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Title:
Mars and Venus
Object name(s):
Picture; Italian
Brief description:
Venus, goddess of love and beauty, twists to embrace her lover, Mars, god of war, who has thrown off his armour in his haste to reach her bed. Mars is only half on the bed with Venus above him as he meets her lips in the urgency of their desire.A pair of doves, an attribute of Venus, are beside winged Cupid, who struggles to untie the laces of Mars' footwear. Venus is married to Vulcan. The voluminous red bed drapes are looped around the bedposts to reveal this scene of adultery like a stage set. The earthiness of the deities' forbidden passion is echoed and expressed in the painting's sultry colour palette. The haste of the brushwork suggests that this picture was never intended to be displayed where it would be closely inspected.When Mars and Venus was presented to the National Gallery in 1838 it was considered unsuitable for public exhibition, and so it hung for many years in the Director's office.
Collection:
National Gallery
Accession date:
1838-01-01
Date - earliest / single:
1838
Date - latest:
1838
Acquisition source:
Hugh Percy, 3rd Duke of Northumberland
Associated concept:
Vulcan
Associated concept:
Venus
Associated concept:
Ridolfi (tr)
Associated concept:
mythology
Associated concept:
Mars
Associated concept:
Cupid
Associated concept:
armour
Associated concept:
doves
Credit line:
Presented by the Duke of Northumberland, 1838
Current location:
Not on display
Current reproduction location:
891/398/104/mid_N-1866-00-000018.jpg
Dimension:
Height
Dimension measured part:
Overall
Dimension measurement unit:
cm
Dimension value:
132.70
Dimension:
Width
Dimension measured part:
Overall
Dimension measurement unit:
cm
Dimension value:
168.40
Form:
None
Material:
oil on canvas
Material:
oil
Material:
canvas
Object name:
Picture; Italian (Venetian)
Object production date:
about 1590
Date - earliest / single:
1590
Date - latest:
1590
Object production date:
Date - period:
1575-99
Object production person:
Palma Giovane
Person's birth date:
1554
Person's death date:
1628
Object production place:
Italy
Object production place:
Venice
Other number:
NG1866
Other number type:
object number
Other number:
0GL0-0001-0000-0000
Other number type:
PID
Other number:
NG1866
Other number type:
display number
Other number:
000-04KR-0000
Other number type:
PID (NG alternative)
Other number:
ng31866
Other number type:
sort number
Owner:
Hugh Percy, 3rd Duke of Northumberland
Responsible department/section:
Main Collection
Right note:
To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Style:
nudes
Style:
high Renaissance
User's reference:
National Gallery Catalogues: The Sixteenth Century Italian Schools
Reference details:
183-4
Reference note:
Previous catalogues
Reference type:
reference
User's reference:
The National Gallery: Complete Illustrated Catalogue
Reference details:
515
Reference note:
Key bibliography
Reference type:
reference
User's reference:
National Gallery Catalogues: The Sixteenth Century Italian Paintings
Reference details:
2.102-7
Reference note:
Select bibliography
Reference type:
reference
User's reference:
National Gallery Catalogues: The Sixteenth Century Venetian School
Reference details:
56-7
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Delaroche and Gautier: Gautier's Views on the 'Execution of Lady Jane Grey' and on other Compositions by Delaroche
Reference details:
183
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Le maraviglie dell'arte
Reference details:
2.202
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Palma il Giovane: L'opera completa
Reference note:
Select bibliography
Reference type:
reference
User's reference:
A Note of the Pictures at Northumberland House Taken and Appraised by Mr Symon Stone the 30th of June 1671
Reference details:
70
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Storia dell'arte italiana
Reference details:
9.7.237
Reference note:
Select bibliography
Reference type:
reference
User's reference:
I pittori bergamaschi dal XIII al XIX secolo
Reference details:
3.541-670
Reference note:
Select bibliography
Reference type:
reference
User's reference:
The Carracci Cartoons at the National Gallery
Reference note:
Select bibliography
Reference type:
reference
User's reference:
A Palma Giovine in the National Gallery?
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Van Dyck and the Earl of Northumberland: Taste and Collecting in Stuart England
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Venetian Seventeenth-Century painting: A Loan Exhibition from Collections in Britain and Ireland
Reference details:
49
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Palma il Giovane, 1548-1628: Disegni e dipinti
Reference details:
192-3
Reference note:
Select bibliography
Reference type:
reference
User's reference:
Van Dyck and the Earl of Northumberland: Taste and Collecting in Stuart England I
Reference note:
Select Bibliography
Reference type:
reference

Persistent shareable link for this record: https://museumdata.uk/objects/58127fab-3263-32b1-8369-9a593d6e249f

Use licence for this record: CC BY

Attribution for this record: https://museumdata.uk/objects/58127fab-3263-32b1-8369-9a593d6e249f, National Gallery, CC BY

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