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Object name(s):
Child's chair
Brief description:
Child's chair of japanned wood, possibly beech, with a round back, turned legs and a cane seat. The back is inlaid with mother of pearl in a Greek key pattern, with circular 'pearls' around the edge of the seat. There is gilded decoration in the form of a broad gold stripe on the seat's apron, thinner parallel lines surrounding the inlay of the chair's back, and scrolling elements on the front legs and the front stretcher.
Collection:
Victoria and Albert Museum
Associated concept:
Furniture
Associated concept:
Children & Childhood
Credit line:
Given by Lady Georgina Craufurd
Current reproduction location:
https://framemark.vam.ac.uk/collections/2017JY3266/full/!100,100/0/default.jpg
Location type:
Thumbnail
Dimension:
Height
Dimension measurement unit:
cm
Dimension value:
68
Dimension:
Width
Dimension measurement unit:
cm
Dimension value:
33
Dimension:
Depth
Dimension measurement unit:
cm
Dimension value:
36
Material:
beech
Material:
mother of pearl
Material:
cane
Object history note:
The donor's family history of the chair held that it was purchased by her ancestor, Athelstan Corbet (1837-1926), at the Exposition Universelle in Paris, during the 1848 revolution. Unfortunately, this would have been impossible, since the first international exhibition was not held until 1851, in London, and the first in Paris was not until 1855. Stylistically, the chair is closer to the later date. It was in her family's possession since the mid-19th century, coming to her via her mother, Helen Corbet (1913-2005), the great-grand daughter of Athelstan Corbet. The chair was given to the Museum in 2017 [2017/324].
Object history note:
Child-sized seating has existed for many centuries, although the earliest confirmed pieces might date from the late fifteenth century. The first nurseries, rooms specifically intended for the use of young children, may have appeared around the same time. In the medieval period, children usually sat on stools in their early years, until old enough to use adult furniture. Until the late-nineteenth century, nursery chairs tended to be miniature versions of adult seating and followed the stylistic conventions of the periods in which they were made. Children’s exposure to fine furniture was meant to build their taste and appreciation for fine things and accelerate their development towards adult life, as well as sending out a clear message of the conspicuous wealth and respectability of their parents.
Object name:
Child's chair
Object number:
B.22-2017
Object production date:
ca. 1855
Date - association:
made
Date - earliest / single:
1850-01-01
Date - latest:
1859-12-31
Object production person:
unknown
Person's association:
maker
Object production place:
France
Place association:
made
Physical description:
Child's chair of japanned wood, possibly beech, with a round back, turned legs and a cane seat. The back is inlaid with mother of pearl in a Greek key pattern, with circular 'pearls' around the edge of the seat. There is gilded decoration in the form of a broad gold stripe on the seat's apron, thinner parallel lines surrounding the inlay of the chair's back, and scrolling elements on the front legs and the front stretcher.
Reproduction number:
2017JY3266
Reproduction number:
2017JY3265
Responsible department/section:
YVA
Technique:
turning
Technique:
carving
Technique:
caning
Technique:
japanning
Technique:
inlay
Technique:
gilding
Technique:
Wood (possibly beech), carved, turned, japanned and inlaid with mother of pearl, cane seat
Text reason:
Collections online record
Text:
Child-sized seating has existed for many centuries, although the earliest confirmed pieces might date from the late fifteenth century. The first nurseries, rooms specifically intended for the use of young children, may have appeared around the same time. In the medieval period, children usually sat on stools in their early years, until old enough to use adult furniture. Until the late-nineteenth century, nursery chairs tended to be miniature versions of adult seating and followed the stylistic conventions of the periods in which they were made. Children’s exposure to fine furniture was meant to build their taste and appreciation for fine things and accelerate their development towards adult life, as well as sending out a clear message of the conspicuous wealth and respectability of their parents.
Text reason:
Summary description

Persistent shareable link for this record: https://museumdata.uk/objects/6376ac19-7c1f-365b-99e6-b979edf16712

Use licence for this record: CC BY-NC

Attribution for this record: https://museumdata.uk/objects/6376ac19-7c1f-365b-99e6-b979edf16712, Victoria and Albert Museum, CC BY-NC

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