- Title:
- Powder flask with hunting scenes
- Object name(s):
- Powder flask
- Brief description:
- Carved with a lion and a bear hunt. In the centre a coat of arms. On the back a turned rosette. A boar and a stag are being attacked by dogs.
- Collection:
- Victoria and Albert Museum
- Associated concept:
- Accessories
- Associated concept:
- Sport
- Associated concept:
- Sculpture
- Content - concept:
- dogs
- Content - concept:
- lions (animals)
- Content - concept:
- bears
- Content - concept:
- stag
- Current reproduction location:
- https://framemark.vam.ac.uk/collections/2012FH1392/full/!100,100/0/default.jpg
- Location type:
- Thumbnail
- Dimension:
- Height
- Dimension measured part:
- whole
- Dimension measurement unit:
- cm
- Dimension value:
- 11.5
- Dimension:
- Diameter
- Dimension measured part:
- of ivory
- Dimension measurement unit:
- cm
- Dimension value:
- 8.2
- Inscription content:
- Carved with a lion and a bear hunt. In the centre a coat of arms. On the back a turned rosette.
- Material:
- ivory
- Object history note:
- Bought for £8 10s from the Bernal Collection at Christie's, London, 26 March 1855, lot 2332. Ralph Bernal (1783–1854) was a renowned collector and objects from his collection are now in museums across the world, including the V&A. He was born into a Sephardic Jewish family of Spanish descent, but was baptised into the Christian faith at the age of 22. Bernal studied at Christ’s College, Cambridge, and subsequently became a prominent Whig politician. He built a reputation for himself as a man of taste and culture through the collection he amassed and later in life he became the president of the British Archaeological Society. Yet the main source of income which enabled him to do this was the profits from enslaved labour. In 1811, Bernal inherited three sugar plantations in Jamaica, where over 500 people were eventually enslaved. Almost immediately, he began collecting works of art and antiquities. After the emancipation of those enslaved in the British Caribbean in the 1830s, made possible in part by acts of their own resistance, Bernal was awarded ‘compensation’ of more than £11,450 (equivalent to over £1.5 million today). This was for the loss of income projected to have come from 564 people enslaved on his estates. These included people like Antora, and her son Edward, who in August 1834 was around five years old (*citation*). Receiving the money appears to have led to an escalation of Bernal’s collecting. When Bernal died in 1855, he was celebrated for ‘the perfection of his taste, as well as the extent of his knowledge’ (*citation*). His collection was dispersed in a major auction during which the Museum of Ornamental Art at Marlborough House, which later became the South Kensington Museum (now the V&A), was the biggest single buyer.
- Object name:
- Powder flask
- Object number:
- 2199-1855
- Object production date:
- ca. 1650 - ca. 1700
- Date - association:
- made
- Date - earliest / single:
- 1645-01-01
- Date - latest:
- 1704-12-31
- Object production person:
- Unknown
- Object production place:
- Germany
- Place association:
- made
- Physical description:
- Carved with a lion and a bear hunt. In the centre a coat of arms. On the back a turned rosette. A boar and a stag are being attacked by dogs.
- Reproduction number:
- 2012FH1392
- Reproduction number:
- 2017KA4059
- Reproduction number:
- 2017KA6943
- Responsible department/section:
- SCP
- Technique:
- carving
- Technique:
- Carved ivory and gilt metal mounts.
- Text reason:
- Collections online record
- Text:
- Powder flasks are portable containers of wood, horn, metal, leather or ceramic used to hold the priming powder or gunpowder for firearms. They normally terminated in a metal nozzle which also served as a powder measure, closed by a plug or spring cap, and are often highly decorated. This ivory circular powder flask is carved with hunting scenes including a lion and a bear. It is in the tradition of the works of Johann Michael Maucher (1645- after 1690) but was made by an unknown artist in about 1650-1700 in Germany.
- Text reason:
- Summary description
- User's reference:
- Reference:
- Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013
- User's reference:
- Reference:
- Inventory of Art Objects Acquired in the Year 1855. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 94
- User's reference:
- Reference:
- Longhurst, Margaret H. Catalogue of Carvings in Ivory. Part II. London: Victoria and Albert Museum, 1929, p. 89
- User's reference:
- Reference:
- Penny, N. Catalogue of European Sculpture in the Ashmolean Museum, II, Oxford, 1992, p. 130
- User's reference:
- Reference details:
- pp. 393, 394
- User's reference:
- Reference:
- Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, pp. 393, 394, cat. no. 387
Persistent shareable link for this record: https://museumdata.uk/objects/1042c8b2-36fd-36ef-bd5e-92e676a299de
Use licence for this record: CC BY-NC
Attribution for this record: https://museumdata.uk/objects/1042c8b2-36fd-36ef-bd5e-92e676a299de, Victoria and Albert Museum, CC BY-NC
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