- Object name(s):
- Tray
- Brief description:
- Tray of red earthenware, of three-lobed form with one large lobe and two small lobes. Each lobe has a circular band of vertical rouletting.
- Collection:
- Victoria and Albert Museum
- Associated concept:
- ELISE
- Associated concept:
- Ceramics
- Associated concept:
- British Galleries
- Associated concept:
- Scotland
- Associated object:
- C.59-1980
- Associated object:
- C.59A-1980
- Associated object:
- C.59B-1980
- Current reproduction location:
- https://framemark.vam.ac.uk/collections/2006AT5605/full/!100,100/0/default.jpg
- Location type:
- Thumbnail
- Dimension:
- Length
- Dimension measurement unit:
- cm
- Dimension value:
- 37.9
- Dimension:
- Height
- Dimension measurement unit:
- cm
- Dimension value:
- 3.1
- Dimension:
- Depth
- Dimension measurement unit:
- cm
- Dimension value:
- 24.0
- Inscription content:
- Impressed: 'Torquay'
- Material:
- Earthenware
- Object history note:
- Probably designed by Christopher Dresser (born in Glasgow, 1834, died in Mulhouse, France, 1904); made by Watcombe Pottery Co.,Torquay, Devon Historical significance: Forms like this would not have been possible without Dresser's appreciation of the Japanese aesthetic. While there is no direct parallel to these forms in Japanese art, it was Dresser's consuming interest in the art and aesthetics of Japan, coupled with his own concerns as a designer for the function of the object and the techniques of mass production, which would inspire work such as this.
- Object name:
- Tray
- Object number:
- C.59C-1980
- Object production date:
- ca. 1870
- Date - association:
- made
- Date - earliest / single:
- 1865-01-01
- Date - latest:
- 1874-12-31
- Object production note:
- Though this piece is not firmly attributed to Dresser he is thought to have supplied the Watcombe pottery with designs from the early 1870s. The simplicity, neatness and angularity of this design is very similar to some of Dresser's metalwork designs of the 1880s. This is part of a set with C.59-1980, C.59A-1980 and C.59C-1980.
- Object production organisation:
- Watcombe Pottery Co.
- Organisation's association:
- maker
- Object production person:
- Dresser, Christopher
- Person's association:
- designer
- Person's biographical note:
- probably
- Object production place:
- Torquay
- Place association:
- made
- Physical description:
- Tray of red earthenware, of three-lobed form with one large lobe and two small lobes. Each lobe has a circular band of vertical rouletting.
- Reproduction number:
- 2006AT5605
- Responsible department/section:
- CER
- Technique:
- impressing
- Technique:
- Red earthenware, glazed
- Text reason:
- Collections online record
- Text:
- Object Type
Watcombe Pottery were proud of their fine red clay and specialised in clean, classical shapes. This suited Dresser's own interest in strong forms. This tray with two beakers and matching jug (Museum numbers C.59&A, B-1980) is sometimes described as a lemonade set although its exact purpose is unknown.
Place
Watcombe Pottery was established in about 1870 following the discovery of a bed of fine red clay at Watcombe House, Teignmouth Road, St Mary Church, north of Torquay. There is no documentary evidence of Dresser's collaboration with Watcombe but it is usually accepted on stylistic grounds. Dresser visited Japan on several occasions and in 1877 presented the Emperor with European artefacts including one example of Watcombe pottery.
Time
A number of potteries grew up or turned to art pottery in the west of England in the 1870s and 1880s. Their reliance on the distinctive local red clay makes their production recognisable as coming from Devon or Somerset. The design of the jug in this set closely resembles one registered by Watcombe in 1872. Documentary evidence is lacking, but it is assumed that Dresser designed for the pottery from about this time. - Text reason:
- Summary description
- Text:
- British Galleries:
JUG AND BEAKER SET AND VASE
Forms like these would not have been possible without Dresser's appreciation of the Japanese aesthetic. While there is no direct parallel to these forms in Japanese art, the straight handles and geometric shapes owe much to the Japanese approach to design. - Text date:
- 27/03/2003
- Text reason:
- Gallery label text
- User's reference:
- Reference:
- Durant, Stuart. Christopher Dresser. London, 1993. p.112.
- User's reference:
- Reference:
- Halén, Widar. Christopher Dresser. Oxford, 1990. pp.129, 136.
Persistent shareable link for this record: https://museumdata.uk/objects/0f2abb5e-2883-33ee-8bce-29496b054452
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/0f2abb5e-2883-33ee-8bce-29496b054452, Victoria and Albert Museum, CC BY-NC
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