identify who they are.The National Gallery was established in 1824, occupying two sites on Pall Mall before it was opened to the public in its present location on Trafalgar Square by Queen Victoria on 9 April 1838. During the construction of the Trafalgar Square building, its architect, William Wilkins, was forced to use masonry and statuary recycled from other projects in a cost-cutting exercise imposed by the government. This pair of female figures, and a winged pair now holding paintbrushes and palettes, which all now adorn the Gallery’s façade, were originally commissioned by George IV either for Marble Arch or Buckingham Palace.
Collection:: National Gallery

Accession date:: 2019-12-04
Date - earliest / single:: 2019
Date - latest:: 2019
Credit line:: Commissioned by the Office of Works for the Marble Arch, and installed on the Gallery by 1838
Current location:: Gallery Exterior: West Entrance
Current reproduction location:: 3/184/738/710/mid_H-0210-00-000004.jpg
Material:: Portland stone
Object name:: Sculpture; British
Object production date:: 1826-32
Date - earliest / single:: 1826
Date - latest:: 1832
Object production person:: Edward Hodges Baily
Person's birth date:: 1788-03-10
Person's death date:: 1867-05-22
Object production place:: 8 Percy Street
Other number:: H210
Other number type:: object number
Other number:: 0UX2-0008-0000-0000
Other number type:: PID
Other number:: H210
Other number type:: display number
Other number:: R108
Other number type:: Previous Object Number
Other number:: h2210
Other number type:: sort number
Responsible department/section:: Contextual Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.

Persistent shareable link for this record: https://museumdata.uk/objects/9e955d7a-183a-375a-b2a9-1a1f845c3979

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/9e955d7a-183a-375a-b2a9-1a1f845c3979, National Gallery, CC BY

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Title:: Two Gallant Scenes
Object name(s):: Picture; French
Brief description:: In these two paintings, Fountain in a Park and Meeting Place of the Hunt, a number of figures on horseback and on foot gather beside a fountain. Their similar compositions, identical sizes and the fact that they are painted on matching wooden panels, suggest that they are companion pieces. They have both been dated on the basis of style to about 1875–80.These imagined scenes, in which elegant figures wearing colourful dress enjoy themselves in parks and gardens, evoke eighteenth-century paintings known as fêtes galantes initiated by Jean-Antoine Watteau, a favourite subject for Monticelli throughout his career.In his later years subject matter became subordinated to his distinctive colourful and thickly painted style. Presented as part of the 'Harry Wearne Collection of Twelve Paintings by Monticelli' to the Tate Gallery in 1939, these two paintings were transferred to the National Gallery in 1956.
Collection:: National Gallery

Current location:: Not on display
Object name:: Picture; French
Object production date:: about 1875-80
Date - earliest / single:: 1875
Date - latest:: 1880
Object production date:
Date - period:: 1875-99
Object production person:: Adolphe Monticelli
Person's birth date:: 1824
Person's death date:: 1886
Other number:: GROUP42
Other number type:: object number
Other number:: 0HON-0001-0000-0000
Other number type:: PID
Other number:: NG5011-NG5012
Other number type:: display number
Other number:: 000-06MM-0000
Other number type:: PID (NG alternative)
Other number:: NG5011-NG5012
Other number type:: Display Number
Other number:: group142
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: Impressionist

Persistent shareable link for this record: https://museumdata.uk/objects/08f8d3bc-b494-39cd-92bb-f9f1399c50fc

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/08f8d3bc-b494-39cd-92bb-f9f1399c50fc, National Gallery, CC BY

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Title:: Sir Austen Henry Layard
Object name(s):: Sculpture; British
Brief description:: Austen Henry Layard (1817--1894) commissioned this marble bust of himself from the sculptor John Warrington Wood in Rome in 1881. It was remodelled from a bust sculpted by Wood in London in 1869, which was exhibited the following year at the Royal Academy. Layard was not pleased with the original bust so had this version made 12 years later. It is chiselled 'AUSTEN HENRY LAYARD' across the front.Layard's archaeological excavations in Assyria made his name while he was still only in his early thirties. Most of his massive finds from Nimrud and Nineveh now form the greater part of the British Museum's collection of Assyrian antiquities.He entered Parliament and held Cabinet office; served as ambassador in Madrid and Constantinople; became a Trustee of the National Gallery; and built up a large collection of paintings, mainly of works by Italian artists, most of which he bequeathed to the National Gallery.
Collection:: National Gallery

Accession date:: 1943-01-01
Date - earliest / single:: 1943
Date - latest:: 1943
Acquisition source:: Vice-Admiral Arthur John Layard Murray
Credit line:: Presented by Vice-Admiral Arthur John Layard Murray, 1943
Current location:: Not on display
Current reproduction location:: 1/974/49/792/mid_N-5449-00-000011.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 64.00
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 37.00
Dimension:: Depth
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 25.50
Form:: Structural
Inscription content:: Signed; Dated and inscribed
Material:: marble, carved
Material:: carving
Material:: Carrara marble
Object name:: Sculpture; British
Object production date:: 1881
Date - earliest / single:: 1881
Date - latest:: 1881
Object production date:
Date - period:: 1875-99
Object production person:: John Warrington Wood
Person's birth date:: 1839
Person's death date:: 1886
Object production place:: Britain
Other number:: NG5449
Other number type:: object number
Other number:: 0EG8-0001-0000-0000
Other number type:: PID
Other number:: NG5449
Other number type:: display number
Other number:: 000-02O1-0000
Other number type:: PID (NG alternative)
Other number:: ng35449
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: portraits
Style:: realist
Style:: Victorian
User's reference:: National Gallery Catalogues: The British School
Reference details:: 181-2
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: National Gallery Catalogues: The British School
Reference details:: 109-10
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 738
Reference note:: Key bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: The British Paintings
Reference details:: 306-15
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The National Gallery: 1938-1954
Reference details:: 94
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Austen Henry Layard tra l'Oriente e Venezia: Venezia, 26-28 ottobre 1983
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Archaeologists and Aesthetes in the Sculpture Galleries of the British Museum 1800-1939
Reference details:: 155-8
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Handbook of Painting: The Italian Schools
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Nineveh and Its Remains
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Discoveries in the Ruins of Nineveh and Babylon
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Giovanni Santi and the Frescoes of Cagli
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Domenico Ghirlandaio and His Fresco of the Death of St Francis
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Early Adventures
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Sir A. Henry Layard, G.C.B., D.C.L.: Autobiography and Letters
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Earlier Italian Schools
Reference details:: 574
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The British School
Reference details:: 426-30
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Houses of Parliament
Reference details:: 180
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Assyrian Sculpture
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Sir Charles Eastlake and the Victorian Art World
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart
Reference details:: 34.243
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Layard of Nineveh
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Manchester Art Treasures Exhibition
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Architecture of All Countries
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The National Gallery
Reference note:: Select bibliography
Reference type:: reference
User's reference:: German, Flemish and Dutch Art
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Paper on Mosaic Decoration
Reference details:: 357
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Italian Painters
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The National Portrait Gallery
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Henry Layard: Nineteenth Century Aesthete
Reference details:: 166
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Layard di Ninive, Spinello Aretino e Piero Della Francesca
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Morelli and the Layard Collection: Influence as Intellectual Exchange
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Introduction
Reference note:: Select Bibliography
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/5eb039c1-09df-3f18-9a7e-2a889d810212

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/5eb039c1-09df-3f18-9a7e-2a889d810212, National Gallery, CC BY

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Title:: Portrait of a Woman aged about 45
Object name(s):: Picture; British
Brief description:: This painting and Portrait of a Man aged about 45, also in the National Gallery, were designed to hang together as portraits of a husband and wife. They are said to have been given by the painter Sir William Boxall RA, director of the National Gallery from 1865 to 1874, to his friend, the architect James Wyatt RA (1746--1813). Wyatt’s great-grandson, H.W. Standen, presented them to the National Gallery in 1964 as a 'Self-Portrait of William Boxall and a companion portrait of his wife'. However, the features in the man's portrait are unlike those in Boxall's Self Portrait at the Age of Nineteen, also in the National Gallery's collection, and he never married. It is now thought more likely that this is an early portrait by Boxall of his mother. The companion male portrait probably shows his father.
Collection:: National Gallery

Accession date:: 1964-01-01
Date - earliest / single:: 1964
Date - latest:: 1964
Acquisition source:: H.W. Standen
Credit line:: Presented by H.W. Standen, 1964
Current location:: Not on display
Current reproduction location:: 1/270/544/414/mid_N-6353-00-000010.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 30.20
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 25.60
Form:: None
Material:: oil on wood
Material:: oil
Material:: wood
Object name:: Picture; British
Object production date:: about 1830
Date - earliest / single:: 1830
Date - latest:: 1830
Object production date:
Date - period:: 1825-49
Object production person:: British
Object production person:: Sir William Boxall
Person's birth date:: 1800
Person's death date:: 1879
Object production place:: Britain
Object production place:: London
Other number:: NG6353
Other number type:: object number
Other number:: 0EBD-0001-0000-0000
Other number type:: PID
Other number:: NG6353
Other number type:: display number
Other number:: 000-02XO-0000
Other number type:: PID (NG alternative)
Other number:: ng36353
Other number type:: sort number
Owner:: Sir William Boxall
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: three-quarter length portraits
Style:: female portraits
Style:: neoclassical
Style:: Georgian
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 74
Reference note:: Key bibliography
Reference type:: reference
User's reference:: The National Gallery: June 1962 - December 1964
Reference details:: 103
Reference note:: Key bibliography
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/11c49f72-2a06-3a2a-892a-338ab5b07698

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/11c49f72-2a06-3a2a-892a-338ab5b07698, National Gallery, CC BY

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Title:: Lavacourt under Snow
Object name(s):: Picture; French
Brief description:: Snow scenes were a particular favourite among the Impressionists, and Monet painted several canvases that explore the way sunlight plays upon the snow, reflecting tones of red, pink, purple and blue at different times of day. He produced this scene of Lavacourt, a tiny hamlet on a bend in the Seine, when he was living in Vétheuil on the opposite side of the river.The picture is dated 1881, but it may have been painted earlier, during the winter of 1879/80, which was unusually cold. The Seine froze over and Monet was captivated by the way the landscape was transformed by snow and ice, braving the freezing temperatures to set up his easel out of doors. The great bank of snow in the foreground is conveyed with broad sweeps of the brush, the whites overlain with blues. The cold tones suggest that this side of the river is in shadow, unlike the opposite side, where the pink tones suggests the warmth of pale sunlight.
Collection:: National Gallery

Accession date:: 1917-01-01
Date - earliest / single:: 1917
Date - latest:: 1917
Acquisition source:: Sir Hugh Percy Lane
Credit line:: Sir Hugh Lane Bequest, 1917, The National Gallery, London. In partnership with Hugh Lane Gallery, Dublin.
Current location:: Room 41
Current reproduction location:: 1/149/312/110/mid_N-3262-00-000022.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 59.70
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 80.60
Form:: None
Inscription content:: Signed; Dated
Material:: oil on canvas
Material:: oil
Material:: canvas
Object name:: Picture; French
Object production date:: about 1878-81
Date - earliest / single:: 1878
Date - latest:: 1881
Object production date:
Date - period:: 1875-99
Object production person:: Claude Monet
Person's birth date:: 1840
Person's death date:: 1926
Object production place:: France
Other number:: NG3262
Other number type:: object number
Other number:: 0CXU-0001-0000-0000
Other number type:: PID
Other number:: NG3262
Other number type:: display number
Other number:: 000-01CA-0000
Other number type:: PID (NG alternative)
Other number:: ng33262
Other number type:: sort number
Owner:: Sir Hugh Percy Lane
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: winter scenes
Style:: river scenes
Style:: landscapes
Style:: Impressionist
User's reference:: National Gallery Catalogues: French School
Reference details:: 160-1
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 463
Reference note:: Key bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc.
Reference details:: 104
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Hugh Lane and his Pictures
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Courtauld Collection: A Catalogue and Introduction
Reference details:: 66-7, 68
Reference note:: Select bibliography
Reference type:: reference
User's reference:: La vie de Monet
Reference details:: 234
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Monet: Nature into Art
Reference details:: 121
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Impressionisim for England: Samuel Courtauld as Patron and Collector
Reference details:: 10
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Methods of the Masters. Monet
Reference details:: 82-3
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Monet
Reference details:: 283
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Claude Monet 1840-1926. Ein Fest für die Augen
Reference details:: 104
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Colour of Time: Claude Monet
Reference details:: 138-9
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Claude Monet: Biographie et catalogue raisonné
Reference details:: 1.336, 5.33
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Claude Monet. Catalogue raisonné
Reference details:: 2.201-2
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Introducing Impressionism. Frank Rutter, Lucien Pissarro and Friends
Reference details:: 212
Reference note:: Select bibliography
Reference type:: reference
User's reference:: National Gallery, II: Sir Hugh Lane's Pictures
Reference details:: 7
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Analyses of Paint Media
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Modern French Pictures at the National Gallery
Reference details:: 57
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Impressionism
Reference details:: 182-7
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Impressionism in Britain and Ireland
Reference details:: 161-2
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: The National Gallery Bill and Sir Hugh Lane's Bequest
Reference details:: 396
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Grosse Berliner Kunst-Ausstellung
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Simon Sainsbury bequest to Tate and the National Gallery / edited by Andrew Wilson ; with contributions by Lucy Askew … Christopher Riopelle … et al.].
Reference details:: Ill. fig. 7 (p. 51)
Reference type:: reference
User's reference:: Hugh Lane : founder of a gallery of modern art for Ireland /edited by Barbara Dawson ; assisted by Logan Sisley, Jessica O'Donnell, and Michael Dempsey.
Reference details:: Ill. (p. 145)
Reference type:: reference
User's reference:: Light : a National Gallery touring exhibition in partnership with Bristol Museums and Art Gallery and the Laing Art Gallery, Newcastle upon Tyne /[written by Sarah Richardson].
Reference type:: reference
User's reference:: A closer look : colour /David Bomford and Ashok Roy.
Reference details:: Ill. fig. 34 (p. 37)
Reference type:: reference
User's reference:: Colour and light : fifty Impressionist and post-Impressionist works at the National Museum of Wales /Ann Sumner ; with contributions by Louisa Briggs and Julia Carver.
Reference details:: Ill. (p. 19)
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/69c2d09e-e23e-3bfe-bec8-8ad6a69cc9bb

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/69c2d09e-e23e-3bfe-bec8-8ad6a69cc9bb, National Gallery, CC BY

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Title:: Portrait of Martin Colnaghi
Object name(s):: Picture; British
Brief description:: Martin Colnaghi (1821--1908) was a picture dealer and collector with a keen interest in old master paintings, especially Dutch and Flemish pictures. He is portrayed in his outdoor clothes, sitting on a buttoned red leather seat in front of a large gilt-framed landscape oil painting; he has removed his top hat and one glove but not his coat, suggesting that he is not at home. Perhaps he is visiting the National Gallery.Colnaghi was a considerable benefactor to the Gallery, leaving it five paintings and the sum of £75,000 in his will. The funds were used to buy 13 paintings, including works by Cezanne and Delacroix.One of four known portraits of Colnaghi, this picture was exhibited at the Royal Academy in 1889. It was donated to the Gallery by Colnaghi's widow, Amy, after his death in 1908.
Collection:: National Gallery

Accession date:: 1908-01-01
Date - earliest / single:: 1908
Date - latest:: 1908
Credit line:: Presented by Mrs Martin H. Colnaghi, 1908
Current location:: Not on display
Current reproduction location:: 993/372/509/mid_N-2286-00-000009.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 111.80
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 87.00
Form:: None
Material:: oil on canvas
Material:: oil
Material:: canvas
Object name:: Picture; British
Object production date:: 1889
Date - earliest / single:: 1889
Date - latest:: 1889
Object production date:
Date - period:: 1875-99
Object production person:: John Callcott Horsley
Person's birth date:: 1817
Person's death date:: 1903
Other number:: NG2286
Other number type:: object number
Other number:: 0HAT-0001-0000-0000
Other number type:: PID
Other number:: NG2286
Other number type:: display number
Other number:: M913
Other number type:: Previous Object Number
Other number:: 000-062X-0000
Other number type:: PID (NG alternative)
Other number:: ng32286
Other number type:: sort number
Owner:: Martin H. Colnaghi
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: realist
Style:: Victorian

Persistent shareable link for this record: https://museumdata.uk/objects/cfb66b9d-0cb0-39b7-8786-c6bf14d6a7ea

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/cfb66b9d-0cb0-39b7-8786-c6bf14d6a7ea, National Gallery, CC BY

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Title:: Le Bec du Hoc, Grandcamp
Object name(s):: Picture; French
Brief description:: Seurat painted his first coastal scenes and seascapes at Grandcamp in Normandy which he visited in the summer of 1885. The rocky peak of Le Bec du Hoc lay to the east. It was a spectacular geological feature which was greatly reduced by bombardment during the Second World War. Seurat made an oil sketch on the spot (Canberra, Australian National Gallery), which served as a study for this painting. In 1888, prior to exhibiting the painting for the fourth time, the artist reworked its surface with fine touches of paint, and also added the painted border, modulating the colours in relation to the painting itself.
Collection:: National Gallery

Credit line:: On loan from Tate: Purchased 1952
Current location:: Not on display
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 64.80
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 81.60
Form:: None
Inscription content:: Signed
Material:: Oil on canvas
Object name:: Picture; French
Object production date:: 1885
Date - earliest / single:: 1885
Date - latest:: 1885
Object production date:
Date - period:: 1875-99
Object production person:: Georges Seurat
Person's birth date:: 1859
Person's death date:: 1891
Other number:: L728
Other number type:: object number
Other number:: 0DCL-0001-0000-0000
Other number type:: PID
Other number:: L728
Other number type:: display number
Other number:: N06067
Other number type:: Lender Object Number
Other number:: 000-012P-0000
Other number type:: PID (NG alternative)
Other number:: l2728
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: pointillist
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 786
Reference note:: Key bibliography
Reference type:: reference
User's reference:: Radiance : the Neo-Impressionists /Marina Ferretti Bocquillon ; with contributions by Ted Gott and Elizabeth Cross.
Reference details:: Ill. (p. 34)
Reference type:: reference
User's reference:: Eblouissants reflets : cent chefs-d'œuvre Impressionnistes /auteurs du catalogue, Sylvain Amic [and others].
Reference details:: Ill. fig. 36 (p. 58)
Reference type:: reference
User's reference:: Van Gogh at work / Marije Vellekoop ; with contributions by Nienke Bakker … [et al.].
Reference details:: Ill. fig. 180 (p. [132])
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/77478b47-8685-3e11-91d8-4c7db5f48cdd

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/77478b47-8685-3e11-91d8-4c7db5f48cdd, National Gallery, CC BY

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Title:: Saint Peter
Object name(s):: Picture; Italian
Brief description:: This is a fragment of a painting made in the fresco technique, which involves applying paint to wet plaster. Once dried, the painting becomes part of the wall. It shows a bearded saint -- identifiable by his halo -- shown in profile, and comes from the church of Santa Maria del Carmine in Florence. It may have formed part of the decoration of the chapel dedicated to Saint Andrew.The remains of various frescoes were discovered in the chapel in 1859. This one was bought by the archaeologist and explorer, Austen Henry Layard, who left it to the National Gallery in his will. Layard was a founder of the Arundel Society, which aimed to document frescoes in Italian churches and palaces through drawings and art-historical descriptions.This fragment is in very poor condition. It is covered in tiny dents, probably caused by air bubbles that erupted as the plaster was drying. It is slightly concave, perhaps due to its position in the chapel: it might have decorated a vault in the ceiling.
Collection:: National Gallery

Accession date:: 1916-01-01
Date - earliest / single:: 1916
Date - latest:: 1916
Acquisition source:: Sir Austen Henry Layard
Associated concept:: religious imagery
Associated concept:: saints (unidentified)
Credit line:: Layard Bequest, 1916
Current location:: Not on display
Current reproduction location:: 3/979/921/490/mid_N-3120-00-000012.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 42.80
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 32.80
Form:: None
Material:: fresco
Material:: fresco
Object name:: Picture; Italian (Florentine)
Object production date:: 1350s
Date - earliest / single:: 1350
Date - latest:: 1359
Object production date:
Date - period:: 1350-99
Object production person:: Italian, Florentine
Object production place:: Italy
Object production place:: Florence
Other number:: NG3120
Other number type:: object number
Other number:: 0G5T-0001-0000-0000
Other number type:: PID
Other number:: NG3120
Other number type:: display number
Other number:: 000-04TT-0000
Other number type:: PID (NG alternative)
Other number:: ng33120
Other number type:: sort number
Owner:: Sir Austen Henry Layard
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: Gothic
Style:: early Renaissance
User's reference:: National Gallery Catalogues: The Italian Paintings before 1400
Reference details:: 202-3
Reference note:: Latest catalogue
Reference type:: reference
User's reference:: National Gallery Catalogues: The Earlier Italian Schools
Reference details:: 188
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: National Gallery Catalogues: The Earlier Italian Schools
Reference details:: 146
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 339
Reference note:: Key bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: The Early Italian Schools before 1400
Reference details:: 25
Reference note:: Select bibliography
Reference type:: reference
User's reference:: A New History of Painting in Italy: From the Second to the Sixteenth Century
Reference details:: 1.365
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Storia della pittura in Italia dal secolo II al secolo XVI
Reference details:: 2.35
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Ragionamento intorno all'antica chiesa del Carmine di Firenze
Reference details:: 13
Reference note:: Select bibliography
Reference type:: reference
User's reference:: National Gallery: Catalogue of the Pictures at Trafalgar Square
Reference details:: 99
Reference note:: Select bibliography
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/95870096-c2f2-3221-ae58-b5f4a7b373f1

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/95870096-c2f2-3221-ae58-b5f4a7b373f1, National Gallery, CC BY

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Title:: Saint Michael: Roundel above Left Panel
Object name(s):: Picture; Italian
Brief description:: This small roundel of the Archangel Michael comes from a large polyptych (multi-panelled altarpiece) painted by the Florentine artist Giovanni dal Ponte for the high altar of the church of Saint Giovanni Evangelista in Pratovecchio in Tuscany. In it, Saint Michael holds a sword for fighting the devil and scales to weigh souls at the Last Judgement.Other panels from the altarpiece are also in the National Gallery -- it's one of the most complete early Renaissance polyptychs in the collection.
Collection:: National Gallery

Accession date:: 1857-01-01
Date - earliest / single:: 1857
Date - latest:: 1857
Credit line:: Bought, 1857
Current location:: Not on display
Current reproduction location:: 3/551/842/183/mid_N-0580-06-000009.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 13.40
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 13.40
Form:: None
Material:: egg tempera on wood
Material:: egg tempera
Material:: poplar
Object name:: Picture; Italian
Object production date:: about 1420-4?
Date - earliest / single:: 1420
Date - latest:: 1424
Object production date:
Date - period:: 1400-49
Object production person:: Giovanni dal Ponte
Person's birth date:: 1385
Person's death date:: 1437
Other number:: NG580.6
Other number type:: object number
Other number:: 0FCV-0001-0000-0000
Other number type:: PID
Other number:: NG580.6
Other number type:: display number
Other number:: NG580
Other number type:: Previous Object Number
Other number:: 000-0329-0000
Other number type:: PID (NG alternative)
Other number:: ng2580.06
Other number type:: sort number
Owner:: Ugo Baldi
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: Gothic
Style:: early Renaissance
User's reference:: National Gallery Catalogues: The Fifteenth Century Italian Paintings
Reference details:: 104-17
Reference note:: Latest catalogue
Reference type:: reference
User's reference:: National Gallery Catalogues: The Earlier Italian Schools
Reference details:: 246-7
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: National Gallery Catalogues: The Earlier Italian Schools
Reference details:: 192-3
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 268
Reference note:: Key bibliography
Reference type:: reference
User's reference:: The National Gallery : review of the year, April 2011 – March 2012
Reference details:: Ill. (p. [41])
Reference type:: reference
User's reference:: A closer look : angels /Erika Langmuir.
Reference details:: Ill. fig. 59 (p. 77); ill. fig. 62 (p. 79)
Reference type:: reference
User's reference:: Devotion by design : Italian altarpieces before 1500 /Scott Nethersole.
Reference details:: Ill. fig. 41 (p. 62)
Reference type:: reference
User's reference:: »Kult Bild« : das Altar- und Andachtsbild von Duccio bis Perugino /Ausstellung und Katalog von Jochen Sander mit Beiträgen von Matthias Th. Kloft … [et al.]
Reference details:: Ill. fig. 52 (p. 88)
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/05e6ca23-48d9-3f74-8db5-4e2614cff6fc

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/05e6ca23-48d9-3f74-8db5-4e2614cff6fc, National Gallery, CC BY

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Title:: Portrait of the Artist's Daughter Mary
Object name(s):: Picture; British
Brief description:: This portrait of Gainsborough's older daughter Mary was produced in 1777 around the same time as a portrait made of his youngest, Margaret Gainsborough, holding a Theorbo (NG6687), which entered the National Gallery Collection in 2019. Unusually, the artist has inscribed the work with the name of the sitter and signed it, indicating the work is complete. These paintings of the two sisters were kept by the artist’s descendants throughout the nineteenth century, reflecting their importance to the family.Both portraits are notably unfinished, though Margaret’s is less finished than this painting of Mary, as are The Artist’s Daughters, chasing a Butterfly (NG1811) and The Artist’s Daughters, playing with a Cat (NG3812), also in the National Gallery Collection. The loose handling and experimentation adopted in all these works reflect the intimate relationship the artist held with each sitter. Together they demonstrate his distinctive approach to representing his family.This work also reflects Gainsborough’s knowledge of, and desire to emulate, paintings by great artists from previous generations. The painting to which the portrait of Mary alludes, is now known to be a painting by Peter Paul Rubens (1577–1640) of his wife.
Collection:: National Gallery

Credit line:: Tate: Bequeathed by Sir Otto Beit 1945
Current location:: Room 34
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 77.50
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 64.80
Inscription content:: Dated and inscribed
Material:: Oil on canvas
Object name:: Picture; British
Object production date:: 1777
Date - earliest / single:: 1777
Date - latest:: 1777
Object production date:
Date - period:: 1775-99
Object production person:: Thomas Gainsborough
Person's birth date:: 1727
Person's death date:: 1788
Object production place:: England
Other number:: L1352
Other number type:: object number
Other number:: 013B-000B-0000-0000
Other number type:: PID
Other number:: L1352
Other number type:: display number
Other number:: N05638
Other number type:: Lender Object Number
Other number:: l31352
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: Georgian

Persistent shareable link for this record: https://museumdata.uk/objects/96e42586-825d-39b4-a8ae-626a64386dab

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/96e42586-825d-39b4-a8ae-626a64386dab, National Gallery, CC BY

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Title:: Chelsea Pensioners Reading the Waterloo Dispatch
Object name(s):: Picture; British
Brief description:: This acknowledged masterpiece represents Wilkie at the height of his powers. Melding seventeenth century Dutch and Flemish influences with the contemporary demand for genre scenes, the artist created an artwork that celebrated the victory of the Battle of Waterloo (1815), while redefining what constituted ‘history painting’. Chelsea Pensioners caused a sensation at the Royal Academy in 1822 and confirmed the artist’s preeminent position in the British Art world. The National Gallery was founded two years later with the acquisition of 38 paintings from the estate of John Julius Angerstein, among which were works by William Hogarth, Joshua Reynolds, and The Village Holiday by Wilkie. From the beginning, British art and Wilkie, then a contemporary living artist, was central to the Gallery’s collection.Chelsea Pensioners neatly encapsulates how the emerging National Gallery was a direct outcome of British wartime and post-war pride and patriotism. It was during the Napoleonic War period that London overtook Paris and Amsterdam as the centre of the old master market and critical and popular opinion moved decidedly towards the idea that British art could now hold its own with the long-established European schools, including that of France.
Collection:: National Gallery

Credit line:: The Wellington Collection, Apsley House
Current location:: Room 34
Inscription content:: Signed; Dated
Material:: Oil on panel
Object name:: Picture; British
Object production date:: 1822
Date - earliest / single:: 1822
Date - latest:: 1822
Object production date:
Date - period:: 1800-24
Object production person:: Sir David Wilkie
Person's birth date:: 1785
Person's death date:: 1841
Object production place:: Britain
Other number:: L1371
Other number type:: object number
Other number:: 0CWX-000B-0000-0000
Other number type:: PID
Other number:: L1371
Other number type:: display number
Other number:: l31371
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: Regency

Persistent shareable link for this record: https://museumdata.uk/objects/69533967-7bf5-319e-a987-21ecf67da2e5

Use licence for this record: CC BY

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Title:: Conversation Piece
Object name(s):: Picture; French
Brief description:: The specific subject of this picture has not been identified. Four figures that seem to be dressed in costumes of the era of Henry IV, around 1600, are shown busy in conversation.Although the picture is signed at the bottom left corner and it is the type of painting favoured by Monticelli, its authenticity has been doubted on stylistic grounds. Not only are the forms more defined, but the colour palette is untypical of him.Technical analysis by National Gallery conservators appears to confirm this observation. In fact, both the panel support of the painting and its technique, with the surface completely covered with paint, are not characteristic of Monticelli. Unsurprisingly, considering he was highly regarded by his contemporaries, his work was widely imitated. This picture was possibly painted by an artist following his style in the 1870s.
Collection:: National Gallery

Accession date:: 1956-01-01
Date - earliest / single:: 1956
Date - latest:: 1956
Acquisition source:: Harry Wearne
Associated concept:: costume
Credit line:: Presented as part of the 'Harry Wearne Collection of Twelve Paintings by Monticelli' to the Tate Gallery, 1939; transferred, 1956
Current location:: Not on display
Current reproduction location:: 1/789/388/488/mid_N-5017-00-000009.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 33.00
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 25.40
Form:: None
Inscription content:: Signed
Material:: oil on wood
Material:: oil
Material:: wood
Object name:: Picture; French
Object production date:: probably 1870-90
Date - earliest / single:: 1870
Date - latest:: 1890
Object production date:
Date - period:: 1850-74
Date - period:: 1875-99
Object production person:: Adolphe Monticelli
Person's birth date:: 1824
Person's death date:: 1886
Object production place:: France
Other number:: NG5017
Other number type:: object number
Other number:: 0E7P-0001-0000-0000
Other number type:: PID
Other number:: NG5017
Other number type:: display number
Other number:: 000-02NI-0000
Other number type:: PID (NG alternative)
Other number:: ng35017
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: Impressionist
User's reference:: National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc.
Reference details:: 109-10
Reference note:: Latest catalogue
Reference type:: reference
User's reference:: National Gallery Catalogues: French School
Reference details:: 163
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 467
Reference note:: Key bibliography
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/15e4bff8-463d-3992-9bd8-56a6027dc498

Use licence for this record: CC BY

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Title:: The Pool
Object name(s):: Picture; French
Brief description:: In July 1873 Courbet fled France for Switzerland and settled in the town of La Tour-de-Peilz on the north shore of Lac Léman (Lake Geneva), near the French border. A label on the back of this view of a lush Alpine valley gives the location as Vevey, on the north shore of the lake and close to La Tour-de-Peilz. It has also been suggested that the view may be in the upper part of the Gorges de Chauderon, above Montreux, which is further east along the shore.Although Courbet painted a number of views of the lake and its surroundings, he did not paint this picture. It was instead painted by an assistant, not as a copy of a Courbet but as an independent picture that belongs to a substantial group of Swiss landscapes painted in the style of Courbet. Although it is sometimes possible to identify the assistant who produced a painting, it is not yet possible in this case.
Collection:: National Gallery

Accession date:: 1917-01-01
Date - earliest / single:: 1917
Date - latest:: 1917
Acquisition source:: Sir Hugh Percy Lane
Credit line:: Sir Hugh Lane Bequest, 1917, The National Gallery, London. In partnership with Hugh Lane Gallery, Dublin.
Current location:: Not on display
Current reproduction location:: 4/233/7/179/mid_N-3243-00-000012.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 72.40
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 58.70
Form:: None
Inscription content:: Signed
Material:: oil on canvas
Material:: oil
Material:: canvas
Object name:: Picture; French
Object production date:: probably 1870-80
Date - earliest / single:: 1870
Date - latest:: 1880
Object production date:
Date - period:: 1850-74
Date - period:: 1875-99
Object production person:: Gustave Courbet
Person's birth date:: 1819
Person's death date:: 1877
Object production place:: France
Other number:: NG3243
Other number type:: object number
Other number:: 0GLD-0001-0000-0000
Other number type:: PID
Other number:: NG3243
Other number type:: display number
Other number:: 000-04OG-0000
Other number type:: PID (NG alternative)
Other number:: ng33243
Other number type:: sort number
Owner:: Sir Hugh Percy Lane
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: landscapes
Style:: Barbizon
User's reference:: National Gallery Catalogues: The Nineteenth Century French Paintings
Reference details:: 272-6
Reference note:: Latest catalogue
Reference type:: reference
User's reference:: National Gallery Catalogues: French School
Reference details:: 62
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 154
Reference note:: Key bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc.
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Hugh Lane and his Pictures
Reference note:: Select bibliography
Reference type:: reference
User's reference:: La vie et l'oeuvre de Gustave Courbet: Catalogue raisonné
Reference details:: 2.248
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Courbet: To Venture Independent
Reference details:: 62-98
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Courbet en Suisse surveillé par la police française
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Das Bild als Parabel: Sur Landschaftsmalerei Gustave Courbets
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Egalität und Autorität in Courbet's Landschaftsmalerei
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Tate Gallery
Reference details:: 202
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Courbet's Landscapes and Their Market
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Courbet et la Suisse
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: National Gallery, II: Sir Hugh Lane's Pictures
Reference details:: 229
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Les Demoiselles des Bords de la Seine
Reference details:: 1-3
Reference note:: Additional references
Reference type:: reference
User's reference:: Hugh Lane : founder of a gallery of modern art for Ireland /edited by Barbara Dawson ; assisted by Logan Sisley, Jessica O'Donnell, and Michael Dempsey.
Reference details:: Ill. (p. 157)
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/53283e66-b535-3cda-9e32-e9c694dc61c7

Use licence for this record: CC BY

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Title:: The Man with the Leather Belt: Portrait of the Artist
Object name(s):: Picture; French
Brief description:: From around 1842 and into the 1850s Courbet painted about 20 self portraits in which he presented himself in different guises. This portrait is a reduced version of The Man with the Leather Belt (Musée d’Orsay, Paris), which Courbet painted around 1845--6.Courbet painted replicas of at least three of his self portraits and it was previously thought that he also painted this version of The Man with the Leather Belt. However, although this portrait is close in almost all details to the original, there are major differences between them. In particular, unlike the very finely painted Orsay picture, the brushwork is more cursory and less detailed.Recent research into the picture’s support and a label on the back also suggests that the painting dates from the early 1880s, and therefore could not have been painted by Courbet himself, who died in 1877. It is instead a copy by someone who had an excellent understanding of the original.
Collection:: National Gallery

Accession date:: 1917-01-01
Date - earliest / single:: 1917
Date - latest:: 1917
Acquisition source:: Sir Hugh Percy Lane
Credit line:: Sir Hugh Lane Bequest, 1917, The National Gallery, London. In partnership with Hugh Lane Gallery, Dublin.
Current location:: Not on display
Current reproduction location:: 634/615/106/mid_N-3240-00-000017.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 45.00
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 37.80
Form:: None
Inscription content:: Signed
Material:: oil on board
Material:: oil
Material:: millboard
Object name:: Picture; French
Object production date:: probably early 1880s
Date - earliest / single:: 1880
Date - latest:: 1882
Object production date:
Date - period:: 1875-99
Object production person:: Gustave Courbet
Person's birth date:: 1819
Person's death date:: 1877
Object production place:: France
Object production place:: Paris
Other number:: NG3240
Other number type:: object number
Other number:: 0GJK-0001-0000-0000
Other number type:: PID
Other number:: NG3240
Other number type:: display number
Other number:: 000-04OB-0000
Other number type:: PID (NG alternative)
Other number:: ng33240
Other number type:: sort number
Owner:: Sir Hugh Percy Lane
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: half length portraits
Style:: male portraits
Style:: realist
User's reference:: National Gallery Catalogues: The Nineteenth Century French Paintings
Reference details:: 248-55
Reference note:: Latest catalogue
Reference type:: reference
User's reference:: National Gallery Catalogues: French School
Reference details:: 59-60
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 152
Reference note:: Key bibliography
Reference type:: reference
User's reference:: Gustave Courbet (1819-1877)
Reference details:: 91
Reference note:: Key bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc.
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Hugh Lane and his Pictures
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Gustave Courbet 1819-1877
Reference details:: 90
Reference note:: Select bibliography
Reference type:: reference
User's reference:: La vie et l'oeuvre de Gustave Courbet: Catalogue raisonné
Reference details:: 1.58
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Courbet et son temps
Reference details:: 11-12, 26
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Autoportraits de Courbet
Reference details:: 3-8
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: National Gallery, II: Sir Hugh Lane's Pictures
Reference details:: 229
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: Hugh Lane : founder of a gallery of modern art for Ireland /edited by Barbara Dawson ; assisted by Logan Sisley, Jessica O'Donnell, and Michael Dempsey.
Reference details:: Ill. (p. 156)
Reference type:: reference
User's reference:: A closer look : deceptions and discoveries /Marjorie E. Wieseman.
Reference details:: Ill. fig. 12 (p. 15); ill. (detail) fig. 13 (p. 15); ill. (detail) fig. 14 (p. 15)
Reference type:: reference
User's reference:: A closer look : conservation of paintings /David Bomford ; with Jill Dunkerton and Martin Wyld.
Reference type:: reference

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Title:: William Seguier
Object name(s):: Picture; British
Brief description:: William Seguier (1772--1843) was a picture dealer and picture cleaner. He was Superintendent of the British Institution from its foundation in 1805, Surveyor, Cleaner and Repairer of the King's Pictures from 1820 and Keeper of the National Gallery from its foundation in 1824. He continued in all three positions until his death. He also advised many private collectors on buying, hanging and cleaning paintings.Seguier's training in trade, the fact that he had never been to Italy and had a Cockney accent prompted continual jibes, but it was conceded that although he lacked airs and graces he was an excellent judge of pictures.Jackson's portrait shows Seguier at the age of 58. The artist, an old friend of the sitter, died before finishing the portrait, which was commissioned by one of Seguier's most wealthy private clients, George Watson Taylor MP.
Collection:: National Gallery

Accession date:: 1950-01-01
Date - earliest / single:: 1950
Date - latest:: 1950
Acquisition source:: Charles H. Seguier-Brown
Credit line:: Presented by Charles H. Seguier-Brown, great-grandson of the sitter, 1950
Current location:: Not on display
Current reproduction location:: 1/631/758/775/mid_N-6022-00-000011.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 78.70
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 65.40
Form:: None
Inscription content:: Inscribed
Material:: oil on canvas
Material:: oil
Material:: canvas
Object name:: Picture; British
Object production date:: 1830
Date - earliest / single:: 1830
Date - latest:: 1830
Object production date:
Date - period:: 1825-49
Object production person:: John Jackson
Person's birth date:: 1778
Person's death date:: 1831
Object production place:: Britain
Object production place:: London
Other number:: NG6022
Other number type:: object number
Other number:: 0EAT-0001-0000-0000
Other number type:: PID
Other number:: NG6022
Other number type:: display number
Other number:: 000-02OD-0000
Other number type:: PID (NG alternative)
Other number:: ng36022
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: half length portraits
Style:: male portraits
Style:: neoclassical
Style:: Georgian
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 355
Reference note:: Key bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: The British School
Reference details:: 71
Reference note:: Select bibliography
Reference type:: reference
User's reference:: National Gallery Catalogues: The British Paintings
Reference details:: 388-98
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The National Gallery: 1938-1954
Reference details:: 96
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Catalogue of the Paintings in the Wellington Museum
Reference details:: 5-15
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The British School
Reference details:: 388-98
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Life and Works of John Jackson RA
Reference details:: 195-6
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Diary of Benjamin Robert Haydon
Reference details:: 1.120, 3.453-61
Reference note:: Select bibliography
Reference type:: reference
User's reference:: A Dictionary of Artists of the English School
Reference details:: 366
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Report from the Select Committee on National Monuments and Works of Art
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Report from the Select Committee on Arts and Their Connexion With Manufactures
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Recollections of the British Institution
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Art in England 1821-1837
Reference details:: 68-72, 74, 93, 103, 120-3, 187, 197-8, 206, 220-3, 270, 345
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Obituary: William Seguier
Reference details:: 1028
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Obituary Notice
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Founding of the National Gallery
Reference details:: 108
Reference note:: Select bibliography
Reference type:: reference
User's reference:: William Seguier, First Keeper of the National Gallery
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Obituary Notice
Reference details:: 3
Reference note:: Select bibliography
Reference type:: reference
User's reference:: The Very Celebrated Collection of Painters' Etchings and Engravings of William Seguier, Esq., Deceased, Late Conservator of the Royal and National Galleries
Reference note:: Select bibliography
Reference type:: reference
User's reference:: A Catalogue of the Choice Cabinet of Pictures, Chiefly of the Dutch and English Schools, of William Seguier, Esq. Deceased: Late Conservator of the Royal and National Galleries
Reference note:: Select bibliography
Reference type:: reference
User's reference:: Picture Frames and Picture Hanging in Apsley House
Reference details:: 17-20
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: William Seguier
Reference details:: 17.1145-6
Reference note:: Select Bibliography
Reference type:: reference
User's reference:: The National Gallery : an illustrated history /Alan Crookham.
Reference details:: Ill. (p. 11)
Reference type:: reference

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Use licence for this record: CC BY

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Title:: Woudrichem
Object name(s):: Picture; Dutch
Brief description:: Woudrichem is a small town in south-western Holland, at the junction of the Maas and the Waal, seventeen miles north-west of 's Hertogenbosch. This is likely to be a late work, painted after the artist's return from France.
Collection:: National Gallery

Credit line:: On loan from Tate: Presented by J.C.J. Drucker 1912
Current location:: Not on display
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 33.00
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 43.80
Form:: None
Inscription content:: Signed
Material:: Oil on wood
Object name:: Picture; Dutch
Object production date:: probably 1890s
Date - earliest / single:: 1890
Date - latest:: 1899
Object production date:
Date - period:: 1875-99
Object production person:: Théophile de Bock
Person's birth date:: 1851
Person's death date:: 1904
Other number:: L690
Other number type:: object number
Other number:: 0D7I-0001-0000-0000
Other number type:: PID
Other number:: L690
Other number type:: display number
Other number:: N02873
Other number type:: Lender Object Number
Other number:: 000-012G-0000
Other number type:: PID (NG alternative)
Other number:: l2690
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: post-Impressionist
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 752
Reference note:: Key bibliography
Reference type:: reference

Persistent shareable link for this record: https://museumdata.uk/objects/c8923d5b-722b-3eaa-9d69-1fc2c21b8189

Use licence for this record: CC BY

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Title:: Nymphs and Children in a Landscape with Shepherds
Object name(s):: Picture; Italian
Brief description:: Formerly attributed to various artists, this work is now considered to be either a copy of a lost work by Giorgione or, more probably, an imitation dating from the late 16th or 17th century.
Collection:: National Gallery

Accession date:: 1900-01-01
Date - earliest / single:: 1900
Date - latest:: 1900
Associated concept:: nymphs
Associated concept:: mythology
Associated concept:: Arcadia
Credit line:: On loan from the Victoria and Albert Museum
Current location:: Not on display
Current reproduction location:: 89/630/38/mid_L-1118-00-000021.jpg
Dimension:: Height
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 46.60
Dimension:: Width
Dimension measured part:: Overall
Dimension measurement unit:: cm
Dimension value:: 87.60
Form:: None
Material:: Oil on wood
Object name:: Picture; Italian (Venetian)
Object production date:: probably 1575-1625
Date - earliest / single:: 1575
Date - latest:: 1625
Object production date:
Date - period:: 1575-99
Date - period:: 1600-24
Date - period:: 1625-49
Object production person:: Giorgione
Person's birth date:: 1473
Person's death date:: 1510
Object production place:: Italy
Object production place:: Venice
Other number:: L1118
Other number type:: object number
Other number:: 0FMH-0001-0000-0000
Other number type:: PID
Other number:: L1118
Other number type:: display number
Other number:: NG1695
Other number type:: Previous Object Number
Other number:: 341-1878
Other number type:: Lender Object Number
Other number:: 000-04K9-0000
Other number type:: PID (NG alternative)
Other number:: l31118
Other number type:: sort number
Responsible department/section:: Main Collection
Right note:: To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:: landscapes
Style:: high Renaissance
User's reference:: National Gallery Catalogues: The Sixteenth Century Italian Schools
Reference details:: 110-11
Reference note:: Latest catalogue
Reference type:: reference
User's reference:: National Gallery Catalogues: The Sixteenth Century Venetian School
Reference details:: 43
Reference note:: Previous catalogues
Reference type:: reference
User's reference:: The National Gallery: Complete Illustrated Catalogue
Reference details:: 262
Reference note:: Key bibliography
Reference type:: reference
User's reference:: Titian : a fresh look at nature /Antonio Mazzotta.
Reference details:: Ill. fig. 59 (p. 70); ill. (detail) fig. 60 (p. 71)
Reference type:: reference

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Use licence for this record: CC BY

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